Wikiquote suwikiquote https://su.wikiquote.org/wiki/Tepas MediaWiki 1.47.0-wmf.2 first-letter Média Husus Obrolan Pamaké Obrolan pamaké Wikiquote Obrolan Wikiquote Gambar Obrolan gambar MédiaWiki Obrolan MédiaWiki Citakan Obrolan citakan Pitulung Obrolan pitulung Kategori Obrolan kategori TimedText TimedText talk Modul Pembicaraan Modul Acara Pembicaraan Acara 0 5957 16574 16221 2026-05-14T15:43:40Z Hasnanf 1958 16574 wikitext text/x-wiki '''Jane Goodall''' nyaéta primatolog sakaligus antropolog asal Inggris anu diangkén jadi panalungtik kasohor ngeunaan simpanse sadunya. Anjeunna dipikawanoh ti saprak nalungtik interaksi sosial jeung kulawargi simpanse salila 55 taun di Tanzania dina taun 1960. Anjeunna kasohor kalayan pelopor étologi primata, sarta didéskripsikeun ku loba publikasi salaku "ahli simpanse kasohor sadunya." Anjeunna ngantunkeun di taun 2025, dina yuswa 91 taun. == Cutatan == * ''"Just remember — if you are really and truly determined to work with animals, somehow, either now or later, you will find a way to do it. But you have to want it desperately, work hard, take advantage of an opportunity — and never give up."'' ** Omat — upami anjeun bener-bener miboga tékad pikeun didamel jeung sato, kumaha ogé, boh ayeuna boh engké, anjeun bakal meunang jalan pikeun ngalakonannana. Nanging anjeun kudu kacida mikahayangna, didamel sing getol, mangpaatkeun peluang — sarta ulah sumerah. * ''"Every individual matters. Every individual has a role to play. Every individual makes a difference."'' ** Unggal indipidu téh aya hartina. Unggal indipidu miboga peran pikeun dijalankeun. Unggal indipidu ngajieun parobahan. * ''"In the place where I am now, I look back over my life. I look back at the world I've left behind. What message do I want to leave? I want to make sure that you all understand that each and every one of you has a role to play. You may not know it. You may not find it. But your life matters, and you are here for a reason. And I just hope that that reason will become apparent as you live through your life. I want you to know that, whether or not you find that role that you are supposed to play, your life does matter and that every single day you live, you make a difference in the world. And you get to choose the difference that you make."'' ** Di tempat di mana sim kuring ayeuna, sim kuring ningali hirup kuring ka tukang. Sim kuring ningali ka tukang ka dunya anu tos ku sim kuring tinggalkeun. Pesen naon anu hoyong ku sim kuring tinggalkeun? Sim kuring hoyong ngayakinkeun yén anjeun sadaya ngartos yén unggal diri anjeun séwang-séwang téh miboga peran pikeun dijalankeun. Anjeun meureun henteu terang éta. Anjeun meureun henteu mendakan éta. Tapi hirup anjeun téh berharga, sarta anjeun téh di dieu pikeun hiji alesan. Sarta sim kuring ngan mikaharep yén alesan éta téh bakal jelas salila anjeun hirup ngaliwatan hirup anjeun. Sim kuring hoyong anjeun terang, yén boh anjeun mendakkan atawa henteu éta peran anu kudu dijalankeun ku anjeun, hirup anjeun berharga sarta unggal dinten anjeun hirup, anjeun ngadamel parobahan di dunya. Sareng anjeun tiasa milih parobahan éta nu ku anjeun damel. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] n35a5yfxxnfapvmeob8dt8bhiml9fc6 0 5958 16575 16564 2026-05-14T15:51:39Z Hasnanf 1958 /* Cutatan */ 16575 wikitext text/x-wiki [[Gambar:박찬욱 - 어쩔수가없다.jpg|jmpl|285x285px|Park Chan-wook]] '''Park Chan-wook''' nyaéta sinéas asal Koréa Kidul anu kasohor di abad 21. Anjeunna mimiti dipikawanoh sanggeus nyieun filmna nu katilu, ''Joint Security Area (2000),'' anu jadi pilem Koréa Kidul panglarisna dina jamanna. Sanggeus kitu, pilemna anu katelah kalayan ''Revenge Trilogy,'' nyaéta ''Sympathy for Mr. Vengeance'' (2002), ''Oldboy'' (2003), jeung ''Lady Vengeance'' (2005) ngajadikeun ngaran anjeunna leuwih ténar di dunya pilem Koréa Kidul, ogé sadunya. Pilem-pilem Park Chan-wook séjénna anu konsistén meunang panghargaan jeung peunteun alus ti kritikus pilem, nyaéta ''Thirst'' (2009), ''The Handmaiden'' (2016), ''Decision to Leave'' (2022), jeung pilem panganyarna, ''[[No Other Choice]]'' (2025). == Cutatan == * ''I don't feel enjoyment watching films that evoke passivity. If you need that kind of comfort, I don't understand why you wouldn't go to a spa.'' ** Sim kuring henteu ngarasa kabungah lalajo pilem-pilem anu ngaronjatkeun kapasipan. Upami anjeun mibutuh éta katenangan, sim kuring henteu ngarti naha anjeun henteu indit ka spa. * ''In our lives, we have good things and bad things, happiness and pain. Life is full of pain and happiness and that's what I wanted to show.'' ** Dina hirup urang, urang miboga hal-hal anu alus jeung hal-hal anu goréng, kabungah jeung kapeurih. Hirup téh pinuh ku kapeurih jeung kabungah jeung éta téh anu ku sim kuring hoyong ditunjukkeun. * ''Numerous times I lie in bed at night and imagine the cruellest torture. I imagine the most miserable ruining of that person's life. After that, I can fall asleep with a smile on my face. As long as it stays in the realm of imagination, the crueller the better - that's healthy. I'd like to recommend it to you all as well. I hope my films can help in any small way to help your imagination become at least a little bit crueller.'' ** Loba mangsa sim kuring ngagolér peuting tuluy ngabayangkeun panyiksaan pangtelengesna. Sim kuring ngabayangkeun anu panggoréngna ngancurkeun hirup hiji jalma éta. Sanggeus éta, sim kuring bisa saré sabari seuri dina biwir kuring. Salila éta téh netep dina dunya imajinasi, leuwih telenges leuwih alus - éta téh séhat. Sim kuring bakal nyarankeun éta ogé ka anjeun sadaya. Sim kuring miharep yén pilem-pilem sim kuring téh bisa mantuan dina cara nu leutik pikeun mantuan imajinasi anjeun jadi saeutik leuwih telenges. * ''My films are the stories of people who place the blame for their actions on others because they refuse to take on the blame themselves.'' ** Pilem-pilem sim kuring téh carita-carita ti jalma-jalma anu nempatkeun kasalahan tina kalakuan maranéhna ka batur kusabab maranéhna nolak pikeun nempatkeun kasalahanna ka diri manéhna sorangan. * ''I don't know if you've noticed this in my films, but I think I'm influenced by Franz Kafka. I like his work very much. "What would Kafka do in this scene?" I don't think like that. The surrealism and the absurdity, I began to like those things because of his work.'' ** Sim kuring teu terang upami anjeun ngawaro ieu dina pilem-pilem sim kuring, nanging sim kuring pikir sim kuring téh kapangaruhan ku Franz Kafka. Sim kuring resep pisan kana karya anjeunna. "Naon anu bakal Kafka lakukeun dina adegan ieu?" Sim kuring henteu mikir siga kitu. Suréalismena sarta absurditasna. Sim kuring ngamimitian resep hal-hal éta kusabab karya anjeunna. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] dr5tteqs0edhr0pn7qdjwnl8w77405n 0 5979 16578 16570 2026-05-14T16:34:52Z Hasnanf 1958 16578 wikitext text/x-wiki '''Sally Rooney''' nyaéta penulis asal Irlandia anu kasohor ku buku-buku, di antawisna Conversation with Friends (2017), Normal People (2018), sarta karya pang anyarna, Intermezzo (2024). Di taun 2025, anjeunna dibéré panghargaan Sky Arts Awards dina bidang literatur jang bukuna, Intermezzo. == Cutatan == ''In 1984, a shop worker in a Dublin supermarket, a young woman named Mary Manning, refused to handle the sale of grapefruit from apartheid South Africa. As a result of her refusal, she was suspended from her job, and along with other members of her union, she went on strike. Their strike lasted for nearly three years and finally succeeded in driving the Irish government to implement a complete national ban on imported fruit and vegetables from South Africa.'' ''Was the fall of apartheid brought about by the actions of workers in Europe? Of course not. The struggle for liberation was fought and won by South Africans. But we know that the international pressure brought to bear on the economy of the apartheid state was an important part of that struggle. In solidarity with South Africans, responding to the call of the anti-apartheid movement, workers around the world chose not to be passive onlookers but participants in liberation.'' ''Many beautiful speeches were no doubt given in Ireland condemning the evils of apartheid. But none are remembered now with such national pride and admiration as the courageous actions of those striking workers. Theirs was the example I had in mind in 2021 when I made my own belated decision to join the Boycott, Divestment and Sanctions movement and refuse to work with Israeli organisations complicit in apartheid. Mary Manning and her colleagues had used their work to stand up against injustice. I wanted in my own very limited way to do the same.'' :Di 1984, saurang padamel toko di supermarkét Dublin, saurang wanoja ngora anu ngarana Mary Manning, nolak pikeun ngaladangan panjualan jeruk ti apartéid Afrika Kidul. Pikeun hasil tina panolakan anjeunna, anjeunna diskors ti padamelanna, tuluy bareng jeung anggota-anggota lianna ti sarikat anjeunna, anjeunna indit milu aksi pamogokan. Pamogokan anjeunna téh tahan salila tilu taun sarta ahirna berhasil ngagerakkeun pamaréntah Irlandia pikeun ngalarapkeun larangan nasional anu nyaluruh pikeun buah jeung sayur impor ti Afrika Kidul. :Naha ari runtuhna apartheid téh kajadian ku sabab tindakan anu dilakukeun ku pagawé di Éropa? Tangtu henteu. Kapeurih pikeun pangbébasan téh diperjoangkeun sarta dimeunangkeun ku rahayat Afrika Kidul. Nanging urang sadaya terang yén tekenan internasional anu dilakukeun pikeun ékonomi ti nagara apartéid téh mangrupakeun bagéan anu penting tina kapeurih éta. Pikeun solidaritas jeung rahayat Afrika Kidul, nyanggeman sauran ti gerakan anti-apartéid, pagawé di saluruh dunya téh milih pikeun henteu jadi panongton anu cicing waé, tapi jadi pamilon dina pangbébasan. :Seueur biantara éndah anu teu diragukeun ditepikeun di Irlandia pikeun ngutuk kajahatan aparteid. Tapi teu aya di antara anu dipikainget ayeuna dibarengan ku kabanggaan nasional sarta kakaguman siga tindakan wanian ti pagawé-pagawé anu mogok éta. Sipat wanian éta mangrupakeun conto anu sim kuring piboga dina pikiran di 2021 nalika sim kuring ngadamel kaputusan sim kuring sorangan anu telat pikeun miluan gerakan Boycott, Divestment, and Sanctions sarta nolak pikeun digawé jeung organisasi Israél anu ngadukung apartéid. Mary Manning jeung kolégana tos ngaluarkeun usahana pikeun nangtung ngalawan kateuadilan. Sim kuring hoyong dina sagala katerbatasan cara sim kuring pikeun ngalakukeun anu sami. == Tutumbu luar == [https://progressive.international/wire/2026-03-18-there-is-always-more-we-can-do-/en/ Biantara Sally Rooney di People’s Congress for The Hague Group, 19 Maret 2026.