³1username³2³2name³2text_default³2version³21³2ts³2980980986³2ip³262.104.208.68³2data³2newauthor³31³3minor³30³3text³3Hi! I have a great article about Ernest Hemingway, but unfortunately, it is too long for this page (it has about 68k in HTML). If you want to, you can have a look at it at http://people.freenet.de/sonics_homepage/hemtext.html and send me your comments afterwards. sonic_arcormail_de (replace first _ by @ and the other one by . to mail me)
³3summary³3*³2tscreate³2980980986³2keepts³2980981026³2id³21190³2host³2bln2-t3-1.mcbone.net³2revision³21³1username³2³2name³2text_default³2version³21³2ts³2980981026³2ip³262.104.208.68³2data³2text³3Hi! I have a great article about Ernest Hemingway, but unfortunately, it is too long for this page (it has about 68k in HTML). If you want to, you can have a look at it at http://people.freenet.de/sonics_homepage/hemtext.html and help me make it shorter. sonic_arcormail_de (replace first _ by @ and the other one by . to mail me)
³3minor³30³3newauthor³30³3summary³3*³2tscreate³2980980986³2keepts³2980985774³2id³21190³2host³2bln2-t3-1.mcbone.net³2revision³22³1username³2TimShell³2name³2text_default³2version³21³2ts³2980985774³2ip³2216.7.146.114³2data³2newauthor³31³3minor³30³3text³3Hi! I have a great article about Ernest Hemingway, but unfortunately, it is too long for this page (it has about 68k in HTML). If you want to, you can have a look at it at http://people.freenet.de/sonics_homepage/hemtext.html and help me make it shorter. sonic_arcormail_de (replace first _ by @ and the other one by . to mail me)

----

Long articles should be divided into sections, and sections should be on different pages, possibly like this:

 /FamousatTwentyFiveThirtyaMaster
 /FromBoytoManHemingwaysFirstWorldWar

If you break the article down into sections and place those on different pages, there will be no problem with having it be too long for this page.

³3summary³3*³2tscreate³2980980986³2keepts³2981117971³2id³21164³2host³2office.bomis.com³2revision³23³1username³2³2name³2text_default³2version³21³2ts³2981117971³2ip³262.104.208.91³2data³2text³31.Introduction

Death and violence were the two great constants in Hemingway's troubled and ever-changing life. In his infancy, he joined his father on hunting trips and was given his first shotgun at the age of ten. Fifty-one years later, he used one to commit suicide. In the meantime, he had hurt many and many had hurt him. He was a bit like Döblin's Franz Biberkopf, a tough, strong man with strong principles. Life thought that would be too bold to last, and started to hurt him. In fact, much of the beating he had to take and most of the losses he had to cope eith seemed neither his nor anybody else's fault. It seemed that life itself was against him sometimes. Hemingway "believed that life was a tragedy and knew it could only have one end"(Critiques (6.), p. 49), yet he was blessed by it with talent and fame. Maybe that made it harder for him to admit his failures and to correct them. This research paper tries, aside from analyzing the two novels as representatives of his work, to find out the reason for his ongoing decline and to point out mistakes and wrong decisions he made. It also tries to trace alternatives to Hemingway's actual development to reach a conclusion that sums up the effects of violence and death in its various forms upon Ernest Hemingway's life and work.

For easier reading, this text is split in several section. You can get an all-in-one HTML version at http://people.freenet.de/sonics_homepage/hemtext.html

Main Part:Books and Beyond

/FamousatTwentyFiveThirtyaMaster

/FromBoytoManHemingwaysFirstWorldWar

/FromRealitytoFictionAFarewelltoArms

/TheTimeinBetween

/SpaininFlames

/ForWhomtheBellTolls

Robert Jordan and Frederic Henry: Two Facets of Hemingway

/FredericHenry
  Background
  Character
  Development
  Catherine: A vehicle for the women in Hemingway?s life

/RobertJordan
  Background
  Character
  Development
  Pablo
Hemingway Up Close and Personal

/YoungandInnocent

/ThingsTurnSour

/TheEndlessDarkNothingness

/SureShotsTheSecondWorldWar

/TheDownwardSpiral

Conclusion

/ViolenceandRedemption

/WhyItWentWrong

Appendix

/BibliographY



³3minor³30³3newauthor³31³3summary³3*³2tscreate³2980980986³2keepts³2981118074³2id³21190³2host³2bln2-t6-2.mcbone.net³2revision³24³1username³2³2name³2text_default³2version³21³2ts³2981118074³2ip³262.104.208.91³2data³2newauthor³30³3minor³30³3text³31.Introduction

