³1username³2³2name³2text_default³2version³21³2ts³2980115418³2ip³2192.107.13.173³2data³2newauthor³31³3minor³30³3text³3Recorder (German: Blockflöte; French: Flûte à Bec; Italian Flauto Dolce). A fipple flute, i.e. one with a mouthpiece enabling the breath to be directed at the edge without having to form an embouchure with the lips.  Known in the 18th century simply as Flute = Flauto - the transverse form was separately referred to as Traverso.  It was for the recorder that J.S. Bach wrote the 4th Brandenburg concerto in G major (though Thurston Dart controversially suggested that it was intended for flageolets at a higher pitch, and in a recording under Neville Marriner using Dart's editions it was played an octave higher than usual on sopranino recorders.

The instrument went into decline after the 18th century, being used for about the last time as an other-wordly sound by Gluck in his opera Orfeo ed Euridice.  It was revived at the end of the 19th century by the English researcher into earlier music, Arnold Dolmetsch.  Subsequently it became very popular in schools, since in its initial stages it is relatively easy to play ... though that does not remain the case in more advanced music.
³3summary³3A brief history of the recorder³2tscreate³2980115418³2keepts³2980468364³2id³21072³2host³2192.107.13.xxx³2revision³21³1username³2³2name³2text_default³2version³21³2ts³2980468364³2ip³2149.175.22.128³2data³2text³3Recorder (German: Blockflöte; French: Flûte à Bec; Italian Flauto Dolce). A fipple flute, i.e. one with a mouthpiece enabling the breath to be directed at the edge without having to form an embouchure with the lips.  Known in the 18th century simply as Flute = Flauto - the transverse form was separately referred to as Traverso.  It was for the recorder that J.S. Bach wrote the 4th Brandenburg concerto in G major (though Thurston Dart controversially suggested that it was intended for flageolets at a higher pitch, and in a recording under Neville Marriner using Dart's editions it was played an octave higher than usual on sopranino recorders.

The instrument went into decline after the 18th century, being used for about the last time as an other-wordly sound by Gluck in his opera Orfeo ed Euridice.  It was revived at the end of the 19th century by the English researcher into earlier music, Arnold Dolmetsch.  Subsequently it became very popular in schools, since in its initial stages it is relatively easy to play ... though that does not remain the case in more advanced music.

I played the Recorder when i was in 6th grade
-Zed 
³3minor³30³3newauthor³31³3summary³3*³2tscreate³2980115418³2keepts³2982133727³2id³2111³2host³2dhcp-22-128.lclark.edu³2revision³22