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] fprlhpvf9r1t97kbjoe1vdplmu0v5io 0 5983 16589 16252 2026-05-15T08:57:47Z Hasnanf 1958 16589 wikitext text/x-wiki '''Rima Hassan Mobarak''' nyaéta hakim sarta ahli hukum, sakaligus aktivis Paléstina-Prancis anu ogé jadi anggota Parlemen Eropa. Anjeunna gumelar tanpa miboga kawarganegaraan di Suriah ti kulawargi anu ngungsi salila Nakba. Di taun 2025, Rima Hassan jadi bagéan ti Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“Our action sought, of course, to bring humanitarian aid into Gaza … but also, and mostly, to call out and break the blockade.”'' ** Anu dilakukeun ku urang sadaya, tos tangtu, pikeun nyandak bantuan kamanusaan ka Gaza... tapi ogé, sarta pangpangna mah, pikeun ngagerokeun sarta ngaruntuhkeun blokade. * ''“When you embody a cause, people identify with you more. My dual identity allows me to build a bridge between the West — which is my host land and probably my future — and the land I come from.”'' ** Nalika anjeun ngawujudkeun hiji tujuan, batur téh leuwih wanoh ka anjeun. Idéntitas ganda sim kuring ngamungkinkeun sim kuring ngawangun jembatan antara Barat — nyaéta taneuh anu janten tuan rumah sim kuring sarta meureun mangsa hareup sim kuring — sareng taneuh anu jadi tempat asal sim kuring. * ''"I believe there is such tension around this symbol precisely because it traces our entire story. It’s like a second flag."'' ** Sim kuring percanten yén aya ténsi sabuderen simbol ieu anu pastina ku sabab éta téh ngalacak sakabéh carita urang. Éta téh siga bandéra kadua. * ''"It’s the pressure from civil society that can make the difference."'' ** Éta téh tekenan ti masarakat sipil anu bisa ngajieun parobahan. * ''“When I wear the keffiyeh, I don’t even need to speak; it already speaks volumes.”''  ** Nalika sim kuring nganggo kéffiyéh, sim kuring bahkan teu kedah nyarios; éta téh tos nyarios tarik. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 5udxrdo4hv2zr0ke7lak24ykibv9bgq 16590 16589 2026-05-15T09:25:21Z Hasnanf 1958 /* Cutatan */ 16590 wikitext text/x-wiki '''Rima Hassan Mobarak''' nyaéta hakim sarta ahli hukum, sakaligus aktivis Paléstina-Prancis anu ogé jadi anggota Parlemen Eropa. Anjeunna gumelar tanpa miboga kawarganegaraan di Suriah ti kulawargi anu ngungsi salila Nakba. Di taun 2025, Rima Hassan jadi bagéan ti Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“Our action sought, of course, to bring humanitarian aid into Gaza … but also, and mostly, to call out and break the blockade.”'' ** Anu dilakukeun ku urang sadaya, tos tangtu, pikeun nyandak bantuan kamanusaan ka Gaza... tapi ogé, sarta pangpangna mah, pikeun ngagerokeun sarta ngaruntuhkeun blokade. * ''“When you embody a cause, people identify with you more. My dual identity allows me to build a bridge between the West — which is my host land and probably my future — and the land I come from.”'' ** Nalika anjeun ngawujudkeun hiji tujuan, batur téh leuwih wanoh ka anjeun. Idéntitas ganda sim kuring ngamungkinkeun sim kuring ngawangun jembatan antara Barat — nyaéta taneuh anu janten tuan rumah sim kuring sarta meureun mangsa hareup sim kuring — sareng taneuh anu jadi tempat asal sim kuring. * ''"I believe there is such tension around this symbol precisely because it traces our entire story. It’s like a second flag."'' ** Sim kuring percanten yén aya ténsi sabuderen simbol ieu anu pastina ku sabab éta téh ngalacak sakabéh carita urang. Éta téh siga bandéra kadua. * ''"It’s the pressure from civil society that can make the difference."'' ** Éta téh tekenan ti masarakat sipil anu bisa ngajieun parobahan. * ''“When I wear the keffiyeh, I don’t even need to speak; it already speaks volumes.”''  ** Nalika sim kuring nganggo kéffiyéh, sim kuring bahkan teu kedah nyarios; éta téh tos nyarios tarik. *''"Would there have been Hamas and the October 7 attacks if there hadn’t been an illegal occupation and an illegal blockade imposed for decades?"'' **Naha bakal aya Hamas sarta serangan 7 Oktober upami henteu pernah aya okupasi ilégal sarta blokade ilegal anu lumangsung mangdasawarsa-dasawarsa? [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 614a3u0i9mpiudnzejqxj0ogony9zo3 0 5984 16579 16245 2026-05-15T06:53:17Z Hasnanf 1958 16579 wikitext text/x-wiki '''Greta Thunberg''' nyaéta aktivis sosial asal Swédia kalahiran taun 2003, anu aktip kalayan isu parobahan iklim sarta isu-isu sosial sajabana. Anjeunna mimiti kasorot perhatosan global di taun 2018, dina yuswa 15 taun, sanggeus ngamimitian protés eureun sakola sosoranganan luareun parlemén Swédia, anu tuluy ngainspirasi gerakan Fridays for Future di sakabéh dunya. Di taun 2025, Greta Thunberg kaasup jadi salah sahiji pamilon anu ilubiung dina Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“We are doing this because, no matter what odds we are against, we have to keep trying. Because the moment we stop trying is when we lose our humanity."'' * ''“I think the world needs many more young angry women, to be honest, especially with everything going on right now.”'' * ''“We cannot remain silent. No one can remain silent when there is an ongoing genocide and when people are denied the most basic human needs.”'' * Biantara Greta di Climate Action Summit, Persatuan Bangsa-Bangsa 2019: ** ''"My message is that we'll be watching you.'' ::''This is all wrong. I shouldn't be up here. I should be back in school on the other side of the ocean. Yet you all come to us young people for hope. How dare you!'' ::''You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth. How dare you!'' ::''For more than 30 years, the science has been crystal clear. How dare you continue to look away and come here saying that you're doing enough, when the politics and solutions needed are still nowhere in sight.'' ::''You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil. And that I refuse to believe..."'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] jsk3evu5d9obw2x7aspqfwjcdh4ffbw 16580 16579 2026-05-15T07:10:35Z Hasnanf 1958 /* Cutatan */ 16580 wikitext text/x-wiki '''Greta Thunberg''' nyaéta aktivis sosial asal Swédia kalahiran taun 2003, anu aktip kalayan isu parobahan iklim sarta isu-isu sosial sajabana. Anjeunna mimiti kasorot perhatosan global di taun 2018, dina yuswa 15 taun, sanggeus ngamimitian protés eureun sakola sosoranganan luareun parlemén Swédia, anu tuluy ngainspirasi gerakan Fridays for Future di sakabéh dunya. Di taun 2025, Greta Thunberg kaasup jadi salah sahiji pamilon anu ilubiung dina Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“We are doing this because, no matter what odds we are against, we have to keep trying. Because the moment we stop trying is when we lose our humanity."'' ** Urang sadaya ngalakonan ieu ku margi teu paduli hal naon anu urang lawan, urang kudu teras usaha. Ku lantara mangsana urang eureun usaha téh nalika urang kaleungitan kamanusaan urang. * ''“I think the world needs many more young angry women, to be honest, especially with everything going on right now.”'' ** Sim kuring pikir dunya ieu téh mibutuh leuwih seueur wanoja ngora anu bendu, sajujurna, komo deui sareng sagala anu lumangsung ayeuna. * ''“We cannot remain silent. No one can remain silent when there is an ongoing genocide and when people are denied the most basic human needs.”'' ** Urang sadaya teu tiasa teras cicing. Teu aya nu tiasa teras cicing nalika aya génosida anu limangsung sarta nalika jalma-jalma téh teu tiasa dicumponan kabutuhan dasarna salaku manusa. * Biantara Greta di Climate Action Summit, Persatuan Bangsa-Bangsa 2019: ** ''"My message is that we'll be watching you.'' :: ''This is all wrong. I shouldn't be up here. I should be back in school on the other side of the ocean. Yet you all come to us young people for hope. How dare you!'' :: ''You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth. How dare you!'' :: ''For more than 30 years, the science has been crystal clear. How dare you continue to look away and come here saying that you're doing enough, when the politics and solutions needed are still nowhere in sight.'' :: ''You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil. And that I refuse to believe..."'' ::: Pesen sim kuring téh yén urang sadaya bakal ngalalajoanan anjeun. ::: Ieu sadaya téh lepat. Sim kuring kedahna teu di luhur dieu. Sim kuring kedahna uih deui ka sakolah di sebrang laut ditu. Tapi anjeun sadaya datang ka urang barudak ngora pikeun harepan. Wawanianan anjeun! ::: Anjeun tos ngarampas impénan sim kuring sarta mangsa budak sim kuring ku kekecap kosong anjeun. Yén sim kuring mah salah sahiji anu ginuluran milik. Jalma-jalma téh sangsara. Jalma-jalma téh sakarat. Sakabéh ékosistem téh raruntuh. Urang sadaya téh aya di awal tina kapunahan masal, tapi sagala anu tiasa ku anjeun carioskeun ngan artos jeung dongéng ngeunaan perkembangan ékonomi anu lana. Wawanianan anjeun! ::: Pikeun leuwih ti 30 taun, ilmu pangajén téh atos kacida jelasna. Wawanianan anjeun pikeun teras ngabalieur teras datang ka dieu nyarios yén anjeun téh tos cekap usaha, nalika politik sarta solusi anu dibutuhkeun téh masih teu aya dina pedaran. ::: Anjeun nyarios anjeun ngadangu urang sadaya yéh anjeun téh ngartos kabutuhanna. Tapi sakumaha sedih sarta bendu sim kuring, sim kuring teu hoyong percaya éta. Kumargi upami anjeun bener-bener ngartos situasina sareng teras gagal usaha, janten anjeun téh jahat. Éta téh matak sim kuring teu hoyong percaya.... == Tutumbu luar == * [https://www.npr.org/2019/09/23/763452863/transcript-greta-thunbergs-speech-at-the-u-n-climate-action-summit Biantara Greta Thunber di ajang Climate Action Summit, Persatuan Bangsa-Bangsa. 23 Séptémber 2019.