Death and violence were the two great constants in Hemingway's troubled and ever-changing life. In his infancy, he joined his father on hunting trips and was given his first shotgun at the age of ten. Fifty-one years later, he used one to commit suicide. In the meantime, he had hurt many and many had hurt him. He was a bit like D&ouml;blin's Franz Biberkopf, a tough, strong man with strong principles. Life thought that would be too bold to last, and started to hurt him. In fact, much of the beating he had to take and most of the losses he had to cope eith seemed neither his nor anybody else's fault. It seemed that life itself was against him sometimes. Hemingway "believed that life was a tragedy and knew it could only have one end"(Critiques (6.), p. 49), yet he was blessed by it with talent and fame. Maybe that made it harder for him to admit his failures and to correct them. This research paper tries, aside from analyzing the two novels as representatives of his work, to find out the reason for his ongoing decline and to point out mistakes and wrong decisions he made. It also tries to trace alternatives to Hemingway's actual development to reach a conclusion that sums up the effects of violence and death in its various forms upon Ernest Hemingway's life and work.

If you want to know where the quotes are coming from, please refer to the bibliography section. For easier reading, this text is split in several sections, you can get an all-in-one HTML version at http://people.freenet.de/sonics_homepage/hemtext.html

Main Part:Books and Beyond

/FamousatTwentyFiveThirtyaMaster

/FromBoytoManHemingwaysFirstWorldWar

/FromRealitytoFictionAFarewelltoArms

/TheTimeinBetween

/SpaininFlames

/ForWhomtheBellTolls

Robert Jordan and Frederic Henry: Two Facets of Hemingway

/FredericHenry
  Background
  Character
  Development
  Catherine: A vehicle for the women in Hemingway?s life

/RobertJordan
  Background
  Character
  Development
  Pablo
Hemingway Up Close and Personal

/YoungandInnocent

/ThingsTurnSour

/TheEndlessDarkNothingness

/SureShotsTheSecondWorldWar

/TheDownwardSpiral

Conclusion

/ViolenceandRedemption

/WhyItWentWrong

Appendix

/BibliographY



³3summary³3*³2tscreate³2980980986³2keepts³2981119931³2id³21190³2host³2bln2-t6-2.mcbone.net³2revision³25³1username³2³2name³2text_default³2version³21³2ts³2981119931³2ip³262.104.208.91³2data³2text³3Grace Under Pressure

Death and Violence in Ernest Hemingway's Life and Work

1.Introduction

Death and violence were the two great constants in Hemingway's troubled and ever-changing life. In his infancy, he joined his father on hunting trips and was given his first shotgun at the age of ten. Fifty-one years later, he used one to commit suicide. In the meantime, he had hurt many and many had hurt him. He was a bit like D&ouml;blin's Franz Biberkopf, a tough, strong man with strong principles. Life thought that would be too bold to last, and started to hurt him. In fact, much of the beating he had to take and most of the losses he had to cope eith seemed neither his nor anybody else's fault. It seemed that life itself was against him sometimes. Hemingway "believed that life was a tragedy and knew it could only have one end"(Critiques (6.), p. 49), yet he was blessed by it with talent and fame. Maybe that made it harder for him to admit his failures and to correct them. This research paper tries, aside from analyzing the two novels as representatives of his work, to find out the reason for his ongoing decline and to point out mistakes and wrong decisions he made. It also tries to trace alternatives to Hemingway's actual development to reach a conclusion that sums up the effects of violence and death in its various forms upon Ernest Hemingway's life and work.

If you want to know where the quotes are coming from, please refer to the bibliography section. For easier reading, this text is split in several sections, you can get an all-in-one HTML version at http://people.freenet.de/sonics_homepage/hemtext.html

Main Part:Books and Beyond

/FamousatTwentyFiveThirtyaMaster

/FromBoytoManHemingwaysFirstWorldWar

/FromRealitytoFictionAFarewelltoArms

/TheTimeinBetween

/SpaininFlames

/ForWhomtheBellTolls

Robert Jordan and Frederic Henry: Two Facets of Hemingway

/FredericHenry
  Background
  Character
  Development
  Catherine: A vehicle for the women in Hemingway?s life

/RobertJordan
  Background
  Character
  Development
  Pablo
Hemingway Up Close and Personal

/YoungandInnocent

/ThingsTurnSour

/TheEndlessDarkNothingness

/SureShotsTheSecondWorldWar

/TheDownwardSpiral

Conclusion

/ViolenceandRedemption

/WhyItWentWrong

Appendix

/BibliographY



³3minor³30³3newauthor³30³3summary³3*³2tscreate³2980980986³2keepts³2981119975³2id³21190³2host³2bln2-t6-2.mcbone.net³2revision³26³1username³2³2name³2text_default³2version³21³2ts³2981119975³2ip³262.104.208.91³2data³2newauthor³30³3minor³30³3text³3Grace Under Pressure

Death and Violence in Ernest Hemingway's Life and Work

If you want to know where the quotes are coming from, please refer to the bibliography section. For easier reading, this text is split in several sections, you can get an all-in-one HTML version at http://people.freenet.de/sonics_homepage/hemtext.html

