Wikiquote suwikiquote https://su.wikiquote.org/wiki/Tepas MediaWiki 1.47.0-wmf.2 first-letter Média Husus Obrolan Pamaké Obrolan pamaké Wikiquote Obrolan Wikiquote Gambar Obrolan gambar MédiaWiki Obrolan MédiaWiki Citakan Obrolan citakan Pitulung Obrolan pitulung Kategori Obrolan kategori TimedText TimedText talk Modul Pembicaraan Modul Acara Pembicaraan Acara 0 5935 16532 16531 2026-05-12T14:13:18Z Hasnanf 1958 /* Cutatan */ 16532 wikitext text/x-wiki '''Renate Reinsve''' nyaéta aktris asal Norwégia. Anjeunna mimiti debut ngabintangan pilem Oslo, August 31st (2011) karya sutradara Joachim Trier. Salah sahiji préstasina nu kasohor nyaéta dinominasikeun jang panghargaan The Academy's Best Actress 2026 jang pilem anjeunna nu pang anyarna, Sentimental Value anu dirilis taun 2025. == Cutatan == * ''There is something in movies that go into that darkness where I always feel less alone after watching them. And when I started out as an actor, I would do that very subconsciously; I could access things without really knowing how or why. But I no longer believe that it’s necessarily therapeutic to act these things out. You also have to find a different way to process them.'' Aya hiji hal dina pilem anu nyalusur kana éta kapoékan dimana sim kuring sok ngarasa leuwih teu nyorangan saparantos sim kuring nontonna. Sareng nalika sim kuring ngamimitian janten aktor, sim kuring ngalakukeun éta sacara teu sadar; sim kuring tiasa ngaksés sababaraha hal tanpa bener-bener terang kumaha jeung keunaon. Tapi sim kuring tos teu percaya deui yén éta meragakeun hal-hal ieu téh nyageurkeun. Anjeun ogé kedah milarian cara nu béda pikeun ngaprosés éta. * ''I think that’s what we all do from when we are kids; we act out situations that we can’t understand. So kids will play mother and father, or have a baby or play in the kitchen. They play all these things to learn about life. It’s a natural part of being a human. And then some of us grow up and we are still doing it! But hopefully in a more advanced way.'' Sim kuring pikir éta téh anu ku urang sadaya lakukeun nalika urang nuju murangkalih; urang lakonan situasi-situasi anu teu dipikaharti. Janten murangkalih téh bakal ulin indung-bapaan, atawa boga orok-orokan atawa ulin di dapur. Aranjeunna ulin sajaba ieu pikeun diajar ngeunaan kahirupan. Éta téh bagéan anu alamiah tina jadi manusa. Tuluy sababaraha ti urang tumuwuh déwasa sarta urang masih kénéh ngalakonanna! Tapi harepanna mah dina cara anu leuwih ahli. * ''I’ve been asked to leave most places, except for acting. That’s the only place that I really belong. I was like, ‘What has this fox eaten today? Where has it been?’ And no one taught me how to do that, but that’s what acting is. All the kids were, like, twirling around having fun, but I was very serious. I remember that moment very vividly, being in that fox suit and stepping onto the stage.'' Sim kuring sering dipiwarang ingkah ti seueur tempat, iwal ti ngalalakon. Éta téh hiji-hijina tempat anu sim kuring bener-bener betah. Sim kuring siga, 'Naon anu dituang ku rubah téh poe ieu? Kamana waé éta téh' Sarta teu aya sasaha anu ngajarkeun sim kuring cara ngalakukeun éta, nanging nya kitu waé ngalalakon mah. Sadaya murangkalih, siga, puputeran bungah, tapi sim kuring serius pisan. Sim kuring inget hiji mangsa jelas pisan, nganggo hiji kostum rubah teras naék kana panggung. * ''In Norway, we have a very short film history. We are starting to establish something now. It’s exciting to be a part of building something.'' Di Norwégia, urang miboga sajarah pilem anu pondok pisan. Urang masih ngamuléy ngawangun barang hiji hal ayeuna. Ieu téh nyugemakeun pikeun jadi salah sahiji bagéan tina ngawangun hiji hal. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 5aoegcxdvl4uyzg6rrlmstgb5gof268 0 5936 16533 16259 2026-05-12T14:32:29Z Hasnanf 1958 16533 wikitext text/x-wiki '''If I Had Legs I'd Kick You''' nyaéta pilem drama asal Amerika karya sutradara Mary Bronstein. Pilem ieu dibéntangan ku Rose Byrne, anu merankeun saurang indung anu tutuluyan kudu ngaliwatan rupa-rupa masalah, anu tuluy beuki parah nepika ngacokeun pikiranna. Pilem ieu mimiti ditayangkeun di 2025 Sundance Film Festival, anu tuluy mawa pilem ieu meunang pangangkon ti sababaraha panghargaan. == Plot == Linda, saurang indung sakaligus psikoterapis, diuji wates kakuatanna nalika ngurus murangkalih awéwéna, anu miboga kalainan pédiatris dina patuanganna sahingga ngabutuhkeun perawatan anu dibéré unggal peutingna dina selang tuangeun sarta kudu ilubiung dina program poéan di rumah sakit unggal poéna. Carogéna, Charlie, digawé jauh salaku kaptén kapal. Kondisi kulawarga Linda beuki parah nalika apartemenna kabanjiran sanggeus langit-langitna poros. Ku kituna, Linda jeung murangkalihna pindah samentara ka motél nu ropoh. Ku lantaran teu bisa saré, Linda sering kaluar ti kamar motélna ti peuting tuluy nginum inuman keras, ngudud, sarta bulak-balik ka aparteménna. Masalah unggal poé miparah sanggeus pasiénna Linda, Caroline, saurang indung anu anyar ngajuru, kabur ninggalkeun orokna di ruang terapi. == Cutatan == === Linda === * ''Nothing is familiar or real.'' ''Ever.'' ''Every time I feel this way I get further and further away'' ''from being in myself, and, like, I can never get back.'' * Okay, listen. When you’re having these feelings of deep panic at home with Riley, just put him in his crib or carrier or somewhere safe… and draw a bath. Just breathe until your heart isn’t racing anymore, come out and get dressed, start the day over again… put on some real clothes. These feelings that you’re experiencing they are… they’re very, very, very scary. Okay? And very dark. And that’s why you need to keep moving. You need to keep going. You need to be busy. You can’t sit inside the fear and doubt and scariness. * I just want someone to tell me what to do. No one will tell me. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] rh70ktw9laa2ag4ao66393sbvjwgful 16534 16533 2026-05-12T14:41:34Z Hasnanf 1958 /* Linda */ 16534 wikitext text/x-wiki '''If I Had Legs I'd Kick You''' nyaéta pilem drama asal Amerika karya sutradara Mary Bronstein. Pilem ieu dibéntangan ku Rose Byrne, anu merankeun saurang indung anu tutuluyan kudu ngaliwatan rupa-rupa masalah, anu tuluy beuki parah nepika ngacokeun pikiranna. Pilem ieu mimiti ditayangkeun di 2025 Sundance Film Festival, anu tuluy mawa pilem ieu meunang pangangkon ti sababaraha panghargaan. == Plot == Linda, saurang indung sakaligus psikoterapis, diuji wates kakuatanna nalika ngurus murangkalih awéwéna, anu miboga kalainan pédiatris dina patuanganna sahingga ngabutuhkeun perawatan anu dibéré unggal peutingna dina selang tuangeun sarta kudu ilubiung dina program poéan di rumah sakit unggal poéna. Carogéna, Charlie, digawé jauh salaku kaptén kapal. Kondisi kulawarga Linda beuki parah nalika apartemenna kabanjiran sanggeus langit-langitna poros. Ku kituna, Linda jeung murangkalihna pindah samentara ka motél nu ropoh. Ku lantaran teu bisa saré, Linda sering kaluar ti kamar motélna ti peuting tuluy nginum inuman keras, ngudud, sarta bulak-balik ka aparteménna. Masalah unggal poé miparah sanggeus pasiénna Linda, Caroline, saurang indung anu anyar ngajuru, kabur ninggalkeun orokna di ruang terapi. == Cutatan == === Linda === * ''Nothing is familiar or real.'' ''Ever.'' ''Every time I feel this way I get further and further away'' ''from being in myself, and, like, I can never get back.'' Teu aya hiji-hiji acan anu karasa wanoh atawa nyata. Unggal sim kuring ngarasa siga kitu, sim kuring ngarasa beuki jauh jeung jauh ti jadi diri sorangan, sarta, siga, sim kuring moal bisa balik deui. * ''Okay, listen. When you’re having these feelings of deep panic at home with Riley, just put him in his crib or carrier or somewhere safe… and draw a bath. Just breathe until your heart isn’t racing anymore, come out and get dressed, start the day over again… put on some real clothes. These feelings that you’re experiencing they are… they’re very, very, very scary. Okay? And very dark. And that’s why you need to keep moving. You need to keep going. You need to be busy. You can’t sit inside the fear and doubt and scariness.'' Muhun, dangukeun. Nalika anjeun migaduh rarasaaan-rarasaan panik anu parah ieu di bumi sareng Riley, tempatkeun anjeunna dina ranjangna atawa dina aisan atawa di mana waé anu aman... teras ibak. Napas waé dugi ka jajantung anjeun henteu ratug deui, kaluar teras diacuk, muléy deui dinten ti awal.. diacuk nu pantes. Rarasaan-rarasaan anu anjeun alaman téh... kacida, kacida, kacida pikasieuneunna. Muhun? Sarta poék pisan. Éta téh naha anjeun kudu teras bergerak. Anjeun kudu teras maju. Anjeun kudu sibuk. Anjeun teu tiasa cicing waé di jero kasieunan jeung kagamangan jeung kakeueung. * ''I just want someone to tell me what to do. No one will tell me.'' Kuring ngan hayang aya nu méré nyaho kudu kumaha. Teu aya nu bakal méré nyaho kuring. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] mrftzq1ppoucuox2sw2sz5ykpcn1yg8 0 5953 16543 16217 2026-05-12T17:58:43Z Hasnanf 1958 /* Cutatan */ 16543 wikitext text/x-wiki '''Paus Fransiskus''' (gumelar kalawan ngaran '''Jorge Mario Borgeglio''') nyaéta paus ka-266, pamingpin Geréja Katolik Roma sakaligus nagara kota Vatikan ti taun 2013 nepi ka 2025. Sateuacan jadi Paus, anjeunna mangrupakeun Uskup Agung Buenos Aires, Argentina ti taun 1998. Paus Fransiskus tilar dunya 24 April 2025 dina yuswa 88 taun. == Cutatan == * ''"The unjust distribution of goods persists, creating a situation of social sin that cries out to Heaven and limits the possibilities of a fuller life for so many of our brothers."'' Kateuadilan pangbagéan harta téh tahan, nyiptakeun hiji situasi dosa sosial anu nyieun ceurik nepi ka Sorga sarta ngawatesan kamungkinan kahirupan anu leuwih pinuh ti seueur dulur urang sadaya. * ''"Our societies are too enslaved to market logic, and everything risks being subject to self-interest and the quest for profit. Volunteering is prophecy and a sign of hope, because it bears witness to the primacy of gratuitousness, solidarity, and service to those most in need."'' Masarakat urang téh diperbudak teuing ku logika pasar, sarta sagala hal miboga résiko janten sasaran kapentingan pribadi sarta néangan kauntungan. Sukarélawan téh karunia sarta tanda harepan, kusabab éta nyakséni dasar kaiklasan, solidaritas, sarta bakti ka jalma anu paling ngabutuhkeun. * ''"May the Lord grant the deserved reward to those who have wished me well and will continue to pray for me. The suffering that marked the final part of my life, I offer to the Lord, for peace in the world and brotherhood among peoples."'' Mugi Pangéran masihan ganjaran anu sasuai pikeun sadaya anu parantos ngadu'akeun sim kuring kasaéan sarta bakal teras ngadu'a pikeun sim kuring. Kapeurih anu nandaan bagéan ahir tina hirup sim kuring, sim kuring pasrahkeun ka Pangéran, pikeun kadaméyan di dunya sarta sadudulur di antara manusa. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] hlht1a8ue1sa42gdw5pm3n29gtl9ym2 16544 16543 2026-05-12T18:04:55Z Hasnanf 1958 /* Cutatan */ 16544 wikitext text/x-wiki '''Paus Fransiskus''' (gumelar kalawan ngaran '''Jorge Mario Borgeglio''') nyaéta paus ka-266, pamingpin Geréja Katolik Roma sakaligus nagara kota Vatikan ti taun 2013 nepi ka 2025. Sateuacan jadi Paus, anjeunna mangrupakeun Uskup Agung Buenos Aires, Argentina ti taun 1998. Paus Fransiskus tilar dunya 24 April 2025 dina yuswa 88 taun. == Cutatan == * ''"The unjust distribution of goods persists, creating a situation of social sin that cries out to Heaven and limits the possibilities of a fuller life for so many of our brothers."'' Kateuadilan pangbagéan harta téh tahan, nyiptakeun hiji situasi dosa sosial anu nyieun ceurik nepi ka Sorga sarta ngawatesan kamungkinan kahirupan anu leuwih pinuh ti seueur dulur urang sadaya. * ''"Our societies are too enslaved to market logic, and everything risks being subject to self-interest and the quest for profit. Volunteering is prophecy and a sign of hope, because it bears witness to the primacy of gratuitousness, solidarity, and service to those most in need."'' Masarakat urang téh diperbudak teuing ku logika pasar, sarta sagala hal miboga résiko janten sasaran kapentingan pribadi sarta néangan kauntungan. Sukarélawan téh karunia sarta tanda harepan, kusabab éta nyakséni dasar kaiklasan, solidaritas, sarta bakti ka jalma anu paling ngabutuhkeun. * ''"May the Lord grant the deserved reward to those who have wished me well and will continue to pray for me. The suffering that marked the final part of my life, I offer to the Lord, for peace in the world and brotherhood among peoples."'' Mugi Pangéran masihan ganjaran anu sasuai pikeun sadaya anu parantos ngadu'akeun sim kuring kasaéan sarta bakal teras ngadu'a pikeun sim kuring. Kapeurih anu nandaan bagéan ahir tina hirup sim kuring, sim kuring pasrahkeun ka Pangéran, pikeun kadaméyan di dunya sarta sadudulur di antara manusa. * ''"How can it be that it is not a news item when an elderly homeless person dies of exposure, but it is news when the stock market loses two points?"'' Kumaha tiasa yén ieu téh sanés warta nalika hiji galandangan kolot tilar dunya ku lantaran katirisan, tapi éta téh warta nalika pasar saham kaleungitan dua poin? * ''Human rights are not only violated by terrorism, repression or assassination, but also by unfair economic structures that creates huge inequalities.'' Hak asasi manusa henteu ngan dilanggar ku térorisme, réprési, atawa pambunuhan, tapi ogé ku struktur ékonomi anu teu adil anu nyiptakeun katimpangan anu ageung. * ''I encourage everyone to reflect on the problem of thrown away and wasted food to identify ways and means that, by seriously addressing this issue, are a vehicle of solidarity and sharing with the needy.'' Sim kuring ngarojong ka sadaya pikeun ngeunteung ngeunaan masalah tuangeun sésa sareng kapiceun pikeun milarian terang sarta ngahartoskeun, yén ku urang sadaya nganggep ieu téh masalah penting, mangrupakeun roda solidaritas sarta berbagi sareng anu ngabutuhkeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 41ii851h1evhonx6zjbfidk20dzxfk7 0 5954 16545 16218 2026-05-12T18:27:28Z Hasnanf 1958 16545 wikitext text/x-wiki '''Paus Leo XIV''' (gumelar kalawan ngaran Robert Francis Prevost) nyaéta paus ka-267, pamingpin Geréja Katolik Roma sakaligus nagara kota Vatikan ngawitan ti saprak kapilih dina konklaf 8 Méi 2025, neruskeun Paus Fransiskus. Anjeunna mangrupakeun Paus mimiti anu gumelar di Amerika Utara. == Cutatan == * ''"God's charity, which makes us brothers and sisters, is at the heart of the Gospel, and with Leo XIII, we can ask ourselves today: if this criterion ‘were to prevail in the world, would not all strife cease and peace return?’"'' Kanyaah gusti, anu ngajadikeun urang dulu, mangrupakeun jantung tina Warta Bagja, sarta sareng Leo XIII, urang sadaya tiasa naros diri urang nyalira ayeuna: upami pacepengan ieu ‘dicepeng di dunya, naha sadaya pacengkadan moal lirén jeung katengtreman datang deui?’ * ''"War does not solve problems; on the contrary, it amplifies them and inflicts deep wounds on the history of peoples, which take generations to heal. No armed victory can compensate for the pain of mothers, the fear of children, or stolen futures."'' Perang téh henteu nganggeuskeun masalah; sabalikna, éta ngageungkeun éta masalah sarta ngabalukarkeun raheut anu jero dina sajarah manusa, anu ngabutuhkeun generasi ka generasi pikeun tiasa damang. Henteu aya kajayaan bersenjata anu sabanding pikeun kapeurih para indung, kasieun para murangkalih, atawa mangsa hareup anu dirampas. * ''"Peace is built in the heart and from the heart, by eliminating pride and vindictiveness and carefully choosing our words."'' Katengtreman téh diwangun dina manah sarta tina manah, kalayan ngaleungitkeun sipat adigung sareng dendam sarta taliti dina milih kekecapan. * ''"Perseverance is a great gift that the Lord is ready to offer us. But we must learn to welcome it and make it come alive, to be strong. It is one of those gifts that are built up over time, in the small trials of the beginning that help us to be stronger, to be able to carry the Cross when it becomes heavier. It is what enables us and makes us capable of moving forward."'' Kateguhan téh berkah ageung anu Pangéran paparin kanggo urang sadaya. Nanging, urang sadaya kedah diajar pikeun nyambut sarta ngawujudkeun éta janten hirup, janten kiat. Éta téh salah sahiji berkah anu diwangun waktos ka waktos, dina unggal cocobi alit di awal anu ngabantosan urang pikeun jadi leuwih kiat, jadi wantun nanggung Salib nalika éta janten leuwih beurat. Éta téh anu nyebabkeun urang tiasa sarta ngajadikeun urang mampu maju ka payun. * ''"Today more than ever, humanity cries out and calls for peace. This is a cry that requires responsibility and reason, and it must not be drowned out by the din of weapons or the rhetoric that incites conflict. Every member of the international community has a moral responsibility to stop the tragedy of war before it becomes an irreparable chasm. There are no "distant" conflicts when human dignity is at stake."'' Dinten ieu téh leuwih dibandingkeun ti iraha deui, kamanusaan nangis sarta nyauran kanggo kadaméyan. Ieu téh tangisan anu ngabutuhkeun tanggungjawab sarta nalar, sarta ulah diteuleumkeun ku gumuruh pakarang atawa cariosan anu nimbulkeun pacengkadan. Unggal anggota komunitas internasional ngagaduhan tanggungjawab moral pikeun ngeureunkeun tragédi perang sateuacan éta janten karusakan anu teu tiasa dilereskeun. Teu aya konplik anu "jauh" nalika martabat manusa dipertaruhkeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] csb3kfmqec20m3wp828izt6ua1zer4b 0 5955 16546 16219 2026-05-12T18:33:55Z Hasnanf 1958 /* Cutatan */ 16546 wikitext text/x-wiki '''Anthony Albanese''' (dipikawanoh ogé kalawan lanihan '''Albo''') nyaéta politisi anu keur ngajabat jadi perdana menteri Australia anu ka-21 ti taun 2022. Taun 2025, anjeunna ditangtayungan ku Partai Buruh berhasil meunangkeun pamilihan federal Australia. == Cutatan == * "I want to unite the country. I think people have had enough of division, what they want is to come together as a nation and I intend to lead that." * "I will work every day to bring Australians together. And I will lead a government worthy of the people of Australia. I can promise all Australians this no matter how you voted today, the government I lead will respect every one of you every day." * "Whether politicians are dealing with complex policy problems or trying to communicate with the electorate, it makes sense to establish a clear, long term narrative underpinned by forward-looking policies to deliver on its vision." * "Despite the enormous role that local government plays in our daily lives, the constitution makes not one mention of it." * "Politicians who lack the vision to lead the community on big issues like public transport often hide their inaction by blaming other levels of government when anyone complains." * "True conservatives fear anything that is at odds with the status quo, even to the extent of being unable to recognise when the status quo represents injustice. And reactionary conservatives actually want to tear down the gains of the past." * "Less cars on the road means productivity and jobs growth, as it allows for the more efficient movement of goods and services and encourages greater urban population density." [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] bcy1p7soay23gv9g507atm1wed84a85 16547 16546 2026-05-12T18:43:51Z Hasnanf 1958 /* Cutatan */ 16547 wikitext text/x-wiki '''Anthony Albanese''' (dipikawanoh ogé kalawan lanihan '''Albo''') nyaéta politisi anu keur ngajabat jadi perdana menteri Australia anu ka-21 ti taun 2022. Taun 2025, anjeunna ditangtayungan ku Partai Buruh berhasil meunangkeun pamilihan federal Australia. == Cutatan == * ''"I want to unite the country. I think people have had enough of division, what they want is to come together as a nation and I intend to lead that."'' Sim kuring hoyong ngahijikeun ieu nagara. Sim kuring pikir, rahayat téh tos miboga cekap pamisahan, anu dipikahayang ku aranjeunna téh pikeun ngahiji babarengan salaku bangsa, yén sim kuring miboga tékad jang mingpin éta. * ''"I will work every day to bring Australians together. And I will lead a government worthy of the people of Australia. I can promise all Australians this no matter how you voted today, the government I lead will respect every one of you every day."'' Sim kuring bakal digawé unggal poé pikeun ngahijikeun Australia babarengan. Sarta sim kuring bakal mingpin hiji pamaréntahan anu layak pikeun rahayat Australia. Sim kuring bisa ngajanjikeun ka sadaya rahayat Australia yén saha waé anu dipilih ku anjeun dinten ieu, pamaréntahan anu dipingpin ku sim kuring bakal ngahargaan anjeun sadaya unggal poéna. * ''"Whether politicians are dealing with complex policy problems or trying to communicate with the electorate, it makes sense to establish a clear, long term narrative underpinned by forward-looking policies to deliver on its vision."'' Boh politisi téh nyinghareupan masalah kawijakan anu kompléks atawa nyoba komunikasi sareng éléktorat, éta téh masuk akal pikeun ngawangun hiji naratip jangka panjang anu jelas, dirojong ku kawijakan-kawijakan anu nyawang ka hareup pikeun nepikeun tujuanna. * ''"Despite the enormous role that local government plays in our daily lives, the constitution makes not one mention of it."'' Sanajan peran badag anu dijalankeun ku pamaréntah satempat dina kahirupan sapopoé urang sadaya, konstitusi téh henteu nyebutkeun barang hiji-hiji acan. * ''"Politicians who lack the vision to lead the community on big issues like public transport often hide their inaction by blaming other levels of government when anyone complains."'' Politisi anu teu miboga visi pikeun mingpin komunitas dina masalah-masalah badag siga transportasi publik seringna mah nyumputkeun kamandeganna ku nyalahkeun tingkatan pamaréntah nu séjén nalika sakabéh jalma ngawada. * ''"True conservatives fear anything that is at odds with the status quo, even to the extent of being unable to recognise when the status quo represents injustice. And reactionary conservatives actually want to tear down the gains of the past."'' Konserpatip asli sieun kana sagala hal anu ngadukung status quo, malah nepi ka teu mampu ngawanohan nalika status quo ngawakilan kateuadilan. Sarta konserpatip anu réaksionér aslina mah mikahayang ngancurkeun kauntungan nu baheula. * ''"Less cars on the road means productivity and jobs growth, as it allows for the more efficient movement of goods and services and encourages greater urban population density."'' Leuwih saeutik mobil di jalan téh hartina paningkatan produktipitas sarta pagawéan, nu mana éta téh ngamungkinkeun pergerakan barang jeung jasa anu leuwih épisién sarta ngarojong kapadetan populasi urban nu leuwih gedé. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] ef5bq866ziwimttaf3xpifak28ocu98 0 5956 16548 16220 2026-05-12T18:48:03Z Hasnanf 1958 16548 wikitext text/x-wiki '''Sanae Takaichi''' (basa Jepang: 高市 早苗) nyaéta perdana menteri Jepang sakaligus pupuhu Partai Demokrat Liberal ti taun 2025. Anjeunna kungsi jadi anggota Déwan Perwakilan Rakyat handapeun kapamingpinan Shinzo Abe jeung Fumio Kishida. Dina pamilihan umum taun 2025, anjeunna kapilih jadi perdana menteri wanoja mimiti dina sajarah Jepang. == Cutatan == * ''If someone says it's impossible because I'm a woman, then it's all the more worth challenging.'' == Cutatan ngeunaan anjeunna == * Keiko Kaizuma, ahli génder Iwate University: ''It may seem surprising that a woman has broken the “glass ceiling” within a conservative party that has been reluctant to dismantle fixed gender roles. However, although a record number of women were elected in this summer’s Upper House election, their numbers are increasing at a glacial pace. Meanwhile, over the past quarter-century, the ranks of “hawkish” female conservative politicians have deepened, and their presence has now become so normal that they serve as Cabinet ministers. This was also Takaichi’s third attempt at the Liberal Democratic Party’s presidency, following her runs in 2021 and 2024. Given these circumstances, even if it hadn’t been Takaichi, a woman would likely emerge as LDP president, if not prime minister. I think it was an inevitability of the times. In the past, women’s political participation was described as bringing “kitchen sensibilities” into politics. .... But today, women’s lifestyles and perspectives are too diverse to be lumped together.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] sabc1tevhl7xyabhdcuvxcqg3f4270v 16549 16548 2026-05-12T18:59:38Z Hasnanf 1958 /* Cutatan */ 16549 wikitext text/x-wiki '''Sanae Takaichi''' (basa Jepang: 高市 早苗) nyaéta perdana menteri Jepang sakaligus pupuhu Partai Demokrat Liberal ti taun 2025. Anjeunna kungsi jadi anggota Déwan Perwakilan Rakyat handapeun kapamingpinan Shinzo Abe jeung Fumio Kishida. Dina pamilihan umum taun 2025, anjeunna kapilih jadi perdana menteri wanoja mimiti dina sajarah Jepang. == Cutatan == * ''If someone says it's impossible because I'm a woman, then it's all the more worth challenging.'' Upami aya nu nyarios yén éta téh mustahil kusabab sim muring téh wanoja, janten hal éta téh leuwih pantes kanggo disanghareupan. == Cutatan ngeunaan anjeunna == * Keiko Kaizuma, ahli génder Iwate University: ''It may seem surprising that a woman has broken the “glass ceiling” within a conservative party that has been reluctant to dismantle fixed gender roles. However, although a record number of women were elected in this summer’s Upper House election, their numbers are increasing at a glacial pace. Meanwhile, over the past quarter-century, the ranks of “hawkish” female conservative politicians have deepened, and their presence has now become so normal that they serve as Cabinet ministers. This was also Takaichi’s third attempt at the Liberal Democratic Party’s presidency, following her runs in 2021 and 2024. Given these circumstances, even if it hadn’t been Takaichi, a woman would likely emerge as LDP president, if not prime minister. I think it was an inevitability of the times. In the past, women’s political participation was described as bringing “kitchen sensibilities” into politics. .... But today, women’s lifestyles and perspectives are too diverse to be lumped together.'' Keiko Kaizuma, ahli génder Iwate University: Ieu téh katingalna matak ahéng yén hiji wanoja atos meupeuskeun "suhunan kaca" di lebet hiji partai konserpatip anu sesah ngaruntuhkeun peran génder anu tos heuras. Sanajan kitu, sajumlah wanoja kacatet kapilih dina pemilihan législatip musim panas ieu, jumlahna téh nambihan lambat. Samentara éta, salami saparapat abad katukang, peringkat politisi wanoja anu miboga "pamadegan heuras" téh tuluy nambihan, sarta kaayaanna ayeuna atos jadi normal pisan yén anjeunna ngabakti jadi menteri di kabinét. Ieu ogé cobian katilu Takaichi dina mangsa présidénsi Partai Démokratik Liberal, numutkeun anu ogé dilakonan ku anjeunna di 2021 sareng 2024. Ningal kaayaan ieu, sanajan éta téh sanés Takaichi, saurang wanoja kamungkinan ageung bakal kapilih jadi présidén PDL, upami sanés janten perdana menteri. Sim kuring pikir éta téh kaniscayaan tina mangsa. Di mangsa baheula, partisipasi politik wanoja téh dicaritakeun baris mawa "rarasaan dapur" kana politik. ... Tapi ayeuna, gaya hirup sareng pamadegan wanoja téh saking ku kacida ragemna janten teu tiasa disamikeun kitu waé. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] b6p4h2ar2p51dqxl1z0vabu6yg2nl8g 0 5958 16564 16269 2026-05-13T06:33:03Z Hasnanf 1958 16564 wikitext text/x-wiki [[Gambar:박찬욱 - 어쩔수가없다.jpg|jmpl|285x285px|Park Chan-wook]] '''Park Chan-wook''' nyaéta sinéas asal Koréa Kidul anu kasohor di abad 21. Anjeunna mimiti dipikawanoh sanggeus nyieun filmna nu katilu, ''Joint Security Area (2000),'' anu jadi pilem Koréa Kidul panglarisna dina jamanna. Sanggeus kitu, pilemna anu katelah kalayan ''Revenge Trilogy,'' nyaéta ''Sympathy for Mr. Vengeance'' (2002), ''Oldboy'' (2003), jeung ''Lady Vengeance'' (2005) ngajadikeun ngaran anjeunna leuwih ténar di dunya pilem Koréa Kidul, ogé sadunya. Pilem-pilem Park Chan-wook séjénna anu konsistén meunang panghargaan jeung peunteun alus ti kritikus pilem, nyaéta ''Thirst'' (2009), ''The Handmaiden'' (2016), ''Decision to Leave'' (2022), jeung pilem panganyarna, ''[[No Other Choice]]'' (2025). == Cutatan == * ''I don't feel enjoyment watching films that evoke passivity. If you need that kind of comfort, I don't understand why you wouldn't go to a spa.'' * ''In our lives, we have good things and bad things, happiness and pain. Life is full of pain and happiness and that's what I wanted to show.'' * ''Numerous times I lie in bed at night and imagine the cruellest torture. I imagine the most miserable ruining of that person's life. After that, I can fall asleep with a smile on my face. As long as it stays in the realm of imagination, the crueller the better - that's healthy. I'd like to recommend it to you all as well. I hope my films can help in any small way to help your imagination become at least a little bit crueller.'' * ''My films are the stories of people who place the blame for their actions on others because they refuse to take on the blame themselves.'' * ''I don't know if you've noticed this in my films, but I think I'm influenced by Franz Kafka. I like his work very much. "What would Kafka do in this scene?" I don't think like that. The surrealism and the absurdity, I began to like those things because of his work.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] pw2odq0wrz2wi72pxx8il0sf20u3f0g 0 5959 16541 16222 2026-05-12T17:36:00Z Hasnanf 1958 16541 wikitext text/x-wiki '''Joachim Trier''' nyaéta sinéas Norwégia-Dénmark anu dipikawanoh ku karya pilem-pilem independenna. Anjeunna kasohor pikeun karyana, nyaéta trilogi Oslo: ''[[Reprise]]''; ''[[Oslo, August 31st]]'', sarta ''[[The Worst Person in the World]]''. Karya-karyana téh tuluy katelah sarta didéskripsikeun salaku "méditasi mélankoli anu merhatikeun patanyaan éksistensial pikeun cinta, ambisi, ingetan, jeung idéntitas." Di taun 2025, Joachim Trier ngarilis pilemna nu pang anyarna, nyaéta [[Sentimental Value (pilem)|Sentimental Value]], anu mawa anjeunna dinominasikeun pikeun sababaraha panghargaan. == Cutatan == * ''I grew up in Oslo, so it’s intuitive material. I know what streets are cool and what streets I wouldn’t want to film on, and I have a good sense of how those narrative parts fit together. As an example, Axel, lives in a more posh, cultural part of town, whereas Eivind lives in Tøyen, which is the more newly gentrified hip neighbourhood. It’s very much like East and West London. Different parts have been gentrified or had a rebirth. It’s fun to play around with that. But I’m also reporting on a city in development, in the background behind the characters. We see a building site in Oslo 31st August when the main character comes out of rehab, with all these cranes; that building in The Worst Person in the World is where Eivind works in the coffee shop. All this stuff is there that wasn’t 10 years ago, so I’m tracing the expansion of the city.'' Sim kuring tumuwuh di Oslo, janten ieu téh bahan anu intuitip. Sim kuring terang jalan-jalan mana anu saé sarta jalan-jalan mana anu sim kuring moal anggo kanggo pilem, sarta sim kuring miboga rarasaan anu saé ngeunaan kumaha bagéan-bagéan naratip éta cocog babarengan. Contona, Axel, hirup di bagéan kota anu méwah jeung berbudaya, samentara Eivind hirup di T''ø''yen, nyaéta lingkungan padumukan trén anu kakara ngalaman géntrifikasi. Kurang leuwihna siga bagéan Wétan jeung Kulon London. Bagéan-bagéan anu beda tos ngalaman géntrifikasi atawa gumelar deui. Éta téh resep pikeun diulik. Tapi sim kuring ogé ngalaporkeun kota anu nuju dikembangkeun, dina kasang tukang karakterna. Urang ningal daérah pangwangunan di ''Oslo, 31st August'' nalika tokoh utamana kaluar ti réhab, sareng sagala ''crane''; wangunan-wangunan di ''The Worst Person in the World'' téh dimana Eivind didamel di warung kopina. Sagala hal ieu téh aya di dinya teu nepi ka 10 taun ka tukang, janten sim kuring téh ngalacak perkembangan kota ieu. * ''When I made my first two films a lot of people felt that I had passive male characters, that they had no sense of direction. At the time I was really trying to deal with the representation of male characters on screen and create ones more like the guys I knew and I didn’t see in film so much. Guys that are vulnerable and lost and don’t quite live up to macho expectations that a lot of storytelling demanded then. I was kind of burned by that a little bit, that people thought our men were so passive. But when I look at Eivind, he’s also a vulnerable, kind man. I know a lot of men like that. A lot of people have asked me how I can write a female character like Julie. I guess from day one, I didn’t want to apply any gender clichés. I’ve never made films about stereotypical guys, so if people find Julie to be particularly interesting. I take that as a compliment. But I didn’t approach her with any big gender perspective or theory. I was just trying to create someone I felt I knew.'' Nalika sim kuring ngadamel dua pilem pertama sim kuring, seueur batur anu ngarasa yén sim kuring miboga tokoh lalaki anu pasip, yén teu miboga rarasaan pikeun arah. Dina mangsa éta, sim kuring bener-bener nyoba nyinghareupan réprésentasi karakter lalaki di layar sarta ngadamel hiji anu leuwih siga lalaki-lalaki anu sim kuring wanoh sarta sim kuring teu pernah seueur ningal dina pilem. Lalaki-lalaki anu teu walakaya jeung teu puguh lampah sarta teu hirup minuhan harepan macho anu loba pancaritaan maksakeun dina mangsa éta. Sim kuring rada kasinggung ku éta sakedik, yén batur téh mikir lalaki-lalaki urang pasip pisan. Tapi nalika sim kuring ningali Eivind, anjeunna ogé lalaki teu walakaya, bageur. Sim kuring wanoh loba lalaki siga kitu. Loba jalma anu naros ka sim kuring kumaha sim kuring tiasa nulis tokoh wanoja siga Julie. Sawangan kuring ti mimiti, sim kuring teu hoyong ngalarapkeun klise génder naon waé. Sim kuring henteu pernah ngadamel pilem ngeunaan lalaki-lalaki stéréotipikal, janten batur téh ningali Julie jadi jelas pikaresepeun. Sim kuring nganggep éta salaku pujian. Tapi sim kuring henteu ngadeukeutan anjeunna tina teténer atawa téori génder anu badag. Sim kuring ngan nyoba ngadamel hiji jalma anu sim kuring rasa sim kuring wanoh. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] j9h75qekp9n3o47fd44cr3vh3e4jnnl 0 5977 16556 16240 2026-05-13T05:39:34Z Hasnanf 1958 16556 wikitext text/x-wiki '''Jean-Luc Godard''' nyaéta sutradara, sinéas, sarta kritikus film asal Perancis-Swiss anu kasohor ku karyana nu méré pangaruh gedé dina aliran pilem ''french new wave'' atawa prancis gelombang anyar. Karya-karya anjeunna anu kasohor, nyaéta ''[[Breathless]], [[Pierrot le Fou]], [[Vivre sa vie]],'' ogé ''[[La Chinoise]].'' Anjeunna ngantunkeun taun 2022, dina yuswa 91 taun. Di taun 2025, pilem [[Nouvelle Vague (pilem)|Nouvelle Vague]] karya [[Richard Linklater]] dijieun sangkan ngahargaan jasa anjeunna di dunia pilem. == Cutatan == * ''In the beginning I believed in Cannes, but now it's just for publicity. People come to Cannes just to advertise their films, not with a particular message. But the advantage is that if you go to the festival, you get so much press coverage in three days that it advertises the film for the rest of the year.'' * ''In my cinema, there are never any intentions. It's not me inventing this empty auditorium. I don't want to say anything, I try to show, or to get feeling across, or to allow something else to be said after the fact.'' * ''Great cinema makers are close to anarchists.'' * ''We’re talking about solidarity with the students and the workers and you’re speaking about travelling shots and close-ups. You’re a prick!'' * ''Beauty is composed of an eternal, invariable element whose quantity is extremely difficult to determine, and a relative element which might be, either by turns or all at once, period, fashion, moral, passion.'' * ''The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] bs0lrqnk8k39hs3j8wc2vudoa1mqv3e 0 5979 16570 16243 2026-05-13T06:48:55Z Hasnanf 1958 16570 wikitext text/x-wiki '''Sally Rooney''' nyaéta penulis asal Irlandia anu kasohor ku buku-buku, di antawisna Conversation with Friends (2017), Normal People (2018), sarta karya pang anyarna, Intermezzo (2024). Di taun 2025, anjeunna dibéré panghargaan Sky Arts Awards dina bidang literatur jang bukuna, Intermezzo. == Cutatan == ''In 1984, a shop worker in a Dublin supermarket, a young woman named Mary Manning, refused to handle the sale of grapefruit from apartheid South Africa. As a result of her refusal, she was suspended from her job, and along with other members of her union, she went on strike. Their strike lasted for nearly three years and finally succeeded in driving the Irish government to implement a complete national ban on imported fruit and vegetables from South Africa.'' ''Was the fall of apartheid brought about by the actions of workers in Europe? Of course not. The struggle for liberation was fought and won by South Africans. But we know that the international pressure brought to bear on the economy of the apartheid state was an important part of that struggle. In solidarity with South Africans, responding to the call of the anti-apartheid movement, workers around the world chose not to be passive onlookers but participants in liberation.'' ''Many beautiful speeches were no doubt given in Ireland condemning the evils of apartheid. But none are remembered now with such national pride and admiration as the courageous actions of those striking workers. Theirs was the example I had in mind in 2021 when I made my own belated decision to join the Boycott, Divestment and Sanctions movement and refuse to work with Israeli organisations complicit in apartheid. Mary Manning and her colleagues had used their work to stand up against injustice. I wanted in my own very limited way to do the same.'' == Tutumbu luar == [https://progressive.international/wire/2026-03-18-there-is-always-more-we-can-do-/en/ Biantara Sally Rooney di People’s Congress for The Hague Group, 19 Maret 2026.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] mpwunwtm0fzm328jjewwzv918thtvi0 0 5980 16537 16253 2026-05-12T16:52:48Z Hasnanf 1958 16537 wikitext text/x-wiki '''Ilhan Abdullahi Omar''' nyaéta politisi Amérika Serikat anu ngabdi jadi perwakilan rakyat jang distrik Minessota ti saprak 2019. Anjeunna mangrupakeun urang Amérika-Somalia mimiti anu jadi dewan perwakilan, sakaligus wanoja kulit berwarna mimiti anu ngawakilan Minnesota. Di taun 2025, anjeunna aktip jadi anggota Kongrés ka-119 (2025-2026), nu mana anjeunna kudu nyinghareupan résolusi kecaman. Anjeunna ogé aktip méré tanggepan ka koméntar anu dikaluarkeun ku Donald Trump ngeunaan komunitas Somalia-Amérika. == Cutatan == * ''You can’t take away the past; you can only add to the narrative. There is a narrative about Muslims that already exists. I’m not here to undo or rewrite history. That is propaganda or an impossibility. What I, and others, can do is expand on the notion of what it means to be Muslim, continue the story line that survives alongside us.'' Anjeun teu tiasa nyingkirkeun mangsa nu tos kaliwat; anjeun ngan tiasa nambihan kana naratipna. Aya naratip ngeunaan Muslim anu atos aya. Sim kuring sanés di dieu pikeun ngabolaykeun atawa nulis ulang sajarah. Éta téh propaganda atawa hiji kamustahilan. Naon aku ku sim kuring, sarta anu sanésna, tiasa lakukeun nyaéta medar langkung jembar ngeunaan pamahaman janten saurang Muslim, ngalanjengkeun gurat carita anu tos tahan sabudeureun urang. * ''Do I care enough? If so, then I don't care about what other people think about my presence in a room or conversation.'' Ari sim kuring cekap paduli? Upami leres, janten sim kuring teu paduli ngeunaan naon anu batur pikirkeun ngeunaan kahadiran sim kuring dina hiji rohang atawa paguneman. * ''Even in a realm as historically dogmatic as religion, I don’t believe one size fits all. Faith is a pathway to life, but not just any life. Your life. My life. And none of us lives the same life. To wrestle with belief is to apply it within the context of your own circumstances.'' Sanajan dina hiji ranah anu sakitu dogmatis historis siga ageman, sim kuring teu percanten hiji ukuran mahi jang sakabéh. Iman téh hiji jalan pikeun kahirupan, tapi sanés ngan hirup naon waé. Hirup anjeun. Hirup sim kuring. Sareng teu aya di antara urang sadaya téh anu ngahirupan hirup nu sami. Pikeun nyanghareupan kayakinan téh hartosna sami sareng ngalarapkeun éta dina kontéks kaayaan anjeun sorangan. * ''I grew up knowing that hard things only get harder when you don’t have real conversations about them.'' Sim kuring tumuwuh déwasa mikanyaho yén kasusah téh ngan nambih susah nalika anjeun henteu miboga paguneman anu nyata ngeunaan éta. * ''To know there was someone whom I could always count on but who also let me be whatever I wanted to be gave me more security than anything else could.'' Pikeun terang aya hiji jalma anu sim kuring tiasa andelkeun tapi ogé ngidinan sim kuring janten saha waé anu sim kuring pikahoyong téh masihan sim kuring kaamanan leuwih ti sagala hal anu sanés bisa masihan. == Tutumbu luar == [https://www.goodreads.com/work/quotes/72935560-this-is-what-america-looks-like-my-journey-from-refugee-to-congresswoma Cutatan Ilhan Omar tina bukuna This is What America Looks Like: My Journey from Refugee to Congresswoman] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] dn1jrm9tids7jbb8ae0ecw854c5yl5c 0 5981 16558 16223 2026-05-13T06:03:55Z Hasnanf 1958 16558 wikitext text/x-wiki '''R. F. Kuang''' nyaéta penulis Tionghoa-Amerika anu mayoritas bukuna ngeunaan aliran fantasi. Anjeunna kasohor ku bukuna, nu di antawisna ''[[Babel, or the Necessity of Violence]]''. Di taun 2025, anjeunna ngarilis buku anyarna anu dijudulan [[Katabasis (buku 2025)|''Katabasis'']]. == Cutatan == * That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands. (tina bukuna, Babel) * English did not just borrow words from other languages; it was stuffed to the brim with foreign influences, a Frankenstein vernacular. And Robin found it incredible, how this country, whose citizens prided themselves so much on being better than the rest of the world, could not make it through an afternoon tea without borrowed goods. (tina bukuna, Babel) * She’s the only divine thing he’s ever believed in. The only creature in this vast, cruel land who could kill him. And sometimes, in his loveliest dreams, he imagines she does. (tina bukuna, The