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 76oh7spjyu6twb2ffm6d1kmdd1bpahg 16581 16580 2026-05-15T07:11:18Z Hasnanf 1958 16581 wikitext text/x-wiki [[Gambar:Greta Thunberg au parlement européen (33744056508), recadré.png|jmpl|Greta Thunberg, 2019]] '''Greta Thunberg''' nyaéta aktivis sosial asal Swédia kalahiran taun 2003, anu aktip kalayan isu parobahan iklim sarta isu-isu sosial sajabana. Anjeunna mimiti kasorot perhatosan global di taun 2018, dina yuswa 15 taun, sanggeus ngamimitian protés eureun sakola sosoranganan luareun parlemén Swédia, anu tuluy ngainspirasi gerakan Fridays for Future di sakabéh dunya. Di taun 2025, Greta Thunberg kaasup jadi salah sahiji pamilon anu ilubiung dina Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“We are doing this because, no matter what odds we are against, we have to keep trying. Because the moment we stop trying is when we lose our humanity."'' ** Urang sadaya ngalakonan ieu ku margi teu paduli hal naon anu urang lawan, urang kudu teras usaha. Ku lantara mangsana urang eureun usaha téh nalika urang kaleungitan kamanusaan urang. * ''“I think the world needs many more young angry women, to be honest, especially with everything going on right now.”'' ** Sim kuring pikir dunya ieu téh mibutuh leuwih seueur wanoja ngora anu bendu, sajujurna, komo deui sareng sagala anu lumangsung ayeuna. * ''“We cannot remain silent. No one can remain silent when there is an ongoing genocide and when people are denied the most basic human needs.”'' ** Urang sadaya teu tiasa teras cicing. Teu aya nu tiasa teras cicing nalika aya génosida anu limangsung sarta nalika jalma-jalma téh teu tiasa dicumponan kabutuhan dasarna salaku manusa. * Biantara Greta di Climate Action Summit, Persatuan Bangsa-Bangsa 2019: ** ''"My message is that we'll be watching you.'' :: ''This is all wrong. I shouldn't be up here. I should be back in school on the other side of the ocean. Yet you all come to us young people for hope. How dare you!'' :: ''You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth. How dare you!'' :: ''For more than 30 years, the science has been crystal clear. How dare you continue to look away and come here saying that you're doing enough, when the politics and solutions needed are still nowhere in sight.'' :: ''You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil. And that I refuse to believe..."'' ::: Pesen sim kuring téh yén urang sadaya bakal ngalalajoanan anjeun. ::: Ieu sadaya téh lepat. Sim kuring kedahna teu di luhur dieu. Sim kuring kedahna uih deui ka sakolah di sebrang laut ditu. Tapi anjeun sadaya datang ka urang barudak ngora pikeun harepan. Wawanianan anjeun! ::: Anjeun tos ngarampas impénan sim kuring sarta mangsa budak sim kuring ku kekecap kosong anjeun. Yén sim kuring mah salah sahiji anu ginuluran milik. Jalma-jalma téh sangsara. Jalma-jalma téh sakarat. Sakabéh ékosistem téh raruntuh. Urang sadaya téh aya di awal tina kapunahan masal, tapi sagala anu tiasa ku anjeun carioskeun ngan artos jeung dongéng ngeunaan perkembangan ékonomi anu lana. Wawanianan anjeun! ::: Pikeun leuwih ti 30 taun, ilmu pangajén téh atos kacida jelasna. Wawanianan anjeun pikeun teras ngabalieur teras datang ka dieu nyarios yén anjeun téh tos cekap usaha, nalika politik sarta solusi anu dibutuhkeun téh masih teu aya dina pedaran. ::: Anjeun nyarios anjeun ngadangu urang sadaya yéh anjeun téh ngartos kabutuhanna. Tapi sakumaha sedih sarta bendu sim kuring, sim kuring teu hoyong percaya éta. Kumargi upami anjeun bener-bener ngartos situasina sareng teras gagal usaha, janten anjeun téh jahat. Éta téh matak sim kuring teu hoyong percaya.... == Tutumbu luar == * [https://www.npr.org/2019/09/23/763452863/transcript-greta-thunbergs-speech-at-the-u-n-climate-action-summit Biantara Greta Thunber di ajang Climate Action Summit, Persatuan Bangsa-Bangsa. 23 Séptémber 2019.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 4lmi2o1v5r5uo79itaeelvx1ozvxtwm 16587 16581 2026-05-15T08:49:54Z Hasnanf 1958 /* Cutatan */ 16587 wikitext text/x-wiki [[Gambar:Greta Thunberg au parlement européen (33744056508), recadré.png|jmpl|Greta Thunberg, 2019]] '''Greta Thunberg''' nyaéta aktivis sosial asal Swédia kalahiran taun 2003, anu aktip kalayan isu parobahan iklim sarta isu-isu sosial sajabana. Anjeunna mimiti kasorot perhatosan global di taun 2018, dina yuswa 15 taun, sanggeus ngamimitian protés eureun sakola sosoranganan luareun parlemén Swédia, anu tuluy ngainspirasi gerakan Fridays for Future di sakabéh dunya. Di taun 2025, Greta Thunberg kaasup jadi salah sahiji pamilon anu ilubiung dina Global Sumud Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''“We are doing this because, no matter what odds we are against, we have to keep trying. Because the moment we stop trying is when we lose our humanity."'' ** Urang sadaya ngalakonan ieu ku margi teu paduli hal naon anu urang lawan, urang kudu teras usaha. Ku lantara mangsana urang eureun usaha téh nalika urang kaleungitan kamanusaan urang. * ''“I think the world needs many more young angry women, to be honest, especially with everything going on right now.”'' ** Sim kuring pikir dunya ieu téh mibutuh leuwih seueur wanoja ngora anu bendu, sajujurna, komo deui sareng sagala anu lumangsung ayeuna. * ''“We cannot remain silent. No one can remain silent when there is an ongoing genocide and when people are denied the most basic human needs.”'' ** Urang sadaya teu tiasa teras cicing. Teu aya nu tiasa teras cicing nalika aya génosida anu limangsung sarta nalika jalma-jalma téh teu tiasa dicumponan kabutuhan dasarna salaku manusa. * Biantara Greta di Climate Action Summit, Persatuan Bangsa-Bangsa 2019: ** ''"My message is that we'll be watching you.'' :: ''This is all wrong. I shouldn't be up here. I should be back in school on the other side of the ocean. Yet you all come to us young people for hope. How dare you!'' :: ''You have stolen my dreams and my childhood with your empty words. And yet I'm one of the lucky ones. People are suffering. People are dying. Entire ecosystems are collapsing. We are in the beginning of a mass extinction, and all you can talk about is money and fairy tales of eternal economic growth. How dare you!'' :: ''For more than 30 years, the science has been crystal clear. How dare you continue to look away and come here saying that you're doing enough, when the politics and solutions needed are still nowhere in sight.'' :: ''You say you hear us and that you understand the urgency. But no matter how sad and angry I am, I do not want to believe that. Because if you really understood the situation and still kept on failing to act, then you would be evil. And that I refuse to believe..."'' ::: Pesen sim kuring téh yén urang sadaya bakal ngalalajoanan anjeun. ::: Ieu sadaya téh lepat. Sim kuring kedahna teu di luhur dieu. Sim kuring kedahna uih deui ka sakolah di sebrang laut ditu. Tapi anjeun sadaya datang ka urang barudak ngora pikeun harepan. Wawanianan anjeun! ::: Anjeun tos ngarampas impénan sim kuring sarta mangsa budak sim kuring ku kekecap kosong anjeun. Yén sim kuring mah salah sahiji anu ginuluran milik. Jalma-jalma téh sangsara. Jalma-jalma téh sakarat. Sakabéh ékosistem téh raruntuh. Urang sadaya téh aya di awal tina kapunahan masal, tapi sagala anu tiasa ku anjeun carioskeun ngan artos jeung dongéng ngeunaan perkembangan ékonomi anu lana. Wawanianan anjeun! ::: Pikeun leuwih ti 30 taun, ilmu pangaweruh téh atos kacida jelasna. Wawanianan anjeun pikeun teras ngabalieur teras datang ka dieu nyarios yén anjeun téh tos cekap usaha, nalika politik sarta solusi anu dibutuhkeun téh masih teu aya dina pedaran. ::: Anjeun nyarios anjeun ngadangu urang sadaya yéh anjeun téh ngartos kabutuhanna. Tapi sakumaha sedih sarta bendu sim kuring, sim kuring teu hoyong percaya éta. Kumargi upami anjeun bener-bener ngartos situasina sareng teras gagal usaha, janten anjeun téh jahat. Éta téh matak sim kuring teu hoyong percaya.... == Tutumbu luar == * [https://www.npr.org/2019/09/23/763452863/transcript-greta-thunbergs-speech-at-the-u-n-climate-action-summit Biantara Greta Thunber di ajang Climate Action Summit, Persatuan Bangsa-Bangsa. 23 Séptémber 2019.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] ryzksby1jgretsu1qa60maawhur3n5i 0 5993 16595 16555 2026-05-15T10:17:22Z Hasnanf 1958 /* Cutatan */ 16595 wikitext text/x-wiki '''The Eleventh Hour''' nyaéta buku kumpulan carita pondok anu ditulis ku Salman Rushdie. Buku ieu mimiti diterbitkeun taun 2025. Buku ieu nyaritakeun lima carita pondok ngeunaan ajal jeung papastén, titinggal jeung idéntitas. Lima carita éta nyandak latar di India, Inggris, sareng Amérika, tempat-tempat anu kungsi janten imah pikeun Salman Rushdie, sarta ngéksplorasi pandeukeutan sabelas jam kahirupan. == Cutatan == * ''I listened to her string of non sequiturs, entranced. I understood what she was telling us. There was no coherence. Nothing led to anything else. There were only jagged moments of half comprehension. Nothing could be known. We were all incomplete, unfinished. That was life until completed by death. And none of us could complete our own story because we would no longer be present. We were all frozen in our railway carriages waiting for another to finish our tale, to complete us, if anyone cared to do so. Otherwise, unfinishedness was our inescapable fate.'' ** Sim kuring ngabandungan runtuyan cariosan pabaliut anu dikedalkeun ku anjeunna, kalayan rasa kabéngbat. Sim kuring ngarti naon anu ku anjeunna ditepikeun. Teu aya harti nu nyambung. Teu aya nu nunjukkeun ka hal nu lianna. Saukur aya mangsa-mangsa seukeut ti pamahaman anu satengah-satengah. Teu aya nu bisa dipikaterang. Urang sadaya téh henteu kumplit, henteu réngsé. Éta téh kahirupan nepi ka dipinuhan ku maot. Sarta teu aya di antara urang anu bisa minuhan carita urang sorangan kusabab urang moal aya deui. Urang ngabeku di jalan karéta ngantosan pikeun nu séjénna nganggeuskeun carita urang, nganggeuskeun urang, upami aya hiji jalma anu paduli pikeun éta. Sanajan kitu, kateuanggeusan mangrupakeun nasib anu teu bisa disingkahan. == Cutatan ngeunaan buku ieu == * Salman Rushdie, panulis: "''I think partly it’s a consequence of my having had a close shave, you know? That focuses the mind on such subjects as mortality. It’s also just because, you know, I’m not in the first flush of youth anymore. I mean, I’m 78 now.'' ''So that in itself makes you think about the last act, you know, and there’s a brilliant essay by the writer Edward Said called ‘On Late Style,’ in which he discusses how artists have approached and should approach the kind of final act. And some people respond with serenity, and others respond with rage. Thinking about that, I thought it’s not necessarily either-all, you could be peaceful on Monday and angry on Tuesday, you know? So anyway, I began to think about how people engage with that final act. And there’s different stories and different approaches to that subject."'' ** Sim kuring pikir sapalihna téh éta mangrupakeun balukar sim kuring ampir cilaka, anjeun terang? Pikiran anu pokus dina subyék siga kapatian. Éta ogé ngan kusabab, anjeun terang, * ''"Well, again, you know, I always like it when it happens to me, when the story surprises me.'' ''For me, it’s always a sign that the story has life, when the story starts suggesting things to its author. I wasn’t expecting language to be embodied as a woman. And then one day, when I was working on the story, she just walked into the piazza and sat down on a stool in the corner and announced herself. And I thought, ‘Oh, that’s so interesting.’ I would never have, as it was sat down consciously to think, ‘I will characterize language as a person.’ But the moment it happened, I thought, ‘Oh, I really like that and I want to see what I could do with that.’"'' [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] byjaslkood9oprncni46b1b325ayauv 0 5995 16592 16248 2026-05-15T09:39:05Z Hasnanf 1958 /* Cutatan */ 16592 wikitext text/x-wiki '''Yasemin Acar''' nyaéta aktivis asal Jérman, anu ogé miboga idéntitas étnis Kurdi. Anjeunna loba ngaadvokasi ngeunaan isu kamanusaan, pangungsian, sarta ngalawan rasisme ka urang Muslim. Anjeunna kungsi ilubiung dina sababaraha kolaborasi organisasi anu nulungan pengungsi di Jérman sarta miboga pangalaman anu jero ngeunaan digawé jeung kapamudaan. Di taun 2025, Yasemin Acar jadi salah sahiji pamilon Sumud Global Flottila, anu miboga misi nganteurkeun bantuan kamanusaan ka Gaza, Paléstina. == Cutatan == * ''"I'm not Palestinian, but I can understand Palestinians very well. I know what oppression means – from the perspective of a Kurdish person, but also because I was raised in a Western country as a non-Western person."'' ** Sim kuring sanés urang Paléstina, nanging sim kuring tiasa ngartos bener-bener urang Paléstina. Sim kuring terang hartina oprési — tina sudut pandang urang Kurdish, tapi ogé ku lantaran sim kuring tumuwuh di nagara Barat salaku urang non-Barat. * ''"I believe that strong women of colour dismantle the narrative of how the West portrays us. Brown and Black women are depicted as victims in need of saving by Westerners. But when they see that we do not need saving, that we are strong and respected within our communities, it exposes their lies. Their narrative is racist and specifically anti-Muslim."'' ** Sim kuring percaya yén wanoja kulit berwarna anu kuat ngaruntuhkeun narasi kumaha Barat téh ngagambarkeun urang. Wanoja-wanoja kulit gelap téh digambarkeun minangka korban anu ngabutuhkeun disalametkeun ku orang Barat. Nanging nalika anjeunna ninggal yén urang téh teu butuh disalametkeun, yén urang téh kuat sareng dihargaan di jero komunitas urang, éta téh ngabolékérkeun kabohongan anjeunna. Narasi anjeunna téh rasis jeung sacara spésipik anti-Muslim. * ''"We have to constantly keep Palestine at the centre of everything we do and say."'' ** Urang kedah teras-terasan nempatkeun Paléstina jadi puser ti sagala anu ku urang dilakonan sareng dicarioskeun. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] jg6zweevn5pmdh92n8ywackaxzqftdc 0 5996 16585 16553 2026-05-15T08:18:12Z Hasnanf 1958 16585 wikitext text/x-wiki '''Saleh Al-Jafarawi''' nyaéta jurnalis, ''influencer,'' sakaligus atlét ténis méja Paléstina. Anjeunna aktip ngawartakeun kaayaan di Gaza, Paléstina sababaraha taun katukang. Saleh tilar dunya taun 2025 kusabab jadi korban pembunuhan géng anu disenjataan ku Israél. == Cutatan == ''In the Name of God, the Most Compassionate, the Most Merciful.'' ''Praise be to God, Lord of all creation, who says: “Do not think of those who are killed in the way of God as dead. No, they are alive, receiving provision from their Lord.”'' ''I am Saleh.'' ''I leave this testament not as a farewell, but as a continuation of the path I chose with utter conviction.'' ''God is my witness that I have poured all my strength and effort into being a support and a voice for my people. I have lived through pain and oppression in every detail, tasted agony, and mourned the loss of loved ones again and again. Yet, not for a day did I hesitate to convey the truth as it is. This truth will stand as a testament against every person who faltered or remained silent, and as an honor to every person who gave their support and stood with the most dignified, cherished, and noble of all people—the people of Gaza.'' ''If I am martyred, know that I am not gone. I am in Paradise now, with my comrades who went before me; with Anas, Ismail, and all the beloved souls who were true to the covenant they made with God. I charge you to remember me in your prayers and to continue the journey after me. Remember me through acts of enduring charity. Remember me each time you hear the call to prayer, or each time you see the light piercing the night sky of Gaza.'' ''I entrust to you the resistance, the path we have walked and the principle in which we believed. We knew no other way for ourselves, and we found no meaning in life except in holding fast to it.'' ''I entrust to you my father, the love of my heart and my role model. I saw myself in him, and he saw himself in me. You who stood by me through the war and all it brought—I pray to God that we meet in the Gardens of Paradise, with you being pleased with me, O crown upon my head.'' ''I entrust to you my brother, my teacher, and my companion, Naji. O Naji… I have reached God before you were released from prison. Know that this was a destiny God has written, and that a deep longing for you fills me. I wished I could see you, hold you, and meet you again. But God’s promise is true, and our reunion in Paradise is nearer than you imagine.'' ''I entrust to you my mother. O mother, life without you is a void. You were the constant prayer, the wish that never died. I prayed that God would heal you and give you strength, and I dreamed of seeing you travel for treatment and return with a smile.'' ''I entrust to you my brothers and sisters. My goal was the pleasure of God, and then your own. I ask God to grant you joy and to make your lives as beautiful as your tender hearts, for which I always tried to be a source of happiness.'' ''I always used to say: Do not let the word fall, and do not let the image fall. The word is a sacred trust, and the image is a message. Carry them to the world, just as we did.'' ''Do not think my martyrdom is the end. It is, rather, the beginning of a long journey toward freedom. I am the bearer of a message I wanted to reach the world—a world with its eyes shut, a world silent in the face of truth. If you hear the news of my passing, do not weep for me. I have longed for this moment and asked God to grant it to me. Praise be to God, who chose me for what I loved.'' ''And to all who have wronged me in my life with insults, lies, or slander, I say to you: I am now departing to God as a martyr, God willing, and it is before God that all adversaries will be brought together.'' ''I entrust Palestine to you… and the Al-Aqsa Mosque. My greatest wish was to reach its courtyard, to pray within it, to touch its soil. If I could not reach it in this life, then I ask God to gather us all there in the Gardens of Eternity.'' ''O God, accept me among the martyrs. Forgive my past and future sins, and make my blood a light that illuminates the path to freedom for my people and my family. Forgive me for any shortcomings, and pray for mercy and forgiveness for me. I have held fast to the covenant; I have not changed, nor have I wavered.'' Peace be upon you, and God's mercy and blessings.'' ''Your brother, martyr by God's will,'' ''Saleh Amer Fouad AlJafarawi'' ''12/10/2025'' :Kalayan nyebat nami Allah, Nu Maha Welas tur Maha Asih. :Sadaya puji kagungan Allah, Pangéran sakumna alam, anu ngadawuh: "Ulah pisan nyangka yén jalma-jalma anu gugur di jalan Allah téh maot. Sabalikna, maranéhna gumelar haridup kalayan dipaparin rezeki ti Pangéranna." :Sim kuring Saleh. :Sim kuring ninggalkeun ieu wasiat panungtung sanés pikeun pileuleuyan, nanging mangrupikeun terusan tina galur anu ku sim kuring pilih kalayan kayakinan anu pinuh. :Allah anu janten saksi sim kuring yén sim kuring parantos ngaluarkeun sagala kakuatan sareng usaha sim kuring pikeun janten rorojong sareng sora kanggo dulur-dulur sim kuring. Sim kuring parantos hirup nandangan kapeurih dina sagala rupi jéntréna, ngarasakeun kasangsaraan sarta kaleungitan jalma-jalma anu dipikaasih teras-terasan. Nanging, sim kuring henteu pernah barang sakali asa-asa pikeun nepikeun bebeneran sakumaha ayana. Bebeneran ieu bakal nangtung minangka bubukti ngalawan unggal jalma anu oyag jeung angger ngabius, sarta minangka hiji kamulyaan pikeun unggal jalma anu masihan rojongan sarta dukungan pikeun jalma-jalma pangmulyana, pangdipiasihna, tur pangluhurna darajatna tina sakumna manusa—jalma-jalma di Gaza. :Upami sim kuring sahid, terang yén sim kuring téh henteu angkat. Sim kuring aya di Sorga ayeuna, sareng balad-balad sim kuring anu tos tipayun sateuacan sim kuring; sareng Anas, Ismail, sarta sadaya jiwa-jiwa anu dipikaasih anu satia kana jangjina jeung Pangéran. Sim kuring nyungkeun ka anjeun pikeun émut ka sim kuring dina du'a-du'a anjeun sarta pikeun neraskeun lalampahan saparantos sim kuring. Émut ka sim kuring liwat amal-amal kasaéan anu terus ngalir. Émut ka sim kuring unggal mangsa anjeun ngadangu panyaur netepan, atawa unggal mangsa anjeun ninggal cahaya nyorot ti langit peuting Gaza. :Sim kuring mercantenkeun ka anjeun panglawanan, jalur anu ku urang tos diliwatan sarta prinsip anu ku urang percaya. Urang terang teu aya jalan lain pikeun diri urang sadaya, sarta urang teu mendakan harti kahirupan iwal ti nyepeng pageuh kana éta. :Sim kuring mercantenkeun ka anjeun pun bapa, cinta asih manah sim kuring sarta teladan sim kuring. Sim kuring ningal diri sim kuring nyalira di anjeunna, sarta anjeunna ninggal diri anjeunna nyalira di sim kuring. Anjeun anu tatih sareng sim kuring ngaliwatan ieu perang sareng sadaya anu dicandakna—sim kuring ngadu'a ka Pangéran yén urang téh papendak di Taman Surga, sareng anjeun bungah sareng sim kuring, Oh, makuta na mastaka sim kuring. :Sim kuring mercantenkeun ka anjeun pun raka, guru sim kuring, sarta réncang sim kuring, Naji. Oh Naji... Sim kuring atos tepi ka Pangéran sateuacan anjeun dibébaskeun ti penjara. Terang yén ieu téh takdir anu atos diguratkeun ku Pangéran, sareng kasono anu jero pikeun anjeun téh minuhan sim kuring. Sim kuring mikaharep tiasa ningal anjeun, nangkeup anjeun, sarta papendak sareng anjeun deui. Tapi jangji Pangéran mah leres, sareng pakumpulan urang deui di Sorga téh leuwih caket dibanding anu ku anjeun bayangkeun. :Sim kuring mercantenkeun ka anjeun pun biang. Oh ambu, hirup tanpa anjeun téh mangrupakeun kakosongan. Anjeun téh du'a anu salawasna, harepan anu henteu pernah pareum. Sim kuring ngadu'a yén Allah bakal ngadamangkeun anjeun sareng masihan kakiatan, sarta sim kuring ngimpén ninggal anjeun tiasa angkat pikeun pangobatan sarta uih sareng kabungah. :Sim kuring mercantenkeun ka anjeun dulur-dulur sadérék sim kuring. Tujuan sim kuring téh ridho Gusti Allah, teras ridho anjeun nyalira. Sim kuring nyungkeun ka Allah pikeun masihan anjeun sadaya kabungahan sarta pikeun ngajadikeun hirup anjeun sadaya saéndah manah anjeun anu pinuh ku