1.Introduction

Death and violence were the two great constants in Hemingway's troubled and ever-changing life. In his infancy, he joined his father on hunting trips and was given his first shotgun at the age of ten. Fifty-one years later, he used one to commit suicide. In the meantime, he had hurt many and many had hurt him. He was a bit like D&ouml;blin's Franz Biberkopf, a tough, strong man with strong principles. Life thought that would be too bold to last, and started to hurt him. In fact, much of the beating he had to take and most of the losses he had to cope eith seemed neither his nor anybody else's fault. It seemed that life itself was against him sometimes. Hemingway "believed that life was a tragedy and knew it could only have one end"(Critiques (6.), p. 49), yet he was blessed by it with talent and fame. Maybe that made it harder for him to admit his failures and to correct them. This research paper tries, aside from analyzing the two novels as representatives of his work, to find out the reason for his ongoing decline and to point out mistakes and wrong decisions he made. It also tries to trace alternatives to Hemingway's actual development to reach a conclusion that sums up the effects of violence and death in its various forms upon Ernest Hemingway's life and work.

Main Part:Books and Beyond

/FamousatTwentyFiveThirtyaMaster

/FromBoytoManHemingwaysFirstWorldWar

/FromRealitytoFictionAFarewelltoArms

/TheTimeinBetween

/SpaininFlames

/ForWhomtheBellTolls

Robert Jordan and Frederic Henry: Two Facets of Hemingway

/FredericHenry
  Background
  Character
  Development
  Catherine: A vehicle for the women in Hemingway?s life

/RobertJordan
  Background
  Character
  Development
  Pablo
Hemingway Up Close and Personal

/YoungandInnocent

/ThingsTurnSour

/TheEndlessDarkNothingness

/SureShotsTheSecondWorldWar

/TheDownwardSpiral

Conclusion

/ViolenceandRedemption

/WhyItWentWrong

Appendix

/BibliographY



³3summary³3*³2tscreate³2980980986³2keepts³2981146185³2id³21190³2host³2bln2-t6-2.mcbone.net³2revision³27³1username³2LarrySanger³2name³2text_default³2version³21³2ts³2981146185³2ip³224.234.246.58³2data³2text³3Grace Under Pressure

Death and Violence in Ernest Hemingway's Life and Work

If you want to know where the quotes are coming from, please refer to the bibliography section. For easier reading, this text is split in several sections, you can get an all-in-one HTML version at http://people.freenet.de/sonics_homepage/hemtext.html

1.Introduction

Death and violence were the two great constants in Hemingway's troubled and ever-changing life. In his infancy, he joined his father on hunting trips and was given his first shotgun at the age of ten. Fifty-one years later, he used one to commit suicide. In the meantime, he had hurt many and many had hurt him. He was a bit like D&ouml;blin's Franz Biberkopf, a tough, strong man with strong principles. Life thought that would be too bold to last, and started to hurt him. In fact, much of the beating he had to take and most of the losses he had to cope eith seemed neither his nor anybody else's fault. It seemed that life itself was against him sometimes. Hemingway "believed that life was a tragedy and knew it could only have one end"(Critiques (6.), p. 49), yet he was blessed by it with talent and fame. Maybe that made it harder for him to admit his failures and to correct them. This research paper tries, aside from analyzing the two novels as representatives of his work, to find out the reason for his ongoing decline and to point out mistakes and wrong decisions he made. It also tries to trace alternatives to Hemingway's actual development to reach a conclusion that sums up the effects of violence and death in its various forms upon Ernest Hemingway's life and work.

Main Part:Books and Beyond

/FamousatTwentyFiveThirtyaMaster

/FromBoytoManHemingwaysFirstWorldWar

/FromRealitytoFictionAFarewelltoArms

/TheTimeinBetween

/SpaininFlames

/ForWhomtheBellTolls

Robert Jordan and Frederic Henry: Two Facets of Hemingway

/FredericHenry
  Background
  Character
  Development
  Catherine: A vehicle for the women in Hemingway?s life

/RobertJordan
  Background
  Character
  Development
  Pablo
Hemingway Up Close and Personal

/YoungandInnocent

/ThingsTurnSour

/TheEndlessDarkNothingness

/SureShotsTheSecondWorldWar

/TheDownwardSpiral

Conclusion

/ViolenceandRedemption

/WhyItWentWrong

Appendix

/BibliographY

----

This is very impressive work and quite an enormous contribution to WikiPedia.  First, Andreas, you do realize, I hope, that by posting it on WikiPedia, you have released this work according to the GNUFreeDocumentationLicense?  Second, is there anything in particular that you would like people to do to this work to render it more encyclopedia-like?  (For some similar instructions-to-the-public, see LarrysText.) -- LarrySanger
³3minor³30³3newauthor³31³3summary³3*³2tscreate³2980980986³2keepts³2981571217³2id³21001³2host³2dhcp058.246.lvcm.com³2revision³28