Drowning Faith) * You humans always think you’re destined for things, for tragedy or for greatness. Destiny is a myth. Destiny is the only myth. The gods choose nothing. You chose. (Tina bukuna, The Poppy War) * People will seek to use you or destroy you. If you want to live, you must pick a side. So do not shirk from war, child. Do not flinch from suffering. When you hear screaming, run toward it. (Tina bukuna, The Dragon Republic) [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] j1drj4bo24zz9h30aa8d6mqo1kiad23 0 5982 16561 16225 2026-05-13T06:23:19Z Hasnanf 1958 16561 wikitext text/x-wiki '''David Lynch''' nyaéta sinéas, sutradara, penulis skenario, musisi, sakaligus pelukis Amérika Serikat. Anjeunna kasohor kalayan jadi sinéas anu méré pangaruh panggedena jang dunia perpileman. Karya-karya anjeunna anu katelah, nyaéta pilem ''[[Eraserhead]]'', ''[[Blue Velvet]]'', ''[[Mulholland Drive]]'', sarta sérial télépisi, ''[[Twin Peaks]].'' '''David Lynch''' tilar dunya di taun 2025, dina yuswa 78 taun. == Cutatan == * It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening. Psychology destroys the mystery, this kind of magic quality. It can be reduced to certain neuroses or certain things, and since it is now named and defined, it's lost its mystery and the potential for a vast, infinite experience. * It makes me uncomfortable to talk about meanings and things. It's better not to know so much about what things mean. Because the meaning, it's a very personal thing, and the meaning for me is different than the meaning for somebody else. * I think that ideas exist outside of ourselves. I think somewhere, we're all connected off in some very abstract land. But somewhere between there and here ideas exist. And I think the mind isn't conscious enough to go all the way to where we're connected, but it's conscious of a certain amount of that territory. And when these ideas fly into the conscious part, then you can capture them. But if they're outside of the conscious part, you don't even know about them. So you just hope that you can make the conscious part of your mind bigger or that these ideas will fly into your airspace, so you can shoot them down and grab them and take them home. So that's all you try to do. Sometimes an idea will strike you when you're sitting in a quiet chair. But sometimes an idea will strike you when you're standing. Sometimes music will also help you. If I thought I could just sit still in a quiet place and get ideas, I would do that all the time, but sometimes nothing happens. There's no rhyme or reason to it. But you've got to write them down right away. I forget so many things. Then if I forget it and try to remember it, my whole day is ruined because I can't remember and I feel horrible. And I imagine that it was one of the all time great ideas. And it probably isn't. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] kq9rax6lvjdg6n469cde2ois8vt8r8x 0 5993 16555 16235 2026-05-13T05:25:22Z Hasnanf 1958 16555 wikitext text/x-wiki '''The Eleventh Hour''' nyaéta buku kumpulan carita pondok anu ditulis ku Salman Rushdie. Buku ieu mimiti diterbitkeun taun 2025. Buku ieu nyaritakeun lima carita pondok ngeunaan ajal jeung papastén, titinggal jeung idéntitas. Lima carita éta nyandak latar di India, Inggris, sareng Amérika, tempat-tempat anu kungsi janten imah pikeun Salman Rushdie, sarta ngéksplorasi pandeukeutan sabelas jam kahirupan. == Cutatan == * ''I listened to her string of non sequiturs, entranced. I understood what she was telling us. There was no coherence. Nothing led to anything else. There were only jagged moments of half comprehension. Nothing could be known. We were all incomplete, unfinished. That was life until completed by death. And none of us could complete our own story because we would no longer be present. We were all frozen in our railway carriages waiting for another to finish our tale, to complete us, if anyone cared to do so. Otherwise, unfinishedness was our inescapable fate.'' == Cutatan ngeunaan buku ieu == * Salman Rushdie, panulis: "''I think partly it’s a consequence of my having had a close shave, you know? That focuses the mind on such subjects as mortality. It’s also just because, you know, I’m not in the first flush of youth anymore. I mean, I’m 78 now.'' ''So that in itself makes you think about the last act, you know, and there’s a brilliant essay by the writer Edward Said called ‘On Late Style,’ in which he discusses how artists have approached and should approach the kind of final act. And some people respond with serenity, and others respond with rage. Thinking about that, I thought it’s not necessarily either-all, you could be peaceful on Monday and angry on Tuesday, you know? So anyway, I began to think about how people engage with that final act. And there’s different stories and different approaches to that subject."'' * ''"Well, again, you know, I always like it when it happens to me, when the story surprises me.'' ''For me, it’s always a sign that the story has life, when the story starts suggesting things to its author. I wasn’t expecting language to be embodied as a woman. And then one day, when I was working on the story, she just walked into the piazza and sat down on a stool in the corner and announced herself. And I thought, ‘Oh, that’s so interesting.’ I would never have, as it was sat down consciously to think, ‘I will characterize language as a person.’ But the moment it happened, I thought, ‘Oh, I really like that and I want to see what I could do with that.’"'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] hd71vevt568z0i2n2fwnq0csel0b7qv 0 5994 16551 16246 2026-05-13T05:00:42Z Hasnanf 1958 16551 wikitext text/x-wiki '''Thiago Ávila''' nyaéta aktivis iklim jeung kamanusaan asal Brazil. Anjeunna mulai dipikawanoh ti saprak ilubiung jadi bagéan Global Sumud Flottila anu nganteurkeun bantuan kamanusaan ka Gaza, Paléstina di taun 2025. == Cutatan == ''Dear Theresa,'' ''I’m sorry for not being home with you right now. Unfortunately your father, your mother, and so many people around the world understood the historical task that we have the responsibility to fulfil.'' ''Today over a million children are suffering a genocide, being starved to death, being amputated without anesthesia, and suffering from horrific, hateful ideas, despite not knowing what Zionism and imperialism is.'' ''I’m sure you miss me too much and all the mothers and fathers of Palestinian children also miss them so much and would give anything to live a life of love, happiness, and joy that every human being deserves, independently of race, religion, ethnicity or any other characteristic.'' ''Your world will be safer because many parents decided to give everything to build this better world for you. I hope someday you understand that because I love you so much there was nothing more dangerous for you and for other children than living in a world that accepts genocide.'' ''Please, remember your father as the person that would sing to you and play the guitar for you to sleep. And when you grow up your mom will also tell you that your father was a revolutionary and that even when facing the most horrific people alive – Donald Trump, Benjamin Netanyahu, and Itamar Ben-Gvir – he stood firm to the belief of building a better world.'' ''Please do not forget Palestine!'' ''With all my love,'' ''Thiago Ávila'' :Theresa anu dipikaasih, :Sim kuring neda dihapunten kumargi teu tiasa aya di bumi sareng hidep ayeuna. Hanjakalna, rama hidep, biang hidep, sarta seueur jalmi di dunya ieu ngartos yén tugas bersajarah anu ku urang sadaya kedah ditedunan. :Ayeuna ampir sajuta murangkalih nandangan kapeurih génosida, nandangan pati ku kalaparan, diamputasi tanpa dibius, sarta nandangan sangsara anu dibalukaerkeun ku pamikiran anu jahat sarta pinuh ku rasa ngéwa, sanajan henteu terang naon Zionisme sarta impérialisme téh. :Sim kuring yakin yén hidep téh sono pisan ka sim kuring, sakumaha sadaya biang sarta rama ti murangkalih-murangkalih Paléstina ogé sono ka murangkalihna sarta bakal masihan sagalana pikeun tiasa ngahirupan kahirupan anu pinuh ku rasa asih, kabagjaan, sarta kabungahan anu pantes dipimilik ku unggal jalma, kabébasan ras, ageman, sélér, atawa karakteristik anu sanésna. :Dunya hidep bakal jauh leuwih aman ku lantaran seueur kolot mutuskeun pikeun masihan sadaya pikeun ngawangun ieu dunya anu leuwih saé kanggo hidep. Sim kuring miharep yén hiji waktos hidep ngartos yén kusabab sim kuring nyaah pisan ka hidep, moal aya bahaya deui kanggo hidep sarta sadaya murangkalih sanésna dibanding ti hirup di dunya anu narima génosida. :Mugi hidep émut pun bapa téh salaku sosok anu nembangkeun sarta maénkeun gitar kanggo hidep supados hidep tiasa kulem. Sarta nalika hidep tumuwuh, biang hidep ogé bakal nyarita yén rama hidep téh saurang révolusionér sarta nalika nyinghareupan jalma pangtelengesna anu pernah hirup – Donald Trump, Benjamin Netanyahu, sareng Itama Ben-Gvir – anjeunna téh ajeg pengkeuh nyepeng kayakinanna kanggo ngawangun dunya anu langkung saé. :Tong hilap pikeun Paléstina! :Sareng sadaya kaasih sim kuring, :Thiago Ávila == Tutumbu luar == [https://www.aljazeera.com/opinions/2026/5/5/thiago-avilas-letter-from-israeli-prison-to-his-daughter Surat Thiago Ávila ti penjara kanggo putrina.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] qo7rf47nlj9b4hdsd1emq9fgh6g0as6 0 5996 16553 16249 2026-05-13T05:11:54Z Hasnanf 1958 16553 wikitext text/x-wiki '''Saleh Al-Jafarawi''' nyaéta jurnalis, ''influencer,'' sakaligus atlét ténis méja Paléstina. Anjeunna aktip ngawartakeun kaayaan di Gaza, Paléstina sababaraha taun katukang. Saleh tilar dunya taun 2025 kusabab jadi korban pembunuhan géng anu disenjataan ku Israél. == Cutatan == ''In the Name of God, the Most Compassionate, the Most Merciful.'' ''Praise be to God, Lord of all creation, who says: “Do not think of those who are killed in the way of God as dead. No, they are alive, receiving provision from their Lord.”'' ''I am Saleh.'' ''I leave this testament not as a farewell, but as a continuation of the path I chose with utter conviction.'' ''God is my witness that I have poured all my strength and effort into being a support and a voice for my people. I have lived through pain and oppression in every detail, tasted agony, and mourned the loss of loved ones again and again. Yet, not for a day did I hesitate to convey the truth as it is. This truth will stand as a testament against every person who faltered or remained silent, and as an honor to every person who gave their support and stood with the most dignified, cherished, and noble of all people—the people of Gaza.'' ''If I am martyred, know that I am not gone. I am in Paradise now, with my comrades who went before me; with Anas, Ismail, and all the beloved souls who were true to the covenant they made with God. I charge you to remember me in your prayers and to continue the journey after me. Remember me through acts of enduring charity. Remember me each time you hear the call to prayer, or each time you see the light piercing the night sky of Gaza.'' ''I entrust to you the resistance, the path we have walked and the principle in which we believed. We knew no other way for ourselves, and we found no meaning in life except in holding fast to it.'' ''I entrust to you my father, the love of my heart and my role model. I saw myself in him, and he saw himself in me. You who stood by me through the war and all it brought—I pray to God that we meet in the Gardens of Paradise, with you being pleased with me, O crown upon my head.'' ''I entrust to you my brother, my teacher, and my companion, Naji. O Naji… I have reached God before you were released from prison. Know that this was a destiny God has written, and that a deep longing for you fills me. I wished I could see you, hold you, and meet you again. But God’s promise is true, and our reunion in Paradise is nearer than you imagine.'' ''I entrust to you my mother. O mother, life without you is a void. You were the constant prayer, the wish that never died. I prayed that God would heal you and give you strength, and I dreamed of seeing you travel for treatment and return with a smile.'' ''I entrust to you my brothers and sisters. My goal was the pleasure of God, and then your own. I ask God to grant you joy and to make your lives as beautiful as your tender hearts, for which I always tried to be a source of happiness.'' ''I always used to say: Do not let the word fall, and do not let the image fall. The word is a sacred trust, and the image is a message. Carry them to the world, just as we did.'' ''Do not think my martyrdom is the end. It is, rather, the beginning of a long journey toward freedom. I am the bearer of a message I wanted to reach the world—a world with its eyes shut, a world silent in the face of truth. If you hear the news of my passing, do not weep for me. I have longed for this moment and asked God to grant it to me. Praise be to God, who chose me for what I loved.'' ''And to all who have wronged me in my life with insults, lies, or slander, I say to you: I am now departing to God as a martyr, God willing, and it is before God that all adversaries will be brought together.'' ''I entrust Palestine to you… and the Al-Aqsa Mosque. My greatest wish was to reach its courtyard, to pray within it, to touch its soil. If I could not reach it in this life, then I ask God to gather us all there in the Gardens of Eternity.'' ''O God, accept me among the martyrs. Forgive my past and future sins, and make my blood a light that illuminates the path to freedom for my people and my family. Forgive me for any shortcomings, and pray for mercy and forgiveness for me. I have held fast to the covenant; I have not changed, nor have I wavered. Peace be upon you, and God's mercy and blessings.'' ''Your brother, martyr by God's will,'' ''Saleh Amer Fouad AlJafarawi'' ''12/10/2025'' == Tutumbu luar == [https://x.com/S_Aljafarawi/status/1977525415141916842 Amanat panungtung Saleh Al-Jafarawi sateuacan anjeunna tilar dunya.