welas asih, anu ku sim kuring teras diusahakeun pikeun janten sumber kabungah anjeun sadaya. :Sim kuring kungsi teras nyarios: Ulah ngantep kakaca éta murag, sarta ulah ngantep gambar éta murag. Kekecap téh kayakinan anu sakral, sarta gambar téh hiji pesen. Bawa éta ka dunya, siga kumaha urang téh ngalakukeunna. :Ulah mikir kasahidan sim kuring téh ahirna. Éta téh, justru, awal ti palampahan panjang anu dituju ka kabébasan. Sim kuring anu mawa hiji pesen anu ku sim kuring dipikahayang pikeun nepi ka dunya—hiji dunya anu socana nutup, hiji dunya anu ngabisu dipayuneun bebener. Upami anjeun ngadangu warta tilar dunyana sim kuring, ulah nyeungceurikan sim kuring. Sim kuring tos ngantosan mangsa ieu sareng nyungkeun ka Gusti Allah pikeun masihan éta ka sim kuring. Sagala puji ka Gusti Allah, anu milih sim kuring pikeun anu ku sim kuring pikacinta. :Sarta ka sakumna jalmi anu atos nganyenyeri dina hirup sim kuring, boh ku panghina, kabohongan, atawa pitnah, sim kuring nyarios ieu ka anjeun: Sim kuring ayeuna miang ka Gusti Allah salaku sahid, pangersa Pangéran, sarta hareupeun Gusti Allah sakabéh musuh bakal dikumpulkeun. :Sim kuring mercantenkeun Paléstina ka anjeun... sareng Mesjid Al-Aqsa. Harepan kuring anu pangageungna téh pikeun tiasa tepi ka buruan jerona, pikeun ngadu'a di lebetna, pikeun nyagap taneuhna. Upami sim kuring teu tiasa tepi ka dinya dina kahirupan ieu, teras sim kuring nyungkeun ka Gusti Allah pikeun ngempelkeun urang sadaya di ditu di Taman Kalanggengan. :Ya Allah, mugi nampi sim kuring di antawis para syuhada. Mugi ngahapunten saniskara dosa sim kuring, boh anu parantos kalangung sareng anu bakal dongkap. Mugi ngahapunten sagala kakirangan sim kuring, sarta sim kuring ngadu'a pikeun rahmat sareng ampunan kanggo sim kuring. Sim kuring parantos nyepeng janji sim kuring; sim kuring henteu robah, henteu ogé oyag. Kasalametan pikeun anjeun sadaya, sarta rahmat sareng berkah Gusti Allah. Dulur anjeun, syuhada kersaning Allah, Saleh Amer Fouad AlJafarawi 12/10/2025 == Tutumbu luar == [https://x.com/S_Aljafarawi/status/1977525415141916842 Amanat panungtung Saleh Al-Jafarawi sateuacan anjeunna tilar dunya.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] nylaijv1eyqt1j4637lkrwyxtilp8p7 0 5997 16586 16552 2026-05-15T08:48:48Z Hasnanf 1958 16586 wikitext text/x-wiki '''Mohammed el-Kurd''' nyaéta penulis jeung penyair asal Palestina anu kasohor ku karyana ngagambarkeun kahirupan urang Paléstina dina kaayaan okupasi Israél di Yérusalém wétan, Tepi Barat. Anjeunna dipikawanoh ogé kalayan peranna jadi salah sahiji pangwangun gerakan #SaveSheikhJarrah. Dina taun 2025, anjeunna ngarilis buku ''[[Perfect Victims and the Politics of Appeal]]''. == Cutatan == * ''Our massacres are only interrupted by commercial breaks. Judges legalize them. Correspondents kill us with passive voice. If we are lucky, diplomats say that our death concerns them, but they never mention the culprit, let alone condemn the culprit. Politicians, inert, inept, or complicit, fund our demise, then feign sympathy, if any. Academics stand idle. That is, until the dust settles, then they will write books about what should have been.'' ** Pembantéyan urang téh ngan kaganggu ku eureun iklan komérsi. Hakim-hakim téh ngalégalkeun éta. Koréspondén-korésponden ngabunuh urang nganggo sora pasip. Upami urang téh milik, diplomat-diplomat nyarios yén maotna urang téh ngahariwangkeun anjeunna, tapi anjeunna teu pernah nyebutkeun saha nu jahatna, komo deui ngutuk penjahatna. Politisi, mangkrep, teu becus, atawa kalibet, ngadanaan maotna urang, teras api-api simpati, lamun aya. Akademisi-akademisi saukur cicing wé. Éta, nepi ka kaayannana rineh deui, teras anjeunna bakal nulis buku-buku ngeunaan anu kuduna kumaha. * ''And do their words matter when their policies speak for themselves?'' ** Teras ari kekecap anjeunna téh naha aya hartina nalika kawijakan anjeunna nyarios pikeun anjeunna sorangan? * ''There is a thin line between representation, particularly liberal reductions around representation, and the reproduction of the Palestinian as a fetish or a token, thus as a dehumanized subject once more.'' ** Aya garis ipis antara réprésentasi, utamana réduksi liberal sakulibet réprésentasi, sareng réproduksi urang-urang Paléstina minangka fétis atawa simbol, anu ku kituna jadi subyék anu henteu manusiwai sakali deui. * ''Western knowledge producers or those using Western voices in their knowledge production should ask themselves a few questions: Where do Palestinians fit in this work? Do they have any agency, or are they a tool to drive the point across? Are my filmmaking practices extractive? How can I practice responsible authorship? Have I instilled in my project enough cues to incentivize my audience to consume it critically, or am I patting myself on the back? Am I doing the challenging chore of speaking to my bigoted, acrimonious community, accosting my Zionist aunt at the dinner table, or am I preaching—pandering, really—to the choir? Did I really have to go and “see for myself,” or did I ignore a century of Palestinian literature? Am I cognizant of how that refusal to engage local and grassroots knowledge production continues to undermine its value on the world stage, undermining also the value and authority of Palestinian narration? Do I have a class analysis in my work? Do I acknowledge that I get awards for saying similar things to what the student movement has been criminalized, suspended, and censured for saying? Do I name my institutional backing? What are the material and monetary conditions of those whose voices I amplify? Am I only referencing dead guys? What does my works cited page look like?'' ** Pancipta pangaweruh Barat atawa anu ngagunakeun sora-sora Barat dina panciptaan pangaweruhna kudu nanya ka dirina sorangan sababaraha patanyaan: Dimana urang-urang Paléstina téh cekap dina karya ieu? Naha ari anjeunna gaduh daya laku, atawa anjeunna téh ngan alat pikeun nyetirkeun éta poin? Naha ari prakték perpileman sim kuring téh ékstraktip? Kumaha bisa sim kuring latihan kapanulisan anu tanggungjawab? Naha ari sim kuring téh parantos masihan patunjuk dina karya-karya sim kuring pikeun audiéns sim kuring téh narima éta sacara kritis, atawa sim kuring ngan mupuas manéh? Naha ari sim kuring téh nuju ngalakonan tugas anu nangtang pikeun nyarios ka komuntas sim kuring anu panatik tur pinuh ku kangéwa, ngageunggeureuhkeun bibi sim kuring anu Zionis dina méja makan, atawa sim kuring ngan hotbah—atawa leuwih benerna, milari pameunteun—ti jalma-jalma nu tos sapaham? Naha ari sim kuring téh kudu indit jeung "ningali jang diri kuring sorangan," atawa sim kuring téh teu ngawaro ratusan taun literatur Paléstina? Naha ari sim kuring téh sadar kumaha panolakan pikeun ngalibetkeun lokal jeung akar rumput dina panciptaan pangaweruh téh tuluy ngarusak niléyna di panggung dunya, sarta ngarusak niléy ogé otoritas narasi Paléstina? Naha ari sim kuring téh miboga analisis kelas dina karya sim kuring? Naha ari sim kuring téh apal yén sim kuring meunang pangajén pikeun nyarios hal nu sarua jeung gerakan mahasiswa anu kungsi dikriminalisasi, diskors, jeung dikecam pikeun nyarios? Naha ari sim kuring téh nyebutkeun institusi pangrojong sim kuring? Kumaha kondisi matéri jeung monétér ti pihak anu sorana ku sim kuring digaungkeun? Naha ari sim kuring ngan ngarujuk ka jalma-jalma nu tos pupus? Kumaha katingalina kaca sitasi sim kuring téh? == Tutumbu luar == [https://www.goodreads.com/work/quotes/219958007-perfect-victims-and-the-politics-of-appeal Cutatan tina buku ''Perfect Victims and the Politics of Appeal'' karya Mohammed el-Kurd]. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] fy90jrv25psv61l1eguvlud8wzcx4qr 0 5998 16591 16557 2026-05-15T09:32:22Z Hasnanf 1958 /* Cutatan */ 16591 wikitext text/x-wiki '''Francesca Albanese''' nyaéta ahli hukum sakaligus ahli hak asasi manusa asal Italia. Anjeunna ngabakti di Persatuan Bangsa-Bangsa sacara husus di bagéan Réportase Husus ngeunaan Téritori Okupasi Paléstina. Di taun 2025, mandatna pikeun jadi ''rapporteur'' di téritori Paléstina anu dijajah nepi ka tilu taun ka hareup. Tina pangamatan anjeunna di Paléstina, anjeunna ogé nulis buku ''[[A Moon Will Rise from the Darkness]]'' anu dirilis taun 2025, sarta nu panganyarna ''[[When the World Sleeps]]'' anu dirilis taun 2026. == Cutatan == ''1982.'' ''It’s a late September afternoon. I’m five years old, curled on the couch with my parents. Italy is still glowing from its summer World Cup victory, and joy colors our faces.'' ''Suddenly, the rupture.'' ''The broadcast cuts out.'' ''Shocking images from a nearby country: bodies piled on top of one another. I don’t understand. Their clothes look like ours — like my father’s, my mother’s, mine.'' ''The children, too. Some of them are in pieces.'' ''“No, they’re not sleeping,” my mother says, covering my eyes nervously.'' ''Under the watch of a general who would become Prime Minister twenty years later, three thousand Palestinian civilians were slaughtered in refugee camps west of Beirut – during just two days.'' ''That was the first time I heard the word refugee. I instinctively linked it to those lifeless bodies scattered like broken dolls on the burning asphalt.'' ''Three months later, the UN declared Sabra and Shatila a genocide.'' ''I remember the adults’ voices in a state of disbelief I had never seen before “How could this happen? How did we get here?”'' ::1982 ::Éta téh burit dina bulan Séptémber. Sim kuring yuswa lima taun, ngaréngkol dina korsi sareng pun rama sareng pun biang. Italia masih kénéh caang ti kameunangan Piala Dunia usum panas, sarta kabungah téh ngawarnaan raray urang. ::Sajongjonan, bray karuntagan. ::Siaran téh pegat. ::Gambaran pikareuwaseun ti nagara tatanggi: jasad-jasad patumpukun hiji luhureun nu lianna. Sim kuring henteu ngartos. Aanggoaanna katinggal siga nu urang — siga nu pun bapa, pun biang, sim kuring. ::Barudakna, ogé. Sababaraha katingal jadi sababaraha bagéan. ::"Henteu, anjeunna téh sanés kulem," saur pun biang, meungpeunan soca sim kuring kalayan geumpeur. ::Handapeun pangawasan jéndral anu teras janten perdana menteri dua puluh taun deui, tilu rébu warga sipil Paléstina dibunuh di kamp pangungsian belah kidul Beirut — dina waktu ngan dua dinten. ::Mangsa éta téh mangsa mimiti sim kuring ngadangu kecap pangungsi. Sim kuring sacara insting nyambungkeun kecap éta ka jasad-jasad teu aya nyawaan anu paburisat sifa cocooan anu rusak dina aspal anu kabeuleum. ::Tilu bulan ka payun, PBB téh ngawartakeun génosida Sabra sareng Shatila. ::Sim kuring émut sora-sora kolot dina kaayaan anu teu percaya anu sim kuring henteu pernah ningal sateuacanna "Kumah ieu téh tiasa kajadian? Kumaha urang tiasa nepi ka dieu?" == Tutumbu luar == [https://warmfoundation.org/projects/francesca-albanese-when-the-world-sleeps/ Quando il mondo dorme (When the World Sleeps) karya Francesca Albanese dibacakeun ku anjeunna di The National Theatre, Sarajevo, Bosnia-Herzegovina, WARM Festival 2025.] [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 1czsvd9aqlbjmvtd4mlyte24k6denht 0 6024 16576 16567 2026-05-14T16:12:23Z Hasnanf 1958 /* Cutatan */ 16576 wikitext text/x-wiki '''Mohammad Rasoulof''' nyaéta sinéas independen Iran anu hirup di pangasingan di Éropa. Anjeunna kasohor ku sababaraha karyana anu berhasil meunangkeun pangajén, kaasup di antawisna, ''The Twilight'' (2002), ''Iron Island'' (2005), ''Goodbye'' (2011), ''Manuscripts Don't Burn'' (2013), ''A Man of Integrity'' (2017), jeung ''There is No Evil'' (2020). Taun 2025, pilem anjeunna nu panganyarna, ''[[The Seed of the Sacred Fig]]'' asup kana nominasi Pilem Panjang Internasional dibawa ku nagara Jérman. == Cutatan == * ''I think I have to accept that in order to see changes and reform in the structure of the country. We have to pay a price and every person will pay some price.'' ** Sim kuring pikir sim kuring kudu narima éta pikeun bisa ningali parobahan sarta pangwangunan ulang dina struktur ieu nagara. Urang kudu mayar hiji harga, jeung unggal jalma téh bakal mayar hargana. * ''Laws only deserve our respect as long as they improve interpersonal relationships and life in society. However, if they serve to promote violence... then they must be revised as a matter of urgency.'' ** Hukum téh ngan pantes dihargaan ku urang salila éta téh ngaronjatkeun hubungan interpersonal jeung kahirupan di masarakat. Sanajan kitu, nanging éta ngabakti pikeun ngarojong katelengesan... lajeng éta téh kudu diralat salaku urusan anu dibutuhkeun. * ''I decided to put away allegorical and metaphorical language because I felt it was a form of self-censorship. I decided to be myself. What matters to a dictatorship is that you aren't yourself.'' ** Sim kuring mutuskeun pikeun nyingkirkeun bahasa alégori jeung métapora kusabab sim kuring ngarasa éta téh bentuk sénsor pikeun diri sorangan. Sim kuring mutuskeun pikeun jadi diri kuring sorangan. Anu pangutamana pikeun kadiktatoran téh nyaéta anjeun lain diri anjeun sorangan. * ''The women’s movement in Iran has a long history and in the last episode of it, which was the Woman, Life, Freedom movement, we were caught by surprise. The new generation has a very different approach to the meaning of resistance and the meaning of life. In the previous generations, death was glorified in the fight and in resistance.'' ''A big difference with the new generation is that they fight for freedom, they fight for life, and they glorify life and they put value in the act of fighting for life, not for death. So their perceptions of life, their understandings of life are very different than what the previous generations understood. The new generation has a very large communication with the world around them and it sees itself as part of the world around it through, of course, social media.'' ** Gerakan wanoja di Iran téh miboga sajarah anu panjang jeung dina épisode terahirna téh, nyaéta gerakan Wanoja, Hirup, Kabébasan, urang sadaya téh teu kasawang sateuacanna. Generasi anyar miboga pandeukeutan anu kacida bédana pikeun harti tina perlawanan sarta harti kahirupan. Di generasi sateuacanna, maot téh diagungkeun dina perjoangan jeung perlawanan. Pangbéda anu badag tina generasi anyar téh nyaéta aranjeunna berjoang pikeun kabébasan, aranjeunna berjoang pikeun kahirupan, sarta aranjeunna ngagungkeun kahirupan jeung anjeunna méré niléy dina usaha berjoang pikeun kahirupan, lain jang maot. Janten persépsi anjeunna ngeunaan kahirupan, pamahaman aranjeunna ngeunaan kahirupan téh kacida bédana jeung anu dipikaharti ku generasi saacanna. Generasi anyar téh miboga komunikasi anu gedé jeung dunya sabudeureun aranjeunna sarta éta téh ningali dirina sorangan salaku bagéan tina dunya éta ngaliwatan, tos pasti, média sosial. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] ioreauzaht9jiyzud43tmigm9byxcel 0 6026 16577 16568 2026-05-14T16:22:53Z Hasnanf 1958 /* Cutatan */ 16577 wikitext text/x-wiki '''The Voice of Hind Rajab''' nyaéta pilem dokudrama anu dirilis taun 2025, ditulis jeung diarahkeun ku sutradara Kaouther Ben Hania. Pilem ieu diproduksi antara nagara Tunisia jeung Perancis, sarta dibintangan ku Saja Kilani, Motaz Malhees, Amer Hlelel, jeung Clara Khoury. Pilem ieu nyaritakeun réspon ti Palang Merah salila Hind Rajab, anak Paléstina yuswa genep taun, anu dibunuh ku tantara Israél nalika nyerang di Jalur Gaza. == Cutatan == === Mahdi Aljamal === * ''"Without coordination, those 8 minutes can cost them their lives."'' ** Tanpa koordinasi, 8 menit éta téh bisa saharga jeung hirup anjeunna. == Cutatan ngeunaan pilem ieu == * Kaouther Ben Hania, sutradarana: ''“I think that the movie is not comfortable to watch to start with because it’s showing us our human failure, the killing of a child.'' ''[For those that consider documentary to be “pure,”] It’s not. When you do a documentary, you choose to show this rather than this; you edit. If you want a ‘pure’ reality, watch camera surveillance for 24 hours. When we talk about doing a documentary or a fiction or anything else, we are talking about a point of view. We are talking about choices.”'' ** Kaouther Ben Hania, sutradarana: Sim kuring pikir, pilem ieu téh henteu nyaman pikeun dilalajoan dimimitian ku lantaran ieu téh nampilkeun kagagalan manusa urang, pangbunuhan hiji murangkalin. [Pikeun anu mikir yén dokuménter téh kudu "murni"] Éta téh henteu. Nalika anjeun ngerjakeun hiji dokuménter, anjeun milih pikeun nunjukkeun ieu dibanding ieu; anjeun ngédit. Upami anjeun mikahoyong kanyataan ‘murni’, lalajoan kaméra pangawas jang 24 jam. Nalika urang nyarioskeun ngeunaan ngadamel hiji dokuménter atawa hiji piksi atawa nu séjénna, urang téh nyarioskeun sudut pandang. Urang téh nyarioskeun ngeunaan pilihan. * ''“I was astonished by the number of people who don’t know this story because [Hind] was under the rubble of other stories, other body numbers. Palestinian victims, especially in the West, are faceless. They are numbers. They don’t exist. There was something about resonating Hind’s voice in a cinematic form that can make you understand.”'' ** Sim kuring téh cahuleun ku loba jalma anu teu terang carita ieu kusabab [Hind] téh aya handapeun runtuhan ti carita-carita séjénna, loba jasad lainna. Korban-korban anu urang Paléstina, utamana di Kulon, téh teu miboga raray. Aranjeunna téh nomer. Aranjeunna téh teu aya. Aya hiji hal ngeunaan ngagaungkeun sorana Hind dina bentuk sinématik pikeun nyieun anjeun ngarti. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 6kmzugfygv39oi646dhu6gvzc8d8eqs 0 6034 16583 16572 2026-05-15T07:33:11Z Hasnanf 1958 16583 wikitext text/x-wiki '''Hayley Nichole Williams''' nyaéta musisi jeung penulis lagu asal Amérika. Anjeunna mangrupakeun vokalis sakaligus salah sahiji nu nyieun band Paramore, sarta geus nyiptakeun sababaraha album solo. Di taun 2025, Hayley Williams ngarilis album panganyarna, nyaéta Ego Death at a Bachelorette Party, anu berhasil mawa anjeunna asup kana nominasi pangajén Grammy Awards kategori ''Best Alternative Music Album, Best Alternative Music Performance, Best Rock Performance,'' jeung ''Best Rock Song''. == Cutatan == * ''"I believe music is a place everyone of us can go to. I don’t care who you are, where you were born, what you do with your life. Everyone can come here in music and be equal."'' ** "Kuring yakin musik mangrupikeun tempat anu sadayana urang tiasa angkat . Abdi henteu paduli saha anjeun, dimana anjeun dilahirkeun, naon anu anjeun lakukeun dina kahirupan anjeun. Sadayana tiasa sumping ka dieu dina musik sareng sami." * ''"Sometimes life just hits you, right in the face. And it’s alright. Because I, for one, think it’s kinda cool to have a black eye every now and then. And I think it’s definitely okay to have scars, and it’s definitely okay to hurt, and be in pain and show it. And that’s why we have friends in this life. And it’s why we have music."'' ** "Kadang-kadang hirup ngan ukur nyéépkeun anjeun, langsung dina raray. Sareng henteu kunanaon. Kusabab kuring, pikeun hiji, nganggap éta rada keren pikeun gaduh panon hideung unggal ayeuna-ayeuna. Sareng kuring pikir pasti henteu kunanaon gaduh tapak tatu, sareng pasti henteu kunanaon, sareng nyeri sareng nunjukkeun éta. Sareng éta sababna urang gaduh réréncangan dina kahirupan ieu . Sareng éta naha urang gaduh musik." * ''"The band has been the chosen family. It’s the vehicle — van — that everybody piled into, and we went along and learned all the lessons that we needed to learn. Now, it does feel like when you can put your purpose next to somebody or the thing that you’re passionate about, and it’s greater than the sum of its parts."'' ** Band éta téh geus jadi kulawarga anu dipilih. Éta téh kendaraan — mobil van — anu ngasupkeun saréréa, tuluy urang sadaya téh indit babarengan jeung diajar sagala pangajén anu urang kudu diajar. Ayeuna, éta téh karasa jiga nalika anjeun bisa nempatkeun tujuan anjeun gigireun hiji jalma atawa hiji hal anu anjeun pikaresep pisan, sarta éta téh leuwih hadé dibanding sabagéan tina hal éta. * ''"Grief teaches you like nothing else."'' ** Katunggaran téh méré pangajén teu jiga nu lianna. * ''"Unfortunately for me, I’m someone that when I get really hurt or when anything gets to that abandonment thing in your body, anger, from me, is usually what would come first, because it’s trying to protect me, and I don’t know how to. That’s why I sing so much about wanting to keep learning what softness means. I don’t think it’s simple, and also, so many people talk like that on podcasts that it starts to mean nothing, but for me, it’s been such a long lesson that I’m like, “When do I get to the end of this?” Because anger has also caused some of the best moments in my life, where I was motivated enough to do something that I thought could help make a difference, whether that be activism or even just writing music for myself, for grief, pain, anger, all those things. I have to find my way to real vulnerability underneath all that stuff first. I’d love to get there faster… Actually, I’m going to give myself that. I think that this album would sound a lot different if I hadn’t learned to look beneath anger."'' ** Hanjakalna pikeun sim kuring, sim kuring téh jalma anu nalika sim kuring kanyenyeri atawa nalika hiji hal micu rarasaan ditinggalkeun dina salira anjeun, rasa bendu, tim sim kuring, téh biasana anu bakal muncul mimiti, kusabab éta téh aya pikeun ngalindungan kuring, jeung sim kuring teu terang kumaha carana. Éta téh kunaon sim kuring loba nyanyi ngeunaan hayang terus diajar kalembutan téh hartina kumaha. Sim kuring teu ngarasa éta téh sederhana, sarta ogé, loba jalma nyarios siga kitu dina ''podcast'' anu tuluy éta téh muléy jadi teu aya hartina, nanging pikeun sim kuring, éta téh tos jadi pangajén anu panjang anu sim kuring siga, "Iraha sim kuring bisa eureun tina ieu?" Kusabab kabendu téh ogé anu nyebabkeun sim kuring bisa ngalaman mangsa-mangsa panghadéna di hirup kuring, nalika sim kuring ngarasa cukup kamotipasi pikeun ngalakukeun hal-hal anu sim kuring pikir bisa mantuan nyieun parobahan, boh éta téh aktipisme atawa ngan nulis musik pikeun sim kuring, pikeun katunggaraan, kanyeri, kabendu, sarta sakabéh hal éta. Sim kuring kudu mendakan jalan sim kuring pikeun kalemahan anu nyata handapeun sakabéh hal éta. Sim kuring hayang tepi ka dinya leuwih gancang... Sabenerna, sim kuring bakal méré éta pikeun sim kuring sorangan. Sim kuring pikir album ieu bakal kadangu leuwih béda upami sim kuring henteu diajar pikeun ningali kabendu leuwih jero. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] os6e8v2vxzbdyxj8y9nsa7lpfa8ge6l 16584 16583 2026-05-15T07:34:20Z Hasnanf 1958 16584 wikitext text/x-wiki [[Gambar:Hayley Williams in 2017.jpg|jmpl|Hayley Williams, 2017]] '''Hayley Nichole Williams''' nyaéta musisi jeung penulis lagu asal Amérika. Anjeunna mangrupakeun vokalis sakaligus salah sahiji nu nyieun band Paramore, sarta geus nyiptakeun sababaraha album solo. Di taun 2025, Hayley Williams ngarilis album panganyarna, nyaéta Ego Death at a Bachelorette Party, anu berhasil mawa anjeunna asup kana nominasi pangajén Grammy Awards kategori ''Best Alternative Music Album, Best Alternative Music Performance, Best Rock Performance,'' jeung ''Best Rock Song''. == Cutatan == * ''"I believe music is a place everyone of us can go to. I don’t care who you are, where you were born, what you do with your life. Everyone can come here in music and be equal."'' ** "Kuring yakin musik mangrupikeun tempat anu sadayana urang tiasa angkat . Abdi henteu paduli saha anjeun, dimana anjeun dilahirkeun, naon anu anjeun lakukeun dina kahirupan anjeun. Sadayana tiasa sumping ka dieu dina musik sareng sami." * ''"Sometimes life just hits you, right in the face. And it’s alright. Because I, for one, think it’s kinda cool to have a black eye every now and then. And I think it’s definitely okay to have scars, and it’s definitely okay to hurt, and be in pain and show it. And that’s why we have friends in this life. And it’s why we have music."'' ** "Kadang-kadang hirup ngan ukur nyéépkeun anjeun, langsung dina raray. Sareng henteu kunanaon. Kusabab kuring, pikeun hiji, nganggap éta rada keren pikeun gaduh panon hideung unggal ayeuna-ayeuna. Sareng kuring pikir pasti henteu kunanaon gaduh tapak tatu, sareng pasti henteu kunanaon, sareng nyeri sareng nunjukkeun éta. Sareng éta sababna urang gaduh réréncangan dina kahirupan ieu . Sareng éta naha urang gaduh musik." * ''"The band has been the chosen family. It’s the vehicle — van — that everybody piled into, and we went along and learned all the lessons that we needed to learn. Now, it does feel like when you can put your purpose next to somebody or the thing that you’re passionate about, and it’s greater than the sum of its parts."'' ** Band éta téh geus jadi kulawarga anu dipilih. Éta téh kendaraan — mobil van — anu ngasupkeun saréréa, tuluy urang sadaya téh indit babarengan jeung diajar sagala pangajén anu urang kudu diajar. Ayeuna, éta téh karasa jiga nalika anjeun bisa nempatkeun tujuan anjeun gigireun hiji jalma atawa hiji hal anu anjeun pikaresep pisan, sarta éta téh leuwih hadé dibanding sabagéan tina hal éta. * ''"Grief teaches you like nothing else."'' ** Katunggaran téh méré pangajén teu jiga nu lianna. * ''"Unfortunately for me, I’m someone that when I get really hurt or when anything gets to that abandonment thing in your body, anger, from me, is usually what would come first, because it’s trying to protect me, and I don’t know how to. That’s why I sing so much about wanting to keep learning what softness means. I don’t think it’s simple, and also, so many people talk like that on podcasts that it starts to mean nothing, but for me, it’s been such a long lesson that I’m like, “When do I get to the end of this?” Because anger has also caused some of the best moments in my life, where I was motivated enough to do something that I thought could help make a difference, whether that be activism or even just writing music for myself, for grief, pain, anger, all those things. I have to find my way to real vulnerability underneath all that stuff first. I’d love to get there faster… Actually, I’m going to give myself that. I think that this album would sound a lot different if I hadn’t learned to look beneath anger."'' ** Hanjakalna pikeun sim kuring, sim kuring téh jalma anu nalika sim kuring kanyenyeri atawa nalika hiji hal micu rarasaan ditinggalkeun dina salira anjeun, rasa bendu, tim sim kuring, téh biasana anu bakal muncul mimiti, kusabab éta téh aya pikeun ngalindungan kuring, jeung sim kuring teu terang kumaha carana. Éta téh kunaon sim kuring loba nyanyi ngeunaan hayang terus diajar kalembutan téh hartina kumaha. Sim kuring teu ngarasa éta téh sederhana, sarta ogé, loba jalma nyarios siga kitu dina ''podcast'' anu tuluy éta téh muléy jadi teu aya hartina, nanging pikeun sim kuring, éta téh tos jadi pangajén anu panjang anu sim kuring siga, "Iraha sim kuring bisa eureun tina ieu?" Kusabab kabendu téh ogé anu nyebabkeun sim kuring bisa ngalaman mangsa-mangsa panghadéna di hirup kuring, nalika sim kuring ngarasa cukup kamotipasi pikeun ngalakukeun hal-hal anu sim kuring pikir bisa mantuan nyieun parobahan, boh éta téh aktipisme atawa ngan nulis musik pikeun sim kuring, pikeun katunggaraan, kanyeri, kabendu, sarta sakabéh hal éta. Sim kuring kudu mendakan jalan sim kuring pikeun kalemahan anu nyata handapeun sakabéh hal éta. Sim kuring hayang tepi ka dinya leuwih gancang... Sabenerna, sim kuring bakal méré éta pikeun sim kuring sorangan. Sim kuring pikir album ieu bakal kadangu leuwih béda upami sim kuring henteu diajar pikeun ningali kabendu leuwih jero. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 24pq21qvrd9z24tqfe5csnvxgzzqiw5 16588 16584 2026-05-15T08:50:32Z Hasnanf 1958 /* Cutatan */ 16588 wikitext text/x-wiki [[Gambar:Hayley Williams in 2017.jpg|jmpl|Hayley Williams, 2017]] '''Hayley Nichole Williams''' nyaéta musisi jeung penulis lagu asal Amérika. Anjeunna mangrupakeun vokalis sakaligus salah sahiji nu nyieun band Paramore, sarta geus nyiptakeun sababaraha album solo. Di taun 2025, Hayley Williams ngarilis album panganyarna, nyaéta Ego Death at a Bachelorette Party, anu berhasil mawa anjeunna asup kana nominasi pangajén Grammy Awards kategori ''Best Alternative Music Album, Best Alternative Music Performance, Best Rock Performance,'' jeung ''Best Rock Song''. == Cutatan == * ''"I believe music is a place everyone of us can go to. I don’t care who you are, where you were born, what you do with your life. Everyone can come here in music and be equal."'' ** "Kuring yakin musik mangrupikeun tempat anu sadayana urang tiasa angkat . Abdi henteu paduli saha anjeun, dimana anjeun dilahirkeun, naon anu anjeun lakukeun dina kahirupan anjeun. Sadayana tiasa sumping ka dieu dina musik sareng sami." * ''"Sometimes life just hits you, right in the face. And it’s alright. Because I, for one, think it’s kinda cool to have a black eye every now and then. And I think it’s definitely okay to have scars, and it’s definitely okay to hurt, and be in pain and show it. And that’s why we have friends in this life. And it’s why we have music."'' ** "Kadang-kadang hirup ngan ukur nyéépkeun anjeun, langsung dina raray. Sareng henteu kunanaon. Kusabab kuring, pikeun hiji, nganggap éta rada keren pikeun gaduh panon hideung unggal ayeuna-ayeuna. Sareng kuring pikir pasti henteu kunanaon gaduh tapak tatu, sareng pasti henteu kunanaon, sareng nyeri sareng nunjukkeun éta. Sareng éta sababna urang gaduh réréncangan dina kahirupan ieu . Sareng éta naha urang gaduh musik." * ''"The band has been the chosen family. It’s the vehicle — van — that everybody piled into, and we went along and learned all the lessons that we needed to learn. Now, it does feel like when you can put your purpose next to somebody or the thing that you’re passionate about, and it’s greater than the sum of its parts."'' ** Band éta téh geus jadi kulawarga anu dipilih. Éta téh kendaraan — mobil van — anu ngasupkeun saréréa, tuluy urang sadaya téh indit babarengan jeung diajar sagala pangaweruh anu urang kudu diajar. Ayeuna, éta téh karasa jiga nalika anjeun bisa nempatkeun tujuan anjeun gigireun hiji jalma atawa hiji hal anu anjeun pikaresep pisan, sarta éta téh leuwih hadé dibanding sabagéan tina hal éta. * ''"Grief teaches you like nothing else."'' ** Katunggaran téh méré pangaweruh teu jiga nu lianna. * ''"Unfortunately for me, I’m someone that when I get really hurt or when anything gets to that abandonment thing in your body, anger, from me, is usually what would come first, because it’s trying to protect me, and I don’t know how to. That’s why I sing so much about wanting to keep learning what softness means. I don’t think it’s simple, and also, so many people talk like that on podcasts that it starts to mean nothing, but for me, it’s been such a long lesson that I’m like, “When do I get to the end of this?” Because anger has also caused some of the best moments in my life, where I was motivated enough to do something that I thought could help make a difference, whether that be activism or even just writing music for myself, for grief, pain, anger, all those things. I have to find my way to real vulnerability underneath all that stuff first. I’d love to get there faster… Actually, I’m going to give myself that. I think that this album would sound a lot different if I hadn’t learned to look beneath anger."'' ** Hanjakalna pikeun sim kuring, sim kuring téh jalma anu nalika sim kuring kanyenyeri atawa nalika hiji hal micu rarasaan ditinggalkeun dina salira anjeun, rasa bendu, tim sim kuring, téh biasana anu bakal muncul mimiti, kusabab éta téh aya pikeun ngalindungan kuring, jeung sim kuring teu terang kumaha carana. Éta téh kunaon sim kuring loba nyanyi ngeunaan hayang terus diajar kalembutan téh hartina kumaha. Sim kuring teu ngarasa éta téh sederhana, sarta ogé, loba jalma nyarios siga kitu dina ''podcast'' anu tuluy éta téh muléy jadi teu aya hartina, nanging pikeun sim kuring, éta téh tos jadi pangaweruh anu panjang anu sim kuring siga, "Iraha sim kuring bisa eureun tina ieu?" Kusabab kabendu téh ogé anu nyebabkeun sim kuring bisa ngalaman mangsa-mangsa panghadéna di hirup kuring, nalika sim kuring ngarasa cukup kamotipasi pikeun ngalakukeun hal-hal anu sim kuring pikir bisa mantuan nyieun parobahan, boh éta téh aktipisme atawa ngan nulis musik pikeun sim kuring, pikeun katunggaraan, kanyeri, kabendu, sarta sakabéh hal éta. Sim kuring kudu mendakan jalan sim kuring pikeun kalemahan anu nyata handapeun sakabéh hal éta. Sim kuring hayang tepi ka dinya leuwih gancang... Sabenerna, sim kuring bakal méré éta pikeun sim kuring sorangan. Sim kuring pikir album ieu bakal kadangu leuwih béda upami sim kuring henteu diajar pikeun ningali kabendu leuwih jero. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] 0e1ujb2mfz2ot8seydbbtwv2ci4wynf 0 6035 16582 16254 2026-05-15T07:23:33Z Hasnanf 1958 16582 wikitext text/x-wiki '''The Phoenician Scheme''' nyaéta pilem mata-mata ''thriller'' komédi satir, anu diproduksi, ditulis, jeung diarahkeun ku Wes Anderson, tina carita anu diwangun babarengan ku anjeunna jeung Roman Coppola. Pilem ieu dibéntangan ku Benicio del Toro, Mia Threapleton, Michael Cera, Riz Ahmed, Tom Hanks, Bryan Cranston, Mathieu Amalric, Richard Ayoade, Jeffrey Wright, Scarlett Johansson, Benedict Cumberbatch, Rupert Friend, Hope Davis, F. Murray Abraham, Charlotte Gainsbourg, Willem Dafoe, jeung Bill Muray. Pilem ieu nyaritakeun lalaki pabisnis anu keur nyobaan hirup akur jeung budak awéwéna sakaligus nganggeuskeun proyék inprastruktur ambisius di Funisia. == Plot == Taun 1950, palaku industri sarta bandar pakarang Arménia, Anatole "Zsa-Zsa" Korda, salamet tina percobaan rajapati. Nalika teu sadar, anjeunna asup ka alam ahérat, dimana aya hakim anu nangtukeun naha manéhna téh layak atawa henteu pikeun asup ka Sorga. Nyaho yén anjeunna teu bisa terus-terusan kabur ti pamaténi salilana, Korda tuluy usaha pikeun ngakurkeun hirupna jeung budak awéwéna, anu mangrupakeun biara Katolik, Sister Liesl. Anjeunna ménta pikeun Liesl kaluar ti Garéja sangkan bisa nuluykeun usaha bisnis anjeunna. Nalika kitu, pamaréntah sadunya keur néangan cara pikeun nyergap prakték usaha teu étis Korda sarta kacenderungan anjeunna pikeun ngamanipulasi pacengkadan jeung kadaméyan dunya pikeun numutkeun kapentingan anjeunna. == Cutatan == === Zsa-Zsa Korda === * ''"I'm capable of and willing to genuinely believe in the opposite of my personal convictions."'' ** Sim kuring mampu sarta daék pikeun percaya satulusna jang sagala hal anu berlawanan jeung kayakinan kuring sorangan. === Byørn Lund === * ''"Could you imagine falling in love with a man like me, by the way, hypothetically?"'' ** Tiasa anjeun bayangkeun pikeun bogoh ka lalaki jiga sim kuring, ngomong-ngomong, lamun dibayangkeun? === Sister Liesl === * ''"When I pray, no one answers. I only pretend He does. Then I do whatever I think God probably would've suggested. Usually, it's obvious."'' ** Nalika sim kuring ngadu'a, teu aya nu ngawaler. Sim kuring ngan nganggep Pangéran téh ngawaler. Teras sim kuring lakukeun naon waé anu sim kuring pikir Pangéran téh meureun nitah sim kuring. Sakapeung, éta téh jelas. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] p0o2bvkmha4vo5pduiarsxocjwngzi6 0 6036 16593 16571 2026-05-15T09:49:34Z Hasnanf 1958 16593 wikitext text/x-wiki [[Gambar:Laufey Lin.jpg|jmpl|Laufey]] '''Laufey Lin Bing Jónsdóttir''' atawa leuwih dipikawanoh kalayan ngaran mononimus '''Laufey''' nyaéta panyanyi jeung panulis lagu asal Islandia. Gaya musik anjeunna ngagabungkeun aliran jazz pop, klasik, jeung bossa nova. Anjeunna mimiti tampil salaku solois cello dina yuswa 15 taun, anu dibarengan ku Iceland Symphony Orchéstra, tuluy di taun 2014 jadi finalis Island Got Talent jeung sémifinalis The Voice Iceland 2015. == Cutatan == * ''I think it was just like, I knew that being an artist was never a surprise, which I think in contrast to my American peers who–I mean now they’re all artists–but growing up I had friends who weren’t, and it seemed like being an artist was this incredible risk that parents often didn’t approve of. I think that’s the part, right? Whereas in Iceland, it felt like this thing that more than half of the people I knew at least attempted some sort of art form or school or studying it, whether it was writing or acting or music. At some point in their life, it was a part of them becoming an adult.'' ''And now I’m 25, and graduated high school there six years ago. To this day, there are kids who have just finished up their economics degree and they’re going to acting school in England. The society fosters artistic development and artistic risks. I think being an artist was never a surprise, but I think being an artist in this way was a bit of a surprise to me.'' ** Sim kuring pikir éta téh siga, sim kuring tos terang yén janten seniman téh sanés hal anu teu disangka-sangka, anu sim kuring pikir téh kontras pisan sareng réréncangan-réréncangan Amérika sim kuring anu''—''maksud sim kuring téh anjeunna sadayana ayeuna seniman—nanging tumuwuh sim kuring gaduh réréncangan anu sanés seniman, sarta éta téh katingalna janten seniman téh résiko ageung anu kolot seringna henteu ngidinan. Sim kuring pikir éta téh bagéanna, leres? Sanajan kitu di Islandia, éta téh karasana siga ieu hal téh leuwih ti satengah jalma-jalma anu ku sim kuring pikawanoh sahenteuna nyobian hiji bentuk seni atawa sakola atawa diajar éta, boh éta téh nulis atawa ngalalakon atawa musik. Dina hiji mangsa dina hirupna, éta téh bagéan anjeunna janten jalma déwasa. Teras ayeuna sim kuring yuswa 25, sarta atos lulus sakola menengah luhur di ditu genep taun sateuacanna. Nepi ka ayeuna, aya barudak anu nembé réngse meunangkeun gelar ékonomina sareng anjeunna téh neraskeun sakola ngalalakon di Inggris. Masarakat téh ngarawat perkembangan artistik sarta résiko artistik. Sim kuring pikir janten seniman téh henteu pernah janten hal anu henteu disangka-sangka, tapi sim kuring pikir janten seniman dina cara kieu téh mangrupakeun hal anu teu disangka-sangka pikeun sim kuring. * ''There are so many barriers to entry to going to the symphony. How to dress, where to get my ticket, when to clap, is there an intermission? It is also super expensive. There’s so much etiquette involved, and it’s something that I really want to introduce to a new generation of listeners, and I want to introduce it as something that is not quite as serious as it’s painted to be. I mean this music–classical music–was the pop music at its time.'' ** Seueur watesan pikeun tiasa lebet ka simponi. Kumaha carana dangdos, dimana cara kénging tikétna, iraha kudu keprok, atanapi aya jeda heula? Éta gé awis pisan. Aya seueur étika anu kalibet, sarta éta téh hiji hal anu sim kuring hoyong pisan wanohkeun ka generasi pangdangu anyar, sareng sim kuring téh hoyong ngawanohkeun éta minangka hiji hal anu henteu serius-serius teuing sakumaha éta digambarkeun. Maksud sim kuring téh ieu musik— musik klasik— mangrupakeun musik pop dina mangsana. [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] jy98gp84p56uwcvo5e46dtr2xvznd17 0 6038 16594 16560 2026-05-15T10:08:36Z Hasnanf 1958 16594 wikitext text/x-wiki '''Omar El Akkad''' nyaéta jurnalis jeung penulis Mesir-Kanada-Amérika. Anjeunna kungsi jadi réporter jang ''The Globe and Mail'' salila 10 taun, nu mana anjeunna ngawartakeun perang di Afghanistan, Teluk Guantanamo, jeung Arab Spring di Mesir. Di taun 2025, buku anjeunna nu dirilis di taun nu sarua, ''One Day Everyone Will Have Always Been Against This'' meunang pangajén National Book Award for Nonfiction. == Cutatan == * ''To be accused of speaking too loudly about one injustice but not others by someone who doesn’t care about any of them is to be told, simply, to keep quiet.'' ** Pikeun dituduh nyarios tarik teuing ngeunaan hiji kateuadilan tapi henteu nu lianna ku hiji jalma anu henteu paduli ngeunaan hiji-hiji acan téh sami jeung siga dititah, sederhanana mah, pikeun angger cicing. * ''It is a hallmark of failing societies, I’ve learned, this requirement that one always be in possession of a valid reason to exist.'' ** Éta téh tanda tina masarakat anu gagal, sim kuring diajar, pasaratan ieu téh, éta téh teu weléh jadi pikamilik tina alasan valid pikeun hirup. * ''The moral component of history, the most necessary component, is simply a single question, asked over and over again: When it mattered, who sided with justice and who sided with power? What makes moments such as this one so dangerous, so clarifying, is that one way or another everyone is forced to answer.'' ** Komponen moral tina sajarah, komponen paling penting, téh sederhanana mah hiji patayaan, ditanyakeun tuluy tuluyan: Nanging éta aya hartina, saha anu mihak ka kaadilan sarta saha anu mihak ka kakuasaan? Naon anu ngajadikeun mangsa siga kieu téh bahaya pisan, jelas pisan, nyaéta hiji jalan atawa nu séjénna sakabéh jalma téh dipaksa pikeun ngajawab. * ''How empty does your message have to be for a deranged right wing to even have a chance of winning? Of all the epitaphs that may one day be written on the gravestone of Western liberalism, the most damning is this: Faced off against a nihilistic, endlessly cruel manifestation of conservatism, and somehow managed to make it close.'' ** Sakumaha kudu kosong pesen anjeun téh pikeun saurang sayap kanan sasar nepi ka miboga kasempetan pikeun meunang? Di antara sakabéh tulisan dina batu nisan anu engké bakal dituliskeun dina batu nisan liberalisme Barat, anu paling ngutuk téh ieu: Nyinghareupan langsung perwujudan konservatisme anu nihilistik jeung telenges, sarta henteu apal kumaha bisa ngadeukeutan kameunangan. * ''It seemed sensible to crave safety, to crave shelter from the bombs and the Birds and the daily depravity of war. But somewhere deep in her mind an idea had begun to fester-perhaps the longing for safety was itself just another kind of violence-a violence of cowardice, silence, submission. What was safety, anyway, but the sound of a bomb falling on someone else's home?'' ** Katingalina téh masuk akal pikeun miharep kaamanan, pikeun miharep panyalindungan tina bom sareng kapal perang sarta kabejadan perang sapopoé. Tapi hiji tempat dina pikiranna aya hiji ideu anu mulai kabentuk-meureun kasonoan pikeun kaamanan téh ngan bentuk lain tina katelengesan-hiji katelengesan tina kateuneung, kabisuan, katundukan. Naon ogé kaamanan téh, nanging sora bom murag dina imah hiji jalma nu lian? [[Category: WikiSuarana]] [[Category: WikiSuarana-Hasnanf]] bx5chx0j5e0vt8nn8rwfaqrzqtplgbq