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] hvu91slae0obq6jsbms8c7vxoohfu67 0 5997 16552 16250 2026-05-13T05:05:19Z Hasnanf 1958 16552 wikitext text/x-wiki '''Mohammed el-Kurd''' nyaéta penulis jeung penyair asal Palestina anu kasohor ku karyana ngagambarkeun kahirupan urang Paléstina dina kaayaan okupasi Israél di Yérusalém wétan, Tepi Barat. Anjeunna dipikawanoh ogé kalayan peranna jadi salah sahiji pangwangun gerakan #SaveSheikhJarrah. Dina taun 2025, anjeunna ngarilis buku ''[[Perfect Victims and the Politics of Appeal]]''. == Cutatan == * Our massacres are only interrupted by commercial breaks. Judges legalize them. Correspondents kill us with passive voice. If we are lucky, diplomats say that our death concerns them, but they never mention the culprit, let alone condemn the culprit. Politicians, inert, inept, or complicit, fund our demise, then feign sympathy, if any. Academics stand idle. That is, until the dust settles, then they will write books about what should have been. * Our massacres are only interrupted by commercial breaks. Judges legalize them. Correspondents kill us with passive voice. If we are lucky, diplomats say that our death concerns them, but they never mention the culprit, let alone condemn the culprit. Politicians, inert, inept, or complicit, fund our demise, then feign sympathy, if any. Academics stand idle. That is, until the dust settles, then they will write books about what should have been. * And do their words matter when their policies speak for themselves? * There is a thin line between representation, particularly liberal reductions around representation, and the reproduction of the Palestinian as a fetish or a token, thus as a dehumanized subject once more. * Western knowledge producers or those using Western voices in their knowledge production should ask themselves a few questions: Where do Palestinians fit in this work? Do they have any agency, or are they a tool to drive the point across? Are my filmmaking practices extractive? How can I practice responsible authorship? Have I instilled in my project enough cues to incentivize my audience to consume it critically, or am I patting myself on the back? Am I doing the challenging chore of speaking to my bigoted, acrimonious community, accosting my Zionist aunt at the dinner table, or am I preaching—pandering, really—to the choir? Did I really have to go and “see for myself,” or did I ignore a century of Palestinian literature? Am I cognizant of how that refusal to engage local and grassroots knowledge production continues to undermine its value on the world stage, undermining also the value and authority of Palestinian narration? Do I have a class analysis in my work? Do I acknowledge that I get awards for saying similar things to what the student movement has been criminalized, suspended, and censured for saying? Do I name my institutional backing? What are the material and monetary conditions of those whose voices I amplify? Am I only referencing dead guys? What does my works cited page look like? == Tutumbu luar == [https://www.goodreads.com/work/quotes/219958007-perfect-victims-and-the-politics-of-appeal Cutatan tina buku ''Perfect Victims and the Politics of Appeal'' karya Mohammed el-Kurd]. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] tl0tp11swg846depwm3belmyvq4j4cz 0 5998 16557 16251 2026-05-13T05:59:04Z Hasnanf 1958 16557 wikitext text/x-wiki '''Francesca Albanese''' nyaéta ahli hukum sakaligus ahli hak asasi manusa asal Italia. Anjeunna ngabakti di Persatuan Bangsa-Bangsa sacara husus di bagéan Réportase Husus ngeunaan Téritori Okupasi Paléstina. Di taun 2025, mandatna pikeun jadi ''rapporteur'' di téritori Paléstina anu dijajah nepi ka tilu taun ka hareup. Tina pangamatan anjeunna di Paléstina, anjeunna ogé nulis buku ''[[A Moon Will Rise from the Darkness]]'' anu dirilis taun 2025, sarta nu panganyarna ''[[When the World Sleeps]]'' anu dirilis taun 2026. == Cutatan == ''1982.'' ''It’s a late September afternoon. I’m five years old, curled on the couch with my parents. Italy is still glowing from its summer World Cup victory, and joy colors our faces.'' ''Suddenly, the rupture.'' ''The broadcast cuts out.'' ''Shocking images from a nearby country: bodies piled on top of one another. I don’t understand. Their clothes look like ours — like my father’s, my mother’s, mine.'' ''The children, too. Some of them are in pieces.'' ''“No, they’re not sleeping,” my mother says, covering my eyes nervously.'' ''Under the watch of a general who would become Prime Minister twenty years later, three thousand Palestinian civilians were slaughtered in refugee camps west of Beirut – during just two days.'' ''That was the first time I heard the word refugee. I instinctively linked it to those lifeless bodies scattered like broken dolls on the burning asphalt.'' ''Three months later, the UN declared Sabra and Shatila a genocide.'' ''I remember the adults’ voices in a state of disbelief I had never seen before “How could this happen? How did we get here?”'' == Tutumbu luar == [https://warmfoundation.org/projects/francesca-albanese-when-the-world-sleeps/ Quando il mondo dorme (When the World Sleeps) karya Francesca Albanese dibacakeun ku anjeunna di The National Theatre, Sarajevo, Bosnia-Herzegovina, WARM Festival 2025.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 3zgo34jr7gxn0efszd95h3wo1b44l3d 0 6000 16554 16239 2026-05-13T05:17:08Z Hasnanf 1958 16554 wikitext text/x-wiki '''Jafar Panahi''' (basa Pérsia: جعفر پناهی) nyaéta sutradara sakaligus aktor asal Iran. Anjeunna kasohor di dunya internasional ku kontribusina nu signifikan pasca Révolusi Sinéma Iran 1979 sarta diasosiasikeun jeung aliran Iranian New Wave. Karya-karya anjeunna, ngakar dina néoréalisme sarta musatkeun kahirupan wanoja, murangkalih, sarta kaum-kaum marjinal, ngawangun gambaran kritis ti kaayaan sosial, politis, sarta struktur anu pakait jeung génder ti masarakat kontemporér Iran. Karya-karya anjeunna anu kasohor, nyaéta ''[[The White Balloon]], [[Taxi]]'', ''[[The Circle]]'', ''[[The Bear]]'', sarta karya anu panganyarna anu dirilis taun 2025, ''[[It Was Just an Accident]]''. == Cutatan == * I'm really optimistic about the future of Iranian cinema because of all these young and talented filmmakers...What makes me hopeful is this pool of young filmmakers can use all-digital cameras to make their own movies. There was a time when the government had a monopoly on all the filmmaking equipment. But right now you don't have to go to the government to make your films. * I want you to put yourself in my shoes as a filmmaker who can't do anything else but make films, and doesn't want to do anything else. How much time do I have left? Do I have twenty years left to live? I cannot stay idle. I know this is what they want. They let me out of a small prison and released me to a much larger one.When I was in a small prison I knew there was nothing I could do there. Every movement was being watched. ..Now that I am so-called 'free', but in reality in a larger prison, I have to do something and cannot stay idle and let my life be wasted. * My films are always inspired by the environment in which I find myself. I hadn't gone to prison previously; my environment was just Iranian society. What I could see, observe, inspired my films - the daily life of perfectly normal people. But once you've been sent to prison, inevitably you're influenced and impacted by what you experience there and what you see. I don't know whether I'd refer to this as violence, however. Non-violence also can be found in violence. Throughout the film, one of the recurring themes is to avoid violence and this is directly mentioned by several of the characters. In this film, we show different groups, different ways of reacting to what is happening, just like any society today. In Iranian society currently, you have all sorts of different groups, very radical people and very simple people. Perhaps you read violence into this but everyone can interpret things in their own way. People perceive the film no doubt differently and will interpret things differently as a result. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] qitshvzsniz6huoa2cj0i5lzy0afyd7 0 6021 16565 16227 2026-05-13T06:35:18Z Hasnanf 1958 /* Luis */ 16565 wikitext text/x-wiki '''Sirāt''' nyaéta pilem drama anu dirilis taun 2025, karya sutradara Óliver Laxe, anu ogé ditulis ku anjeunna babarengan jeung Santiago Fillol. Pilem ieu mimiti ditayangkeun dina pasanggiri utama Festival Film Cannes ka-78, sakaligus meunangkeun Panghargaan Juri. Pilem ieu nyaritakeun bapa nu néangan budak awéwéna nu leungit, dibaturan ku budak lalakina sarta sakelompok tukang pésta di gurun Maroko kidul. == Plot == Luis, jeung budak lalakina, Esteban, indit ka hiji pésta nu diayakeun di gurun Maroko kidul jang néangan budak awéwéna nu leungit. Sakelompok tukang pésta tuluy méré nyaho yén aya pésta lain anu leuwih jauh di gurun sanggeusna, anu meureun didatangan ku budak awéwéna. Lalampahan Luis, budak lalakina, jeung kelompok éta téh tuluy ngalaman kajadian-kajadian bahaya salila maranéhna kudu nyebrangan éta gurun. == Cutatan == === Luis === * ''This makes no sense. We shouldn't have come. What do we do? The thing is... How do we get out of here? We're lost.'' == Cutatan ngeunaan pilem ieu == * Óliver Laxe, sutradarana: ''This film is not only a film, it is a ceremony. It obliges you to look inside, which is something we don’t usually do. There is so much pain inside us, and in the world we live in, that we distract ourselves all the time. And it’s normal that we cannot be connected with pain all the time. So this film obliges you to look inside. This is violent, and it’s healthy. It’s like someone is beating you. The master is beating you with the stick. The film is moving something inside, touching something inside. And as an author, I’m really satisfied with this.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] byepxmvdvy62t96f7khhb1snv4fgpio 16566 16565 2026-05-13T06:36:00Z Hasnanf 1958 /* Cutatan ngeunaan pilem ieu */ 16566 wikitext text/x-wiki '''Sirāt''' nyaéta pilem drama anu dirilis taun 2025, karya sutradara Óliver Laxe, anu ogé ditulis ku anjeunna babarengan jeung Santiago Fillol. Pilem ieu mimiti ditayangkeun dina pasanggiri utama Festival Film Cannes ka-78, sakaligus meunangkeun Panghargaan Juri. Pilem ieu nyaritakeun bapa nu néangan budak awéwéna nu leungit, dibaturan ku budak lalakina sarta sakelompok tukang pésta di gurun Maroko kidul. == Plot == Luis, jeung budak lalakina, Esteban, indit ka hiji pésta nu diayakeun di gurun Maroko kidul jang néangan budak awéwéna nu leungit. Sakelompok tukang pésta tuluy méré nyaho yén aya pésta lain anu leuwih jauh di gurun sanggeusna, anu meureun didatangan ku budak awéwéna. Lalampahan Luis, budak lalakina, jeung kelompok éta téh tuluy ngalaman kajadian-kajadian bahaya salila maranéhna kudu nyebrangan éta gurun. == Cutatan == === Luis === * ''This makes no sense. We shouldn't have come. What do we do? The thing is... How do we get out of here? We're lost.'' == Cutatan ngeunaan pilem ieu == * Óliver Laxe, sutradarana: ''This film is not only a film, it is a ceremony. It obliges you to look inside, which is something we don’t usually do. There is so much pain inside us, and in the world we live in, that we distract ourselves all the time. And it’s normal that we cannot be connected with pain all the time. So this film obliges you to look inside. This is violent, and it’s healthy. It’s like someone is beating you. The master is beating you with the stick. The film is moving something inside, touching something inside. And as an author, I’m really satisfied with this.'' * ''Why nature could be the real question. Why do I shoot all my films in nature?  I mean, I don’t have anything about cities. Nature is not just a beautiful frame. Nature speaks. The desert speaks. The desert is testing you. It’s taking care of you while testing you. Nature has rules. What [Andrie] Tarkovsky evokes in Stalker, for me, is reality. Even in a city, reality is a manifestation of something alive. There is a creative intelligence behind everything. There is a subtle world behind the material world. The desert is a place where you can’t hide yourself. You can’t be distracted. You are obliged to look inside. You know you can die there; you are connected with death. So your senses, your level of perception, are very awake. Even when we were at the door of the desert making the film—because when you make a film you are, in a way, protected—art is about crossing limits. Rave culture is about crossing limits. Spirituality is also about crossing limits. Love and craziness are closer than we think.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 130f3z13zyhfl0a7ixv3826a6hhm8tx 0 6022 16573 16255 2026-05-13T07:01:01Z Hasnanf 1958 16573 wikitext text/x-wiki '''Delpedro Marhaen''' nyaéta pengacara, panalungtik, sakaligus aktipis hak asasi manusa Indonésia, anu oge ngajabat jadi Diréktur Éksekutip Lokataru Foundation, nyaéta lembaga swadaya masarakat anu pokusna dina nangtayungan hak asasi manusa, démokrasi, sarta kabébasan sipil di Indonésia. Taun 2025, Delpedro ditéwak Polda Metro Jaya ku tuduhan hasutan dina unjuk rasa anu kajadian Agustus 2025. == Cutatan == * ''"Kemenangan ini, vonis bebas ini bukan hanya milik kami berempat, bukan hanya milik tahanan politik di Jakarta, tapi milik seluruh tahanan politik dan masyarakat Indonesia di luar sana."'' ** Ieu kameunangan, ieu vonis bébas téh lain mung saukur kagungan urang opatan, lain mung saukur milik tahanan politik di Jakarta, tapi ogé kagungan sadaya tahanan politik sareng masarakat Indonésia di luar ditu. * ''"Apabila demi tegaknya kebenaran dan demi sesuatu yang lebih baik bagi masyarakat, bangsa, dan hukum itu sendiri dibutuhkan pengorbanan, maka Insya Allah saya siap berkorban."'' ** Upami pikeun ajegna bebeneran sarta pikeun hiji hal anu leuwih saé kanggo masarakat, bangsa, sareng hukum éta nyalira dibutuhkeun pangorbanan, insyaAllah sim kuring sayagi kanggo berkorban. * ''"Dalam filsafat bahasa, makna tidak berdiri sendiri, ia lahir dari konteks. Kata 'lawan' dalam ruang demokrasi bisa berarti melawan dengan argumen, melawan dengan demonstrasi damai, melawan melalui jalur hukum. Ia tidak identik dengan kekerasan."'' ** Dina pilsapat basa, hartos téh henteu nangtung nyalira, éta téh gumelar tina kontes. Kecap 'lawan' dina rohang démokrasi tiasa dihartikeun ngalawan nganggo argumén, ngalawan nganggo démonstrasi daméy, ngalawan nanggo jalur hukum. Éta téh henteu idéntik sareng katelengesan. * ''"Dan jika suatu hari jaksa atau hakim menghadapi ketidakadilan, saya katakan di ruang sidang ini: Saya akan berdiri membela mereka. Bukan karena kedekatan pribadi, tapi karena prinsip bahwa siapapun yang tertindas dalam dimensi ketidakadilan struktural sejatinya patut dibela."'' ** Sarta upami nalika hiji mangsa jaksa atawa hakim nyinghareupan kateuadilan, sim kuring tepikeun di rohangan sidang ieu: Sim kuring bakal tatih ngabéla anjeunna. Sanés kulantaran kadeukeutan pribadi, nanging kulantaran prinsip yén saha waé anu nandangan kapeureup dina kateuadilan struktural téh hakékatna kedah dibéla. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] bpfalmbloicqytaoy40jcljotkn51qq 0 6023 16536 16228 2026-05-12T16:44:16Z Hasnanf 1958 /* Agnes */ 16536 wikitext text/x-wiki '''Sorry, Baby''' nyaéta pilem drama-komedi satir Amérika anu ditulis jeung diarahkeun ku Eva Victor, anu ogé pilem debutna salaku sutradara. Pilem ieu mimiti tayang dina ajang Sundance Film Festival tuluy meunang réspon nu alus ti kritikus. Pilem ieu dibintangan ku Eva Victor, Naomi Ackie, Louis Cancelmi, Kelly McCormack, Lucas Hedges, jeung John Carroll Lynch. Pilem ieu nyaritakeun propésor sastra anu tertutup anu ogé nandang déprési lantaran kungsi ngalaman kekerasan séksual. == Cutatan == === Agnes === * ''When you grow up, you can tell me whatever. Like, if you have a thought, and you're like "that's a bad thought", I probably had that same thought but, like, ten times worse. So you can just tell me, I'll never be scared by that. If someone does something bad to you. If someone says something scary. If you wanna kill yourself, like with a pencil or a knife or whatever, you can just tell me. I'll never tell you you're scaring me. I'll just say, "Yeah, I know. It's just like that sometimes". I'm sorry that bad things are going to happen to you. I hope they don't. If I can't ever stop something from being bad, let me know. But, sometimes, bad stuff just happens. That's why I feel bad for you in a way. That you're alive, and you don't know that yet. But I can still listen, and not be scared. So that's good, or that's something, at least.'' Nalika anjeun tumuwuh déwasa, anjeun tiasa nyarita naon waé ka sim kuring. Siga, upami anjeun migaduh pikiran, teras anjeun siga "éta téh pikiran anu awon", sim kuring sigana migaduh éta pikiran anu sami tapi, siga, sapuluh kali leuwih awon. Janten anjeun tiasa nyarita ka sim kuring, sim kuring moal pernah ngarasa sieun ku éta. Upami aya jalma anu ngalakukeun hal awon ka anjeun. Upami aya jalma anu nyarita hiji hal anu pikasieuneun. Upami anjeun hoyong ngeureunkeun hirup anjeun sorangan, siga nganggo patlot atawa péso atawa naon waé, anjeun tiasa carita waé ka sim kuring. Sim kuring moal pernah masihan terang ka anjeun yén anjeun téh nyingsieunan sim kuring. Sim kuring bakal teras nyarios, "Nya, sim kuring terang. Éta téh siga kitu sakapeung mah". Hapunten pikeun sagala hal awon anu bakal kajantenan ka anjeun. Sim kuring mikaharep éta téh teu kajantenan. Upami sim kuring teu pernah tiasa ngeureunkeun hiji hal tina janten awon, pasihan terang sim kuring. Nanging, sakapeung, hal anu awon téh kajantenan waé. Éta téh naha sim kuring ngarasa awon ka anjeun dina hiji hal. Yén anjeun téh hirup, sareng anjeun téh teu acan terang ngeunaan éta. Tapi sim kuring angger tiasa ngadangukeun, sarta teu ngarasa sieun. Janten éta téh saé, atawa éta téh hiji hal, sahenteuna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] mqgwztt5aml21tiwjk32lfjchip795e 16538 16536 2026-05-12T16:53:41Z Hasnanf 1958 16538 wikitext text/x-wiki '''Sorry, Baby''' nyaéta pilem drama-komedi satir Amérika anu ditulis jeung diarahkeun ku Eva Victor, anu ogé pilem debutna salaku sutradara. Pilem ieu mimiti tayang dina ajang 2025 Sundance Film Festival tuluy meunang réspon nu alus ti kritikus. Pilem ieu dibintangan ku [[Eva Victor]], [[Naomi Ackie]], [[Louis Cancelmi]], [[Kelly McCormack]], [[Lucas Hedges]], jeung [[John Carroll Lynch]]. Pilem ieu nyaritakeun propésor sastra anu tertutup anu ogé nandang déprési lantaran kungsi ngalaman kekerasan séksual. == Cutatan == === Agnes === * ''When you grow up, you can tell me whatever. Like, if you have a thought, and you're like "that's a bad thought", I probably had that same thought but, like, ten times worse. So you can just tell me, I'll never be scared by that. If someone does something bad to you. If someone says something scary. If you wanna kill yourself, like with a pencil or a knife or whatever, you can just tell me. I'll never tell you you're scaring me. I'll just say, "Yeah, I know. It's just like that sometimes". I'm sorry that bad things are going to happen to you. I hope they don't. If I can't ever stop something from being bad, let me know. But, sometimes, bad stuff just happens. That's why I feel bad for you in a way. That you're alive, and you don't know that yet. But I can still listen, and not be scared. So that's good, or that's something, at least.'' Nalika anjeun tumuwuh déwasa, anjeun tiasa nyarita naon waé ka sim kuring. Siga, upami anjeun migaduh pikiran, teras anjeun siga "éta téh pikiran anu awon", sim kuring sigana migaduh éta pikiran anu sami tapi, siga, sapuluh kali leuwih awon. Janten anjeun tiasa nyarita ka sim kuring, sim kuring moal pernah ngarasa sieun ku éta. Upami aya jalma anu ngalakukeun hal awon ka anjeun. Upami aya jalma anu nyarita hiji hal anu pikasieuneun. Upami anjeun hoyong ngeureunkeun hirup anjeun sorangan, siga nganggo patlot atawa péso atawa naon waé, anjeun tiasa carita waé ka sim kuring. Sim kuring moal pernah masihan terang ka anjeun yén anjeun téh nyingsieunan sim kuring. Sim kuring bakal teras nyarios, "Nya, sim kuring terang. Éta téh siga kitu sakapeung mah". Hapunten pikeun sagala hal awon anu bakal kajantenan ka anjeun. Sim kuring mikaharep éta téh teu kajantenan. Upami sim kuring teu pernah tiasa ngeureunkeun hiji hal tina janten awon, pasihan terang sim kuring. Nanging, sakapeung, hal anu awon téh kajantenan waé. Éta téh naha sim kuring ngarasa awon ka anjeun dina hiji hal. Yén anjeun téh hirup, sareng anjeun téh teu acan terang ngeunaan éta. Tapi sim kuring angger tiasa ngadangukeun, sarta teu ngarasa sieun. Janten éta téh saé, atawa éta téh hiji hal, sahenteuna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 5y5yi5tevabv604mlugg0dyx04mc3ki 16539 16538 2026-05-12T16:53:54Z Hasnanf 1958 16539 wikitext text/x-wiki '''Sorry, Baby''' nyaéta pilem drama-komedi satir Amérika anu ditulis jeung diarahkeun ku [[Eva Victor]], anu ogé pilem debutna salaku sutradara. Pilem ieu mimiti tayang dina ajang 2025 Sundance Film Festival tuluy meunang réspon nu alus ti kritikus. Pilem ieu dibintangan ku [[Eva Victor]], [[Naomi Ackie]], [[Louis Cancelmi]], [[Kelly McCormack]], [[Lucas Hedges]], jeung [[John Carroll Lynch]]. Pilem ieu nyaritakeun propésor sastra anu tertutup anu ogé nandang déprési lantaran kungsi ngalaman kekerasan séksual. == Cutatan == === Agnes === * ''When you grow up, you can tell me whatever. Like, if you have a thought, and you're like "that's a bad thought", I probably had that same thought but, like, ten times worse. So you can just tell me, I'll never be scared by that. If someone does something bad to you. If someone says something scary. If you wanna kill yourself, like with a pencil or a knife or whatever, you can just tell me. I'll never tell you you're scaring me. I'll just say, "Yeah, I know. It's just like that sometimes". I'm sorry that bad things are going to happen to you. I hope they don't. If I can't ever stop something from being bad, let me know. But, sometimes, bad stuff just happens. That's why I feel bad for you in a way. That you're alive, and you don't know that yet. But I can still listen, and not be scared. So that's good, or that's something, at least.'' Nalika anjeun tumuwuh déwasa, anjeun tiasa nyarita naon waé ka sim kuring. Siga, upami anjeun migaduh pikiran, teras anjeun siga "éta téh pikiran anu awon", sim kuring sigana migaduh éta pikiran anu sami tapi, siga, sapuluh kali leuwih awon. Janten anjeun tiasa nyarita ka sim kuring, sim kuring moal pernah ngarasa sieun ku éta. Upami aya jalma anu ngalakukeun hal awon ka anjeun. Upami aya jalma anu nyarita hiji hal anu pikasieuneun. Upami anjeun hoyong ngeureunkeun hirup anjeun sorangan, siga nganggo patlot atawa péso atawa naon waé, anjeun tiasa carita waé ka sim kuring. Sim kuring moal pernah masihan terang ka anjeun yén anjeun téh nyingsieunan sim kuring. Sim kuring bakal teras nyarios, "Nya, sim kuring terang. Éta téh siga kitu sakapeung mah". Hapunten pikeun sagala hal awon anu bakal kajantenan ka anjeun. Sim kuring mikaharep éta téh teu kajantenan. Upami sim kuring teu pernah tiasa ngeureunkeun hiji hal tina janten awon, pasihan terang sim kuring. Nanging, sakapeung, hal anu awon téh kajantenan waé. Éta téh naha sim kuring ngarasa awon ka anjeun dina hiji hal. Yén anjeun téh hirup, sareng anjeun téh teu acan terang ngeunaan éta. Tapi sim kuring angger tiasa ngadangukeun, sarta teu ngarasa sieun. Janten éta téh saé, atawa éta téh hiji hal, sahenteuna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 0jqb4e3nxi68h4ne70h3c9y3r734p10 0 6024 16567 16229 2026-05-13T06:39:01Z Hasnanf 1958 /* Cutatan */ 16567 wikitext text/x-wiki '''Mohammad Rasoulof''' nyaéta sinéas independen Iran anu hirup di pangasingan di Éropa. Anjeunna kasohor ku sababaraha karyana anu berhasil meunangkeun pangajén, kaasup di antawisna, ''The Twilight'' (2002), ''Iron Island'' (2005), ''Goodbye'' (2011), ''Manuscripts Don't Burn'' (2013), ''A Man of Integrity'' (2017), jeung ''There is No Evil'' (2020). Taun 2025, pilem anjeunna nu panganyarna, ''The Seed of the Sacred Fig'' asup kana nominasi Pilem Panjang Internasional dibawa ku nagara Jérman. == Cutatan == * ''I think I have to accept that in order to see changes and reform in the structure of the country, we have to pay a price and every person will pay some price.'' * ''Laws only deserve our respect as long as they improve interpersonal relationships and life in society. However, if they serve to promote violence... then they must be revised as a matter of urgency.'' * ''I decided to put away allegorical and metaphorical language because I felt it was a form of self-censorship. I decided to be myself. What matters to a dictatorship is that you aren't yourself.'' * ''The women’s movement in Iran has a long history and in the last episode of it, which was the Woman, Life, Freedom movement, we were caught by surprise. The new generation has a very different approach to the meaning of resistance and the meaning of life. In the previous generations, death was glorified in the fight and in resistance.'' ''A big difference with the new generation is that they fight for freedom, they fight for life, and they glorify life and they put value in the act of fighting for life, not for death. So their perceptions of life, their understandings of life are very different than what the previous generations understood. The new generation has a very large communication with the world around them and it sees itself as part of the world around it through, of course, social media.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] qf0yxlytzzvodamkeyls8fu3isoc495 0 6025 16550 16241 2026-05-12T19:09:56Z Hasnanf 1958 16550 wikitext text/x-wiki '''Nouvelle Vague''' nyaéta pilem biograpi drama komédi anu disutradaraan ku Richard Linklater nu dirilis taun 2025. Pilem ieu mimiti ditayangkeun dina ajang Cannes Film Festival 2025, anu tuluy meunangkeun sababaraha pangajén di ajang-ajang séjénna, kaasup Sutradara Terbaik dina ajang César Awards ka-51. Pilem ieu dibintangan ku Guillaume Marbeck, Zoey Deutch, jeung Aubry Dullin, anu nyaritakeun prosés ngajieun pilem ''Breathless'' (1960) karya Jean-Luc Godard, anu mangrupakeun pilem panjang mimiti dina aliran French New Wave. == Jean-Luc Godard == * ''"We control our thoughts, which mean nothing. Not our emotions, which mean everything."'' Urang téh ngendalikeun pikiran urang, nu mana hartina téh lain nanaon. Lain émosi urang, nu mana hartina téh sagalana. * ''"Artistic creation does not mean painting one's soul in things, but painting the soul of things. Cinema is the expression of lofty sentiments."'' Panciptaan artistik henteu dihartikeun ngalukiskeun hiji jiwa dina barang, tapi ngalukiskeun jiwa tina barang. Sinéma téh éksprési tina séntimén anu hadé. == Roberto Rossellini == * ''"Anybody can make movies. It's just another means of expression."'' Sadayana tiasa ngajieun pilem. Éta téh ngan harti séjén tina ungkepan. * ''"Thank you, my friends. Circle of cinemaniacs. Insurgents all. I'm always trying to create a movement. But I've yet to succeed, because I understand that, to create a movement, you must crystallize yourself into a position. To crystallize yourself is to castrate yourself. Cinema is a moral affair. There is no technique for grasping reality. Only a moral position can do so. The camera's a ballpoint pen, an imbecile, it's worth nothing if you have nothing to say. The best way of filming is the simplest. Real art avoids artistic effects like the plague. True freedom is logical and does not care about rules and habits. Filming should only be done in a state of urgency and necessity. Don't regard cinema as something mystical. I'll be watching."'' Hatur nuhun, bagéa kuring. Bunderan ''cinemaniacs.'' Sakabéh insurgensi. Sim kuring teu weléh nyobi pikeun ngajieun pergerakan. Tapi sim kuring teu acan suksés, kusabab sim kuring ngartos, yén pikeun ngajieun hiji pergerakan, anjeun kedah ngakristalkeun diri dina hiji posisi. Pikeun ngakristalkeun diri téh anjeun kudu ngabiri diri anjeun sorangan. Sinéma téh urusan moral. Teu aya téknik pikeun nangkep kanyataan. Ngan hiji posisi moral anu bisa ngalakukeun éta. Kaméra téh pénana, hiji jalma bodo, éta téh teu sabanding jeung nanaon upami anjeun teu miboga naon anu rék diomongkeun. Cara nu paling alus tina ngajieun pilem téh anu paling sederhana. Seni anu sajati ngahindar épék artistik siga wabah. Kabébasan sajati téh logis sarta henteu paduli ngeunaan aturan sarta kabiasaan. Nyieun pilem kudu dilakukeun dina kaayaan urgen sarta kabutuhan. Ulah nganggep sinéma kalayan hiji hal anu mistis. Sim kuring bakal ngalalajoanan. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] fc3waz6lpojixovwrg5s3vmxodtpvq1 0 6026 16568 16230 2026-05-13T06:41:51Z Hasnanf 1958 /* Mahdi Aljamal */ 16568 wikitext text/x-wiki '''The Voice of Hind Rajab''' nyaéta pilem dokudrama anu dirilis taun 2025, ditulis jeung diarahkeun ku sutradara Kaouther Ben Hania. Pilem ieu diproduksi antara nagara Tunisia jeung Perancis, sarta dibintangan ku Saja Kilani, Motaz Malhees, Amer Hlelel, jeung Clara Khoury. Pilem ieu nyaritakeun réspon ti Palang Merah salila Hind Rajab, anak Paléstina yuswa genep taun, anu dibunuh ku tantara Israél nalika nyerang di Jalur Gaza. == Cutatan == === Mahdi Aljamal === * "Without coordination, those 8 minutes can cost them their lives." == Cutatan ngeunaan pilem ieu == * Kaouther Ben Hania, sutradarana: ''“I think that the movie is not comfortable to watch to start with because it’s showing us our human failure, the killing of a child.'' ''[For those that consider documentary to be “pure,”] It’s not. When you do a documentary, you choose to show this rather than this; you edit. If you want a ‘pure’ reality, watch camera surveillance for 24 hours. When we talk about doing a documentary or a fiction or anything else, we are talking about a point of view. We are talking about choices.”'' * ''“I was astonished by the number of people who don’t know this story because [Hind] was under the rubble of other stories, other body numbers. Palestinian victims, especially in the West, are faceless. They are numbers. They don’t exist. There was something about resonating Hind’s voice in a cinematic form that can make you understand.”'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 378udqih25zptbs4r5nrjfbj1fjp8w9 0 6027 16540 16232 2026-05-12T17:11:02Z Hasnanf 1958 16540 wikitext text/x-wiki '''A Useful Ghost''' nyaéta pilem superanatural drama-komedi satir anu ditulis jeung diarahkeun ku Ratchapoom Boonbunchachoke, sakaligus pilem mimitina salaku sutradara, anu dirilis taun 2025. Pilem ieu mimiti ditayangkeun di ajang Cannes Film Festival 2025, sakaligus meunangkeun ''grand prize'' dina bagéan ''Critics' Week.'' Pilem ieu dibintangan ku Davika Hoorne, Witsarut Himmarat, Apasiri Nitibhon, Wanlop Rungkumjad, jeung Wisarut Homhuan. Pilem ieu mangrupakeun hasil kolaborasi produksi antara Thailand, Perancis, Singapura, jeung Jérman. == Plot == Nat, jurig wanoja ngora, anu nolak yén anjeunna téh geus maot, ngarasukan hiji ''vacuum cleaner'' pikeun bisa manggihan carogéna, March. Kulawarga March kacida nolakna pikeun pakumpulan deui aranjeunna duaan, tapi manggihan kagunaanna, kulawarga March tuluy narima Nat. Peranna téh pikeun ngabolékérkeun idéntitas roh-roh kumalayang di sakabéh Thailand tuluy nganteurkeun ka ahérat. Ku kituna, roh-roh ieu téh mangrupakeun jiwa-jiwa anu dikorbankeun salila démokratisasi Thailand anu lambat 70 taun lilana. == Cutatan == === Nat === * ''It’s not the force of electricity that moves me, it’s the force of my love.'' Sanés kakuatan listrik anu ngagerakkeun sim kuring, tapi éta téh kakuatan cinta. * ''The dead return because they remember, and they are remembered.'' Anu tos maot téh balik deui kusabab aranjeunna inget, sarta aranjeunna dipikainget. == Cutatan ngeunaan pilem ieu == * Ratchapoom Boonbunchachoke, sutradara: ''When I told people my idea, they said, ‘That’s not very original,’ So I started researching how cinema shows ghosts — translucent, floating, pale skin — and realized it would be much more interesting if she was reduced to an object. She died from dust pollution, so possessing a vacuum made perfect sense. Also, logistically, it’s easier than a washing machine.'' Ratchapoom Boonbunchachoke, sutradara: Nalika sim kuring nyarita ka batur ngeunaan ideu kuring, aranjeunna nyarios, ''‘''Éta téh henteu original teuing,’ Janten sim kuring téh muléy ngarisét kumaha sinéma nampilkeun jurig — tembus cahaya, ngapung, kulit sepa — tuluy sim kuring sadar yén bakal leuwih pikaresepeun upami anjeunna dijadikeun hiji obyék. Anjeunna tilar dunya kusabab polusi kebul, teras ngarasukkan hiji vacuum téh asup akal. Sarta, sacara logistik, éta téh leuwih gampil dibandingkeun hiji mesin cuci. * ''At first, the script only had the husband-and-wife story. But I couldn’t finish it. When I added the ladyboy character, it clicked — storytelling as ritual, one generation passing memory to another.'' Mimitina, naskahna téh ngan miboga carita carogé-istri. Tapi sim kuring teu tiasa nganggeuskeun éta. Nalika sim kuring nambihan tokoh ''ladyboy'' éta — cara nyarita salaku ritual, hiji generasi nurunkeun ingetan ka nu sanésna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] irml8qah0iqfh8oa1udc3z4g1q6d7tu 0 6034 16572 16256 2026-05-13T06:52:53Z Hasnanf 1958 /* Cutatan */ 16572 wikitext text/x-wiki '''Hayley Nichole Williams''' nyaéta musisi jeung penulis lagu asal Amérika. Anjeunna mangrupakeun vokalis sakaligus salah sahiji nu nyieun band Paramore, sarta geus nyiptakeun sababaraha album solo. Di taun 2025, Hayley Williams ngarilis album panganyarna, nyaéta Ego Death at a Bachelorette Party, anu berhasil mawa anjeunna asup kana nominasi pangajén Grammy Awards kategori ''Best Alternative Music Album, Best Alternative Music Performance, Best Rock Performance,'' jeung ''Best Rock Song''. == Cutatan == * ''"I believe music is a place everyone of us can go to. I don’t care who you are, where you were born, what you do with your life. Everyone can come here in music and be equal."'' ** "Kuring yakin musik mangrupikeun tempat anu sadayana urang tiasa angkat . Abdi henteu paduli saha anjeun, dimana anjeun dilahirkeun, naon anu anjeun lakukeun dina kahirupan anjeun. Sadayana tiasa sumping ka dieu dina musik sareng sami." * ''"Sometimes life just hits you, right in the face. And it’s alright. Because I, for one, think it’s kinda cool to have a black eye every now and then. And I think it’s definitely okay to have scars, and it’s definitely okay to hurt, and be in pain and show it. And that’s why we have friends in this life. And it’s why we have music."'' "Kadang-kadang hirup ngan ukur nyéépkeun anjeun, langsung dina raray. Sareng henteu kunanaon. Kusabab kuring, pikeun hiji, nganggap éta rada keren pikeun gaduh panon hideung unggal ayeuna-ayeuna. Sareng kuring pikir pasti henteu kunanaon gaduh tapak tatu, sareng pasti henteu kunanaon, sareng nyeri sareng nunjukkeun éta. Sareng éta sababna urang gaduh réréncangan dina kahirupan ieu . Sareng éta naha urang gaduh musik." * ''"The band has been the chosen family. It’s the vehicle — van — that everybody piled into, and we went along and learned all the lessons that we needed to learn. Now, it does feel like when you can put your purpose next to somebody or the thing that you’re passionate about, and it’s greater than the sum of its parts."'' * ''"Grief teaches you like nothing else."'' * ''"Unfortunately for me, I’m someone that when I get really hurt or when anything gets to that abandonment thing in your body, anger, from me, is usually what would come first, because it’s trying to protect me, and I don’t know how to. That’s why I sing so much about wanting to keep learning what softness means. I don’t think it’s simple, and also, so many people talk like that on podcasts that it starts to mean nothing, but for me, it’s been such a long lesson that I’m like, “When do I get to the end of this?” Because anger has also caused some of the best moments in my life, where I was motivated enough to do something that I thought could help make a difference, whether that be activism or even just writing music for myself, for grief, pain, anger, all those things. I have to find my way to real vulnerability underneath all that stuff first. I’d love to get there faster… Actually, I’m going to give myself that. I think that this album would sound a lot different if I hadn’t learned to look beneath anger."'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] o55c0gpj66tc02i5rwlaprj3wn6dxfr 0 6036 16571 16247 2026-05-13T06:50:18Z Hasnanf 1958 16571 wikitext text/x-wiki '''Laufey Lin Bing Jónsdóttir''' atawa leuwih dipikawanoh kalayan ngaran mononimus '''Laufey''' nyaéta panyanyi jeung panulis lagu asal Islandia. Gaya musik anjeunna ngagabungkeun aliran jazz pop, klasik, jeung bossa nova. Anjeunna mimiti tampil salaku solois cello dina yuswa 15 taun, anu dibarengan ku Iceland Symphony Orchéstra, tuluy di taun 2014 jadi finalis Island Got Talent jeung sémifinalis The Voice Iceland 2015. == Cutatan == * ''I think it was just like, I knew that being an artist was never a surprise, which I think in contrast to my American peers who–I mean now they’re all artists–but growing up I had friends who weren’t, and it seemed like being an artist was this incredible risk that parents often didn’t approve of. I think that’s the part, right? Whereas in Iceland, it felt like this thing that more than half of the people I knew at least attempted some sort of art form or school or studying it, whether it was writing or acting or music. At some point in their life, it was a part of them becoming an adult.'' ''And now I’m 25, and graduated high school there six years ago. To this day, there are kids who have just finished up their economics degree and they’re going to acting school in England. The society fosters artistic development and artistic risks. I think being an artist was never a surprise, but I think being an artist in this way was a bit of a surprise to me.'' * ''There are so many barriers to entry to going to the symphony. How to dress, where to get my ticket, when to clap, is there an intermission? It is also super expensive. There’s so much etiquette involved, and it’s something that I really want to introduce to a new generation of listeners, and I want to introduce it as something that is not quite as serious as it’s painted to be. I mean this music–classical music–was the pop music at its time.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] kty6txr3hud4rn8zojrh5xbca3gj61m 0 6037 16542 16244 2026-05-12T17:52:10Z Hasnanf 1958 16542 wikitext text/x-wiki '''The Pitt''' nyaéta serial drama télévisi Amérika anu nyaritakeun médis prosédural, anu dijieun ku R. Scott Gemmill, jeung produser eksekutipna John Wells sarta Noah Wylle. Unggal musim sérial ieu nuturkeun tanaga kaséhatan di unit darurat anu kudu nyingharepan waktu gawé 15 jam di Pittsburgh Trauma Medical Center. Sérial ieu mimiti ditayangkeun di Max dina 9 Januari 2025. == Cutatan == === Dr. Michael Robinavitch === * ''Being a good doctor, Dr. Mohan, is knowing when to dig deep and knowing when to move on.'' Janten dokter anu saé, Dr. Mohan, nyaéta terang iraha kudu ngagali leuwih jero sarta terang iraha kudu ngaléngkah maju. * ''I love you, thank you, I forgive you, please forgive me.'' Kuring nyaah ka anjeun, hatur nuhun, sim kuring ngahapunten anjeun, hapunten sim kuring. * ''Never apologize for feeling something for your patients.'' Ulah pernah ménta dihampura pikeun ngarasakeun hiji hal pikeun pasién anjeun. === Dr. Frank Langdon === * ''This is a tough place for sensitive people, but we need them badly.'' Ieu téh tempat anu heuras pikeun jalma nu sénsitip, tapi urang téh butuh aranjeunna. === Dr. Cassie McKay === * ''We're healers, not judges.'' Urang téh panyageur, sanés hakim. === Dr. Dennis Whitaker === * ''A wise man once told me you learn to live with it, learn to accept it, and to find balance if you can.'' Hiji jalma wicaksana téh kungsi nyarita ka sim kuring, anjeun diajar hirup jeung éta, diajar narima éta, sarta manggihan kasaimbangan upami anjeun bisa. === Dr. Samira Mohan === * ''Little empathy goes a long way with those suffering in real pain.'' Sakedik émpati kabawa dina jalan nu panjang sareng jalma-jalma anu sangsara dina kapeurih nu nyata. === Nurse Dana Evans === * ''If we don't stand up for ourselves, no one else will. We're here to help, not to be punching bags.'' Upami urang henteu ngabéla diri urang sorangan, moal aya nu bakal. Urang di dieu pikeun ngabantuan, sanés jadi samsak. * ''You don't have to have all the answers. Sometimes just asking how someone's doing is enough.'' Anjeun teu kedah gaduh sagala jawaban. Sakapeung mah naroskeun kumaha kaayaan salah saurang téh cekap. === Dialog === ''Dr. Michael Robinavitch: How do you get through the loss of a child?'' ''Dana Evans: The same way you get through anything, by leaning on your friends and family.'' :Dr. Michael Robinavitch: Kumaha carana anjeun ngaliwatan kaleungitan murangkalih? :Dana Evans: Cara anjeun ngaliwatan sagala hal sanésna, gumantung ka réréncangan sareng kulawarga anjeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] hllfhtc7b0irbtk16dwyifl78cb0ea7 0 6038 16560 16236 2026-05-13T06:19:43Z Hasnanf 1958 16560 wikitext text/x-wiki '''Omar El Akkad''' nyaéta jurnalis jeung penulis Mesir-Kanada-Amérika. Anjeunna kungsi jadi réporter jang ''The Globe and Mail'' salila 10 taun, nu mana anjeunna ngawartakeun perang di Afghanistan, Teluk Guantanamo, jeung Arab Spring di Mesir. Di taun 2025, buku anjeunna nu dirilis di taun nu sarua, ''One Day Everyone Will Have Always Been Against This'' meunang pangajén National Book Award for Nonfiction. == Cutatan == * To be accused of speaking too loudly about one injustice but not others by someone who doesn’t care about any of them is to be told, simply, to keep quiet. * It is a hallmark of failing societies, I’ve learned, this requirement that one always be in possession of a valid reason to exist. * The moral component of history, the most necessary component, is simply a single question, asked over and over again: When it mattered, who sided with justice and who sided with power? What makes moments such as this one so dangerous, so clarifying, is that one way or another everyone is forced to answer. * How empty does your message have to be for a deranged right wing to even have a chance of winning? Of all the epitaphs that may one day be written on the gravestone of Western liberalism, the most damning is this: Faced off against a nihilistic, endlessly cruel manifestation of conservatism, and somehow managed to make it close. * It seemed sensible to crave safety, to crave shelter from the bombs and the Birds and the daily depravity of war. But somewhere deep in her mind an idea had begun to fester-perhaps the longing for safety was itself just another kind of violence-a violence of cowardice, silence, submission. What was safety, anyway, but the sound of a bomb falling on someone else's home? [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] eefq5ouxsrduu1ug4zp9u9rrupk9oag 0 6039 16569 16237 2026-05-13T06:45:37Z Hasnanf 1958 16569 wikitext text/x-wiki '''Charles Robert Redford Jr.''' nyaéta aktor, sutradara, jeung produser Amérika, anu kasohor kahadiranna salaku peran utama dina aliran American New Wave. Anjeunna geus ngalanglangbuana di dunya seni peran leuwih ti 60 taun, sarta geus meunangkeun loba pangajén, kaasup hiji Academy Award, hiji BAFTA Award, jeung lima Golden Glob Awards. '''Robert Redford''' tilar dunya di taun 2025, dina yuswana nu ka 89 taun. == Cutatan == * All everyone talked about was aging. It took me by surprise because I have not thought of myself that way. I assumed I would age naturally, as time went on. * I learned early that you'd better know what you're talking about. You'd better realize that certain issues are going to be so hot - no matter what reason, what logic you apply to it - you're going to be met with an opposition just because their viewpoint is different, and there's no way they're going to accept your reasoning. Furthermore, they're going to attack you because you will be portrayed as not being credible: "You're an actor. What do you know?" * I have to be human, of course, to be flattered by attention from the public. How could you not be? But it gets pretty intense when people are going after your clothes, and mobbing you in the streets, and you have to hide. That's kind of amusing, and kind of mind-boggling when it happens - you kind of go with it and have fun with it. Then it gets tiring, and then it gets worse when you realize you're being robbed of a vital part of your life, which is your privacy. And you also know what's coming your way is artificial, because those people are reacting to something they saw on the screen, not you as a person. * A lot of what acting is, is paying attention. * Storytellers broaden our minds: engage, provoke, inspire, and ultimately, connect us. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 8ysava0eds7avbzt5i5fq3g2mhwvicd 0 6040 16559 16238 2026-05-13T06:17:45Z Hasnanf 1958 16559 wikitext text/x-wiki '''Sound of Falling''' nyaéta pilem drama Jérman, anu dirilis 2025, karya sutradara Mascha Schilinski. Pilem ieu dibéntangan ku Hanna Heckt, Lena Urzendowsky, Laeni Geiseler, Susanne Wuest, Luise Heyer, jeung Lea Drinda. Pilem ieu nyaritakeun opat generasi wanoja anu kasambungkeun ku hiji paternakan di Altmark, Jérman, nyingkabkeun rusiah di satukangeun pinding anu tos katarajang mangsa. == Plot == 1910an, Alma, 7 taun, tumuwuh di lingkungan pangangongan sareng adi-lanceukna. Salian ti padamelan sadidinten di pangangonan sareng panglawungan sareng sakitar, ajal téh hiji hal anu sering kajajanten. Anjeunna nyakséni persiapan pangureban saparantos tatanggi sareng salah sahiji dulurna tilar dunya. 1940an, Érika sareng Irm, hirup di pangangonan anu sarua. Hirup jeung rama anomna anu teu walakaya. 1980an, Angelika, putri ti Irm, hirup di pangangonan nu sarua. Hirupna loba ilubiung jeung kalakuan nangtang aturan. 2020an, Lenka, hirup di pangangonan anu sarua. Nanging kulawargana muser dina kahirupan anu harmonis. == Cutatan ngeunaan pilem ieu == * Mascha Schilinski, sutradarana: ''In a way it was very liberating, because the story itself was quite obstinate — when we tried to impose too much [structure] on it, it sort of fought back and so we had to go with the flow. And the way we did that was that we used images that swelled up within ourselves when we were thinking about the story. And we wrote these down and then it became almost more of an editing process than a writing process. It was a very associative process that led to this… Well, an almost impossible sort of collective memory, a document of a collective memory, a document of a strangely joined body experience over time. Or the body experiences, I should say, of the various protagonists.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 2eb9q8x03ig4eispuxkshdus8eubcxg 0 6041 16535 16242 2026-05-12T16:19:29Z Hasnanf 1958 16535 wikitext text/x-wiki '''Richard Linklater''' nyaéta sinéas Amérika, anu kasohor ku pilem-pilem karyana anu umumna miboga téma budaya sub-urban jeung dampak tina parobahan wanci. Karya-karyana nu kasohor, di antarana trilogi ''Before'': ''Before Sunrise, Before Sunset,'' sareng ''Before Midnight''; ''Boyhood''; jeung ''School of Rock''. Di taun 2025, Richard Linklater ngarilis pilemna nu panganyarna, nyaéta ''[[Nouvelle Vague (pilem)|Nouvelle Vague]]'', pilem drama-komédi anu nyaritakeun biograpi sakaligus prosés nyieun pilem [[Breathless]] karya ''[[Jean-Luc Godard]].'' == Cutatan == * ''I’ve made a lot of films about young people trying to figure out what the hell they’re doing in the world. Although I’m still wondering that myself. It’s so interesting looking back – I realised from fifth grade that I felt a need to express myself. I didn’t put it in those terms, but I just felt creative. And I had outlets. I’d write plays and short stories. So, in my limited view of the world, I was an aspiring writer.'' Sim kuring tos kungsi ngadamel pilem-pilem ngeunaan barudak ngora anu nyoba ngartikeun naon anu aranjeunna kerjakeun di dunia ieu. Sanajan sim kuring ogé masih nyawangan éta dina diri kuring sorangan. Pikaresepeun pisan ningal ka tukang – sim kuring sadar yén ti kelas lima téh sim kuring parantos ngaraos kedah ngungkapeun diri kuring sorangan. Sim kuring teu ngalarapkeun istilah éta, tapi sim kuring kréatip. Sarta sim kuring miboga kaluaran. Sim kuring osok nulis naskah drama sareng carita-carita pondok. Janten, dina panyawangan kuring anu kawates, sim kuring téh calon penulis. * ''Films to me were just these fun things. I lived in a place with one theatre. We were in a small town, so the big films you heard about came to our town two months later. But my dad lived in the big city. So I would go there on weekends and come back and tell all my friends, hey, I saw American Graffiti or the new James Bond film and they’d be like, huh? Then it would play in our small town months later. So I was ahead of the game because I had a big city element in me.'' Pilem kanggo sim kuring téh ngan hal-hal ieu anu pikabungaheun. Sim kuring hirup di tempat anu gaduh hiji téater. Urang téh aya di kota nu leutik, janten pilem-pilem ageung anu kadangu ku anjeun téh dongkap ka kota ieu dua bulan ka hareupna. Tapi pun bapa téh hirup di kota gedé. Janten sim kuring sok mangkat ka dinya dina ahir minggon tuluy uih deui sareng nyarita ka réréncangan-réréncangan kuring, héy, sim kuring tos nonton ''American Graffiti'' atawa pilem-pilem ''James Bond'' anu anyar tuluy aranjeunna bakal siga, hah? Tuluy pilem éta bakal tayang di kota urang dua bulan deui. Janten sim kuring téh sok panghareupna lantaran sim kuring miboga bagéan kota gedé di diri sim kuring. * ''I didn’t know what kind of filmmaker I would be. At that time, I had some big commercial, science fiction ideas. A lot of the stories I wrote were pretty out there. But what I really had to express was right in front of me. There’s a moment where you realise the stuff of your own life can be your material. You have to work to get there. It’s a hurdle to overcome to think it’s worthy – because we grow up thinking stories are these big things that come from elsewhere.'' Sim kuring teu terang sim kuring bakal jadi sinéas anu siga kumaha. Mangsa éta, sim kuring miboga ideu komersil, fiksi ilmiah gedé. Seueur carita anu sim kuring tulis di luaran ieu. Nanging anu kudu ku sim kuring ungkapkeun téh aya payuneun sim kuring. Aya mangsa nalika anjeun sadar yén hal-hal tina hirup anjeun sorangan téh bisa jadi bahan anjeun. Anjeun kudu getol pikeun bisa nepi ka dinya. Mangrupakeun hiji halangan pikeun bisa yakin yén éta teh pantes – ku sabab urang téh tumuwuh mikir yén carita-carita téh hal nu badag anu datang ti tempat sanés. * ''What I would whisper in my younger self’s ear is, keep going. I always tell young filmmakers that it’s like renovating your house – it’s gonna take twice as long as you think and cost twice as much. But I’m blessed with patience. I remember reading a Godard interview where he says, you don’t really get to make your first film till you’re 30. And I was 21 when I started taking this seriously, so I knew there was a long way to go. I built a foundation under myself – I’m going to watch all these films, read about film, make shorts. By the time I was 30, I had done two films, but first I created an environment where I could follow that passion.'' Anu ku sim kuring badé diharéwoskeun kana cepil sim kuring nu leuwih ngora, nyaéta teras maju. Sim kuring teu weléh masihan terang ka sinéas-sinéas ngora yén éta téh siga kuriak imah anjeun – éta téh bakal maké waktu dua kali leuwih lila sarta ngaluarkeun biaya dua kali leuwih loba. Tapi sim kuring diberkahan ku kasabaran. Sim kuring inget maca wawancara [[Jean-Luc Godard|Godard]] nalika anjeunna nyarios, anjeun teu kedah ngadamel pilem mimiti anjeun dugika yuswa 30. Sim kuring téh 21 taun nalika ngamimitian nyeriuskeun ieu hal, janten sim kuring terang éta téh jalan nu panjang kéneh. Sim kuring ngawangun dasar handapeun diri sim kuring sorangan – sim kuring bakal lalajo ieu sakabéh pilem, maca ngeunaan pilem, ngadamel pilem pondok. Nalika sim kuring umur 30, sim kuring parantos ngaréngsékeun 2 pilem, nanging mimitina sim kuring ngadamel lingkungan dimana sim kuring tiasa nuturkeun sumanget éta. == Tutumbu luar == [https://www.bigissue.com/culture/film/richard-linklater-ltmys-interview/ Wawancara Richard Linklater sareng Adrian Lobb. 8 Pébruari 2026.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 42hab43kh5m7x8179yvknj361e30wbj 0 6042 16562 16234 2026-05-13T06:30:39Z Hasnanf 1958 16562 wikitext text/x-wiki '''All That's Left of You''' nyaéta pilem drama anu dirilis taun 2025, anu ditulis, diproduksi, jeung diarahkeun ku Cherien Dabis. Pilem ieu dibéntangan ku Saleh Bakri, Mohammad Bakri, Adam Bakri, Maria Zreik, Muhammad Abed Elrahman, Sanad Alkabareti, jeung Salah El Din. Pilem ieu nyaritakeun tilu generasi kulawargi Paléstina ti jaman Nakba taun 1948 nepi ka jaman taun 2020an handapeun okupasi Israél. == Plot == Taun 1948 di Jaffa, Sharif hirup jeung kulawargana di tengah serangan Israél. Teguh mertahankeun imah kulawargna, Sharif mutuskeun pikeun mindahkeun kulawargana ka Nablus nalika anjeunna cicing pikeun badami jeung tangtara Israél anu ngadeukeutan. Sanajan kitu, anjeunna diusir kalawan telenges ku tangtara éta tuluy ditempatkeun di kamp penjara di mana anjeunna digawé paksa tanpa digaji mangbulan-bulan nepi ka ngarandapan serangan jantung, anu tuluy ngidinan anjeunna kumpul deui jeung kulawargana. == Cutatan == === Sharif === * ''The sound of gunfire doesn't scare us. We're used to it by now. It's like Beethoven's music. It's the silence that's frightening.'' == Cutatan ngeunaan pilem ieu == * Cherien Dabis, sutradarana'': think it all began with just the idea of covering three generations of one family, to show kind of the passage of trauma and to really explore this collective trauma [of 1948] that we Palestinians call the Nakba. And that idea really came from me observing my own family. It was inspired by my family, and my father in particular, who’s Palestinian and was exiled in 1967. I grew up feeling his longing for this place where he could no longer live, where he needed permission just to visit. It took him many years to get foreign citizenship just to be able to return to visit his family.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] jwd53tu87y0c1okcb11fj9junlfzwv4 16563 16562 2026-05-13T06:31:28Z Hasnanf 1958 /* Cutatan ngeunaan pilem ieu */ 16563 wikitext text/x-wiki '''All That's Left of You''' nyaéta pilem drama anu dirilis taun 2025, anu ditulis, diproduksi, jeung diarahkeun ku Cherien Dabis. Pilem ieu dibéntangan ku Saleh Bakri, Mohammad Bakri, Adam Bakri, Maria Zreik, Muhammad Abed Elrahman, Sanad Alkabareti, jeung Salah El Din. Pilem ieu nyaritakeun tilu generasi kulawargi Paléstina ti jaman Nakba taun 1948 nepi ka jaman taun 2020an handapeun okupasi Israél. == Plot == Taun 1948 di Jaffa, Sharif hirup jeung kulawargana di tengah serangan Israél. Teguh mertahankeun imah kulawargna, Sharif mutuskeun pikeun mindahkeun kulawargana ka Nablus nalika anjeunna cicing pikeun badami jeung tangtara Israél anu ngadeukeutan. Sanajan kitu, anjeunna diusir kalawan telenges ku tangtara éta tuluy ditempatkeun di kamp penjara di mana anjeunna digawé paksa tanpa digaji mangbulan-bulan nepi ka ngarandapan serangan jantung, anu tuluy ngidinan anjeunna kumpul deui jeung kulawargana. == Cutatan == === Sharif === * ''The sound of gunfire doesn't scare us. We're used to it by now. It's like Beethoven's music. It's the silence that's frightening.'' == Cutatan ngeunaan pilem ieu == * Cherien Dabis, sutradarana'': I think it all began with just the idea of covering three generations of one family, to show kind of the passage of trauma and to really explore this collective trauma [of 1948] that we Palestinians call the Nakba. And that idea really came from me observing my own family. It was inspired by my family, and my father in particular, who’s Palestinian and was exiled in 1967. I grew up feeling his longing for this place where he could no longer live, where he needed permission just to visit. It took him many years to get foreign citizenship just to be able to return to visit his family.'' ''I grew up watching him harassed, and humiliated at borders and checkpoints whenever we’d go back to visit. And I also became more and more aware, as I got older, of how much the situation impacted him emotionally, how much it really formed his identity, how he became more and more disillusioned as time went on, how he became angry at the deteriorating situation in his homeland.'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] i41yqrcubp83oc98o4tlfgcvu49jkj5